Oscars
The Academy Awards, also known as Oscars, are awards given annually since 1929 by the Academy of Motion Picture Arts and Sciences (AMPAS). These aim to reward the personalities and movies that stood out in the previous year in the most diverse categories in the film industry.
All-time Oscars winners
The following list shows all Academy Award Winners from the first edition in 1929 to the most recent one. This list presents both the winners of Awards of Merit and Honorary Awards. For each winner, the category is also presented.
Edition | Year | Category [source] | Winner [source] |
---|---|---|---|
1 | 1927-1928 | Actor | Emil Jannings |
1 | 1927-1928 | Actress | Janet Gaynor |
1 | 1927-1928 | Art Direction | William Cameron Menzies |
1 | 1927-1928 | Cinematography | Charles Rosher |
1 | 1927-1928 | Cinematography | Karl Struss |
1 | 1927-1928 | Directing (Comedy Picture) | Lewis Milestone |
1 | 1927-1928 | Directing (Dramatic Picture) | Frank Borzage |
1 | 1927-1928 | Engineering Effects | Roy Pomeroy |
1 | 1927-1928 | Outstanding Picture | Paramount Famous Lasky |
1 | 1927-1928 | Special Award | To Charles Chaplin, for acting, writing, directing and producing The Circus . |
1 | 1927-1928 | Special Award | To Warner Bros., for producing The Jazz Singer , the pioneer outstanding talking picture, which has revolutionized the industry. |
1 | 1927-1928 | Unique and Artistic Picture | Fox |
1 | 1927-1928 | Writing (Adaptation) | Benjamin Glazer |
1 | 1927-1928 | Writing (Original Story) | Ben Hecht |
1 | 1927-1928 | Writing (Title Writing) | Joseph Farnham |
2 | 1928-1929 | Actor | Warner Baxter |
2 | 1928-1929 | Actress | Mary Pickford |
2 | 1928-1929 | Art Direction | Cedric Gibbons |
2 | 1928-1929 | Cinematography | Clyde De Vinna |
2 | 1928-1929 | Directing | Frank Lloyd |
2 | 1928-1929 | Outstanding Picture | Metro-Goldwyn-Mayer |
2 | 1928-1929 | Writing | Hans Kraly |
3 | 1929-1930 | Actor | George Arliss |
3 | 1929-1930 | Actress | Norma Shearer |
3 | 1929-1930 | Art Direction | King of Jazz |
3 | 1929-1930 | Cinematography | With Byrd at the South Pole |
3 | 1929-1930 | Directing | Lewis Milestone |
3 | 1929-1930 | Outstanding Production | All Quiet on the Western Front |
3 | 1929-1930 | Sound Recording | The Big House |
3 | 1929-1930 | Writing | The Big House |
4 | 1930-1931 | Actor | Lionel Barrymore |
4 | 1930-1931 | Actress | Marie Dressler |
4 | 1930-1931 | Art Direction | Cimarron |
4 | 1930-1931 | Cinematography | Tabu |
4 | 1930-1931 | Directing | Skippy |
4 | 1930-1931 | Outstanding Production | Cimarron |
4 | 1930-1931 | Scientific or Technical Award (Class I) | To DuPONT FILM MANUFACTURING CORP. and EASTMAN KODAK COMPANY for super-sensitive panchromatic film. |
4 | 1930-1931 | Scientific or Technical Award (Class I) | To ELECTRICAL RESEARCH PRODUCTS, INC., RCA-PHOTOPHONE, INC. and RKO RADIO PICTURES, INC., for noise reduction recording equipment. |
4 | 1930-1931 | Scientific or Technical Award (Class II) | To FOX FILM CORP. for effective use of synchro-projection composite photography. |
4 | 1930-1931 | Scientific or Technical Award (Class III) | To ELECTRICAL RESEARCH PRODUCTS, INC. for moving coil microphone transmitters. |
4 | 1930-1931 | Scientific or Technical Award (Class III) | To RCA-PHOTOPHONE, INC. for ribbon microphone transmitters. |
4 | 1930-1931 | Scientific or Technical Award (Class III) | To RKO RADIO PICTURES, INC. for reflex type microphone concentrators. |
4 | 1930-1931 | Sound Recording | Paramount Publix Studio Sound Department |
4 | 1930-1931 | Writing (Adaptation) | Cimarron |
4 | 1930-1931 | Writing (Original Story) | The Dawn Patrol |
5 | 1931-1932 | Actor | Fredric March |
5 | 1931-1932 | Actor | Wallace Beery |
5 | 1931-1932 | Actress | Helen Hayes |
5 | 1931-1932 | Art Direction | Transatlantic |
5 | 1931-1932 | Cinematography | Shanghai Express |
5 | 1931-1932 | Directing | Bad Girl |
5 | 1931-1932 | Outstanding Production | Grand Hotel |
5 | 1931-1932 | Scientific or Technical Award (Class II) | To TECHNICOLOR MOTION PICTURE CORP. for its color cartoon process. |
5 | 1931-1932 | Scientific or Technical Award (Class III) | To EASTMAN KODAK COMPANY for its Type II-B Sensitometer. |
5 | 1931-1932 | Short Subject (Cartoon) | Flowers and Trees |
5 | 1931-1932 | Short Subject (Comedy) | The Music Box |
5 | 1931-1932 | Short Subject (Novelty) | Wrestling Swordfish |
5 | 1931-1932 | Sound Recording | Paramount Publix Studio Sound Department |
5 | 1931-1932 | Special Award | To Walt Disney for the creation of "Mickey Mouse." |
5 | 1931-1932 | Writing (Adaptation) | Bad Girl |
5 | 1931-1932 | Writing (Original Story) | The Champ |
6 | 1932-1933 | Actor | Charles Laughton |
6 | 1932-1933 | Actress | Katharine Hepburn |
6 | 1932-1933 | Art Direction | Cavalcade |
6 | 1932-1933 | Assistant Director | Charles Barton (Paramount) |
6 | 1932-1933 | Assistant Director | Charles Dorian (Metro-Goldwyn-Mayer) |
6 | 1932-1933 | Assistant Director | Dewey Starkey (RKO Radio) |
6 | 1932-1933 | Assistant Director | Fred Fox (United Artists) |
6 | 1932-1933 | Assistant Director | Gordon Hollingshead (Warner Bros.) |
6 | 1932-1933 | Assistant Director | Scott Beal (Universal) |
6 | 1932-1933 | Assistant Director | William Tummel (Fox) |
6 | 1932-1933 | Cinematography | A Farewell to Arms |
6 | 1932-1933 | Directing | Cavalcade |
6 | 1932-1933 | Outstanding Production | Cavalcade |
6 | 1932-1933 | Scientific or Technical Award (Class II) | To ELECTRICAL RESEARCH PRODUCTS, INC. for their wide range recording and reporducing system. |
6 | 1932-1933 | Scientific or Technical Award (Class II) | To RCA-VICTOR COMPANY, INC. for their high-fidelity recording and reproducing system. |
6 | 1932-1933 | Scientific or Technical Award (Class III) | To FOX FILM CORPORATION, FRED JACKMAN and WARNER BROS. PICTURES, INC., and SIDNEY SANDERS of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography. |
6 | 1932-1933 | Short Subject (Cartoon) | The Three Little Pigs |
6 | 1932-1933 | Short Subject (Comedy) | So This Is Harris |
6 | 1932-1933 | Short Subject (Novelty) | Krakatoa |
6 | 1932-1933 | Sound Recording | A Farewell to Arms |
6 | 1932-1933 | Writing (Adaptation) | Little Women |
6 | 1932-1933 | Writing (Original Story) | One Way Passage |
7 | 1934 | Actor | Clark Gable |
7 | 1934 | Actress | Claudette Colbert |
7 | 1934 | Art Direction | The Merry Widow |
7 | 1934 | Assistant Director | Viva Villa! |
7 | 1934 | Cinematography | Cleopatra |
7 | 1934 | Directing | It Happened One Night |
7 | 1934 | Film Editing | Eskimo |
7 | 1934 | Music (Scoring) | One Night of Love |
7 | 1934 | Music (Song) | The Gay Divorcee |
7 | 1934 | Outstanding Production | It Happened One Night |
7 | 1934 | Scientific or Technical Award (Class II) | To ELECTRICAL RESEARCH PRODUCTS, INC. for their development of the Vertical Cut Disc Method of recording sound for motion pictures (hill and dale recording). |
7 | 1934 | Scientific or Technical Award (Class III) | To BELL AND HOWELL COMPANY for their development of the Bell and Howell Fully Automatic Sound and Picture Printer. |
7 | 1934 | Scientific or Technical Award (Class III) | To COLUMBIA PICTURES CORPORATION for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love . |
7 | 1934 | Short Subject (Cartoon) | The Tortoise and the Hare |
7 | 1934 | Short Subject (Comedy) | La Cucaracha |
7 | 1934 | Short Subject (Novelty) | City of Wax |
7 | 1934 | Sound Recording | One Night of Love |
7 | 1934 | Special Award | To Shirley Temple, in grateful recognition of her outstanding contribution to screen entertainment during the year 1934. |
7 | 1934 | Writing (Adaptation) | It Happened One Night |
7 | 1934 | Writing (Original Story) | Manhattan Melodrama |
8 | 1935 | Actor | Victor McLaglen |
8 | 1935 | Actress | Bette Davis |
8 | 1935 | Art Direction | The Dark Angel |
8 | 1935 | Assistant Director | The Lives of a Bengal Lancer |
8 | 1935 | Cinematography | A Midsummer Night's Dream |
8 | 1935 | Dance Direction | Dave Gould |
8 | 1935 | Directing | The Informer |
8 | 1935 | Film Editing | A Midsummer Night's Dream |
8 | 1935 | Music (Scoring) | The Informer |
8 | 1935 | Music (Song) | Gold Diggers of 1935 |
8 | 1935 | Outstanding Production | Mutiny on the Bounty |
8 | 1935 | Scientific or Technical Award (Class II) | To AGFA ANSCO CORPORATION for their development of the Agfa infra-red film. |
8 | 1935 | Scientific or Technical Award (Class II) | To EASTMAN KODAK COMPANY for their development of the Eastman Pola-Screen. |
8 | 1935 | Scientific or Technical Award (Class III) | To DOUGLAS SHEARER and METRO-GOLDWYN-MAYER STUDIO SOUND DEPARTMENT for their automatic control system for cameras and sound recording machines and auxiliary stage equipment. |
8 | 1935 | Scientific or Technical Award (Class III) | To ELECTRICAL RESEARCH PRODUCTS, INC. for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound. |
8 | 1935 | Scientific or Technical Award (Class III) | To METRO-GOLDWYN-MAYER STUDIO for the development of anti-directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company. |
8 | 1935 | Scientific or Technical Award (Class III) | To MOLE-RICHARDSON COMPANY for their development of the "Solar-spot" spot lamps. |
8 | 1935 | Scientific or Technical Award (Class III) | To NATHAN LEVINSON, Director of Sound Recording for Warner Bros.-First National Studio, for the method of intercutting variable density and variable area sound tracks to secure an increase in the effective volume range of sound recorded for motion pictures. |
8 | 1935 | Scientific or Technical Award (Class III) | To PARAMOUNT PRODUCTIONS, INC. for the design and construction of the Paramount transparency air turbine developing machine. |
8 | 1935 | Scientific or Technical Award (Class III) | To WILLIAM A. MUELLER of Warner Bros.-First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects. |
8 | 1935 | Short Subject (Cartoon) | Three Orphan Kittens |
8 | 1935 | Short Subject (Comedy) | How to Sleep |
8 | 1935 | Short Subject (Novelty) | Wings over Mt. Everest |
8 | 1935 | Sound Recording | Naughty Marietta |
8 | 1935 | Special Award | To David Wark Griffith, for his distinguished creative achievements as director and producer and his invaluable initiative and lasting contributions to the progress of the motion picture arts. |
8 | 1935 | Writing (Original Story) | The Scoundrel |
8 | 1935 | Writing (Screenplay) | The Informer |
9 | 1936 | Actor | Paul Muni |
9 | 1936 | Actor in a Supporting Role | Walter Brennan |
9 | 1936 | Actress | Luise Rainer |
9 | 1936 | Actress in a Supporting Role | Gale Sondergaard |
9 | 1936 | Art Direction | Dodsworth |
9 | 1936 | Assistant Director | The Charge of the Light Brigade |
9 | 1936 | Cinematography | Anthony Adverse |
9 | 1936 | Dance Direction | Seymour Felix |
9 | 1936 | Directing | Mr. Deeds Goes to Town |
9 | 1936 | Film Editing | Anthony Adverse |
9 | 1936 | Music (Scoring) | Anthony Adverse |
9 | 1936 | Music (Song) | Swing Time |
9 | 1936 | Outstanding Production | The Great Ziegfeld |
9 | 1936 | Scientific or Technical Award (Class I) | To DOUGLAS SHEARER and the METRO-GOLDWYN-MAYER STUDIO SOUND DEPARTMENT for the development of a practical two-way horn system and a biased Class A push-pull recording system. |
9 | 1936 | Scientific or Technical Award (Class II) | To E. C. WENTE and the BELL TELEPHONE LABORATORIES for their multi-cellular high-frequency horn and receiver. |
9 | 1936 | Scientific or Technical Award (Class II) | To RCA MANUFACTURING CO., INC., for their rotary stabilizer sound head. |
9 | 1936 | Scientific or Technical Award (Class III) | To ELECTRICAL RESEARCH PRODUCTS, INC. for the ERPI "Type Q" portable recording channel. |
9 | 1936 | Scientific or Technical Award (Class III) | To RCA MANUFACTURING CO., INC., for furnishing a practical design and specifications for a non-slip printer. |
9 | 1936 | Scientific or Technical Award (Class III) | To RCA MANUFACTURING CO., INC., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as ultra-violet light recording). |
9 | 1936 | Scientific or Technical Award (Class III) | To UNITED ARTISTS STUDIO CORP. for the development of a practical, efficient and quiet wind machine. |
9 | 1936 | Short Subject (Cartoon) | The Country Cousin |
9 | 1936 | Short Subject (Color) | Give Me Liberty |
9 | 1936 | Short Subject (One-reel) | Bored of Education |
9 | 1936 | Short Subject (Two-reel) | The Public Pays |
9 | 1936 | Sound Recording | San Francisco |
9 | 1936 | Special Award | To The March of Time for its significance to motion pictures and for having revolutionized one of the most important branches of the industry - the newsreel. |
9 | 1936 | Special Award | To W. Howard Greene and Harold Rosson for the color cinematography of the Selznick International Production, The Garden of Allah . |
9 | 1936 | Writing (Original Story) | The Story of Louis Pasteur |
9 | 1936 | Writing (Screenplay) | The Story of Louis Pasteur |
10 | 1937 | Actor | Spencer Tracy |
10 | 1937 | Actor in a Supporting Role | Joseph Schildkraut |
10 | 1937 | Actress | Luise Rainer |
10 | 1937 | Actress in a Supporting Role | Alice Brady |
10 | 1937 | Art Direction | Lost Horizon |
10 | 1937 | Assistant Director | In Old Chicago |
10 | 1937 | Cinematography | The Good Earth |
10 | 1937 | Dance Direction | Hermes Pan |
10 | 1937 | Directing | The Awful Truth |
10 | 1937 | Film Editing | Lost Horizon |
10 | 1937 | Irving G. Thalberg Memorial Award | Darryl F. Zanuck |
10 | 1937 | Music (Scoring) | One Hundred Men and a Girl |
10 | 1937 | Music (Song) | Waikiki Wedding |
10 | 1937 | Outstanding Production | The Life of Emile Zola |
10 | 1937 | Scientific or Technical Award (Class I) | To AGFA ANSCO CORPORATION for Agfa Supreme and Agfa Ultra Speed pan motion picture negatives. |
10 | 1937 | Scientific or Technical Award (Class II) | To DOUGLAS SHEARER and the METRO-GOLDWYN-MAYER STUDIO SOUND DEPARTMENT for a method of varying the scanning width of variable density sound tracks (squeeze tracks) for the purpose of obtaining an increased amount of noise reduction. |
10 | 1937 | Scientific or Technical Award (Class II) | To EASTMAN KODAK COMPANY for two fine-grain duplicating film stocks. |
10 | 1937 | Scientific or Technical Award (Class II) | To FARCIOT EDOUART and PARAMOUNT PICTURES, INC. for the development of the Paramount dual screen transparency camera setup. |
10 | 1937 | Scientific or Technical Award (Class II) | To WALT DISNEY PRODUCTIONS, LTD. for the design and application to production of the Multi-Plane Camera. |
10 | 1937 | Scientific or Technical Award (Class III) | To DOUGLAS SHEARER and the METRO-GOLDWYN-MAYER STUDIO SOUND DEPARTMENT for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer. |
10 | 1937 | Scientific or Technical Award (Class III) | To JOHN ARNOLD and the METRO-GOLDWYN-MAYER STUDIO CAMERA DEPARTMENT for their improvement of the semi-automatic follow focus device and its application to all of the cameras used by the Metro-Goldwyn-Mayer Studio. |
10 | 1937 | Scientific or Technical Award (Class III) | To JOHN LIVADARY, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi-planar light valve to motion picture sound recording. |
10 | 1937 | Scientific or Technical Award (Class III) | To JOSEPH E. ROBBINS and PARAMOUNT PICTURES, INC. for an exceptional application of acoustic principles to the sound proofing of gasoline generators and water pumps. |
10 | 1937 | Scientific or Technical Award (Class III) | To RCA MANUFACTURING CO., INC. for the introduction of the modulated high-frequency method of determining optimum photographic processing conditions for variable width sound tracks. |
10 | 1937 | Scientific or Technical Award (Class III) | To THOMAS T. MOULTON and the UNITED ARTISTS STUDIO SOUND DEPARTMENT for the application to motion picture sound recording of volume indicators which have peak reading response and linear decibel scales. |
10 | 1937 | Short Subject (Cartoon) | The Old Mill |
10 | 1937 | Short Subject (Color) | Penny Wisdom |
10 | 1937 | Short Subject (One-reel) | The Private Life of the Gannets |
10 | 1937 | Short Subject (Two-reel) | Torture Money |
10 | 1937 | Sound Recording | The Hurricane |
10 | 1937 | Special Award | To Edgar Bergen for his outstanding comedy creation, "Charlie McCarthy." |
10 | 1937 | Special Award | To Mack Sennett, "for his lasting contribution to the comedy technique of the screen, the basic principles of which are as important today as when they were first put into practice, the Academy presents a Special Award to that master of fun, discoverer of stars, sympathetic, kindly, understanding comedy genius - Mack Sennett." |
10 | 1937 | Special Award | To The Museum of Modern Art Film Library for its significant work in collecting films dating from 1895 to the present and for the first time making available to the public the means of studying the historical and aesthetic development of the motion picture as one of the major arts. |
10 | 1937 | Special Award | To W. Howard Greene for the color photography of A Star Is Born . (This Award was recommended by a committee of leading cinematographers after viewing all the color pictures made during the year.) |
10 | 1937 | Writing (Original Story) | A Star Is Born |
10 | 1937 | Writing (Screenplay) | The Life of Emile Zola |
11 | 1938 | Actor | Spencer Tracy |
11 | 1938 | Actor in a Supporting Role | Walter Brennan |
11 | 1938 | Actress | Bette Davis |
11 | 1938 | Actress in a Supporting Role | Fay Bainter |
11 | 1938 | Art Direction | The Adventures of Robin Hood |
11 | 1938 | Cinematography | The Great Waltz |
11 | 1938 | Directing | You Can't Take It with You |
11 | 1938 | Film Editing | The Adventures of Robin Hood |
11 | 1938 | Irving G. Thalberg Memorial Award | Hal B. Wallis |
11 | 1938 | Music (Original Score) | The Adventures of Robin Hood |
11 | 1938 | Music (Scoring) | Alexander's Ragtime Band |
11 | 1938 | Music (Song) | The Big Broadcast of 1938 |
11 | 1938 | Outstanding Production | You Can't Take It with You |
11 | 1938 | Scientific or Technical Award (Class III) | To BYRON HASKIN and the SPECIAL EFFECTS DEPARTMENT OF WARNER BROS. STUDIO for pioneering the development and for the first practical application to motion picture production of the triple head background projector. |
11 | 1938 | Scientific or Technical Award (Class III) | To JOHN AALBERG and the RKO RADIO STUDIO SOUND DEPARTMENT for the application of compression to variable area recording in motion picture production. |
11 | 1938 | Short Subject (Cartoon) | Ferdinand the Bull |
11 | 1938 | Short Subject (One-reel) | That Mothers Might Live |
11 | 1938 | Short Subject (Two-reel) | Declaration of Independence |
11 | 1938 | Sound Recording | The Cowboy and the Lady |
11 | 1938 | Special Award | For outstanding achievement in creating Special Photographic and Sound Effects in the Paramount production, Spawn of the North . Special Effects by Gordon Jennings, assisted by Jan Domela, Dev Jennings, Irmin Roberts and Art Smith. Transparencies by Farciot Edouart, assisted by Loyal Griggs. Sound Effects by Loren Ryder, assisted by Harry Mills, Louis H. Mesenkop and Walter Oberst. |
11 | 1938 | Special Award | To Deanna Durbin and Mickey Rooney for their significant contribution in bringing to the screen the spirit and personification of youth, and as juvenile players setting a high standard of ability and achievement. |
11 | 1938 | Special Award | To Harry M. Warner in recognition of patriotic service in the production of historical short subjects presenting significant episodes in the early struggle of the American people for liberty. |
11 | 1938 | Special Award | To J. Arthur Ball for his outstanding contributions to the advancement of color in Motion Picture Photography. |
11 | 1938 | Special Award | To Oliver Marsh and Allen Davey for the color cinematography of the Metro-Goldwyn-Mayer production, Sweethearts . |
11 | 1938 | Special Award | To Walt Disney for Snow White and the Seven Dwarfs , recognized as a significant screen innovation which has charmed millions and pioneered a great new entertainment field for the motion picture cartoon. |
11 | 1938 | Writing (Original Story) | Boys Town |
11 | 1938 | Writing (Screenplay) | Pygmalion |
12 | 1939 | Actor | Robert Donat |
12 | 1939 | Actor in a Supporting Role | Thomas Mitchell |
12 | 1939 | Actress | Vivien Leigh |
12 | 1939 | Actress in a Supporting Role | Hattie McDaniel |
12 | 1939 | Art Direction | Gone with the Wind |
12 | 1939 | Cinematography (Black-and-white) | Wuthering Heights |
12 | 1939 | Cinematography (Color) | Gone with the Wind |
12 | 1939 | Directing | Gone with the Wind |
12 | 1939 | Film Editing | Gone with the Wind |
12 | 1939 | Irving G. Thalberg Memorial Award | David O. Selznick |
12 | 1939 | Music (Original Score) | The Wizard of Oz |
12 | 1939 | Music (Scoring) | Stagecoach |
12 | 1939 | Music (Song) | The Wizard of Oz |
12 | 1939 | Outstanding Production | Gone with the Wind |
12 | 1939 | Scientific or Technical Award (Class III) | For important contributions in cooperative development of new improved Process Projection Equipment: F. R. ABBOTT, HALLER BELT, ALAN COOK and the BAUSCH & LOMB OPTICAL COMPANY for faster projection lenses; The MITCHELL CAMERA COMPANY for a new type process projection head; MOLE-RICHARDSON COMPANY for a new type automatically controlled projection arc lamp; CHARLES HANDLEY, DAVID JOY and the NATIONAL CARBON COMPANY for improved and more stable high-intensity carbons; WINTON HOCH and the TECHNICOLOR MOTION PICTURE CORP. for an auxiliary optical system; DON MUSGRAVE and SELZNICK INTERNATIONAL PICTURES, INC. for pioneering in the use of coordinated equipment in the production, Gone with the Wind . |
12 | 1939 | Scientific or Technical Award (Class III) | To A. J. TONDREAU of Warner Bros. Studio for the design and manufacture of an improved sound track printer. |
12 | 1939 | Scientific or Technical Award (Class III) | To EMERY HUSE and RALPH B. ATKINSON of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths. |
12 | 1939 | Scientific or Technical Award (Class III) | To FARCIOT EDOUART, JOSEPH E. ROBBINS, WILLIAM RUDOLPH and PARAMOUNT PICTURES, INC. for the design and construction of a quiet portable treadmill. |
12 | 1939 | Scientific or Technical Award (Class III) | To GEORGE ANDERSON of Warner Bros. Studio for an improved positive head for sun arcs. |
12 | 1939 | Scientific or Technical Award (Class III) | To HAROLD NYE of Warner Bros. Studio for a miniature incandescent spot lamp. |
12 | 1939 | Scientific or Technical Award (Class III) | To JOHN ARNOLD of Metro-Goldwyn-Mayer Studio for the M-G-M mobile camera crane. |
12 | 1939 | Scientific or Technical Award (Class III) | To THOMAS T. MOULTON, FRED ALBIN and the SOUND DEPARTMENT OF THE SAMUEL GOLDWYN STUDIO for the origination and application of the Delta db test to sound recording in motion pictures. |
12 | 1939 | Short Subject (Cartoon) | The Ugly Duckling |
12 | 1939 | Short Subject (One-reel) | Busy Little Bears |
12 | 1939 | Short Subject (Two-reel) | Sons of Liberty |
12 | 1939 | Sound Recording | When Tomorrow Comes |
12 | 1939 | Special Award | To Douglas Fairbanks (Commemorative Award) - recognizing the unique and outstanding contribution of Douglas Fairbanks, first President of the Academy, to the international development of the motion picture. |
12 | 1939 | Special Award | To Judy Garland for her outstanding performance as a screen juvenile during the past year. |
12 | 1939 | Special Award | To The Motion Picture Relief Fund - acknowledging the outstanding services to the industry during the past year of the Motion Picture Relief Fund and its progressive leadership. Presented to Jean Hersholt, President; Ralph Morgan, Chairman of the Executive Committee; Ralph Block, First Vice-President; and Conrad Nagel. |
12 | 1939 | Special Award | To the Technicolor Company for its contributions in successfully bringing three-color feature production to the screen. |
12 | 1939 | Special Award | To William Cameron Menzies for outstanding achievement in the use of color for the enhancement of dramatic mood in the production of Gone with the Wind . |
12 | 1939 | Special Effects | The Rains Came |
12 | 1939 | Writing (Original Story) | Mr. Smith Goes to Washington |
12 | 1939 | Writing (Screenplay) | Gone with the Wind |
13 | 1940 | Actor | James Stewart |
13 | 1940 | Actor in a Supporting Role | Walter Brennan |
13 | 1940 | Actress | Ginger Rogers |
13 | 1940 | Actress in a Supporting Role | Jane Darwell |
13 | 1940 | Art Direction (Black-and-white) | Pride and Prejudice |
13 | 1940 | Art Direction (Color) | The Thief of Bagdad |
13 | 1940 | Cinematography (Black-and-white) | Rebecca |
13 | 1940 | Cinematography (Color) | The Thief of Bagdad |
13 | 1940 | Directing | The Grapes of Wrath |
13 | 1940 | Film Editing | North West Mounted Police |
13 | 1940 | Music (Original Score) | Pinocchio |
13 | 1940 | Music (Scoring) | Tin Pan Alley |
13 | 1940 | Music (Song) | Pinocchio |
13 | 1940 | Outstanding Production | Rebecca |
13 | 1940 | Scientific or Technical Award (Class I) | To 20TH CENTURY-FOX FILM CORP. for the design and construction of the 20th Century Silenced Camera, developed by DANIEL CLARK, GROVER LAUBE, CHARLES MILLER and ROBERT W. STEVENS. |
13 | 1940 | Scientific or Technical Award (Class III) | To WARNER BROS. STUDIO ART DEPARTMENT and ANTON GROT for the design and perfection of the Warner Bros. water ripple and wave illusion machine. |
13 | 1940 | Short Subject (Cartoon) | The Milky Way |
13 | 1940 | Short Subject (One-reel) | Quicker 'N a Wink |
13 | 1940 | Short Subject (Two-reel) | Teddy, the Rough Rider |
13 | 1940 | Sound Recording | Strike Up the Band |
13 | 1940 | Special Award | To Bob Hope, in recognition of his unselfish services to the Motion Picture Industry. |
13 | 1940 | Special Award | To Colonel Nathan Levinson for his outstanding service to the industry and the Army during the past nine years, which has made possible the present efficient mobilization of the motion picture industry facilities for the production of Army Training Films. |
13 | 1940 | Special Effects | The Thief of Bagdad |
13 | 1940 | Writing (Original Screenplay) | The Great McGinty |
13 | 1940 | Writing (Original Story) | Arise, My Love |
13 | 1940 | Writing (Screenplay) | The Philadelphia Story |
14 | 1941 | Actor | Gary Cooper |
14 | 1941 | Actor in a Supporting Role | Donald Crisp |
14 | 1941 | Actress | Joan Fontaine |
14 | 1941 | Actress in a Supporting Role | Mary Astor |
14 | 1941 | Art Direction (Black-and-white) | How Green Was My Valley |
14 | 1941 | Art Direction (Color) | Blossoms in the Dust |
14 | 1941 | Cinematography (Black-and-white) | How Green Was My Valley |
14 | 1941 | Cinematography (Color) | Blood and Sand |
14 | 1941 | Directing | How Green Was My Valley |
14 | 1941 | Documentary (Short Subject) | Churchill's Island |
14 | 1941 | Film Editing | Sergeant York |
14 | 1941 | Irving G. Thalberg Memorial Award | Walt Disney |
14 | 1941 | Music (Music Score of a Dramatic Picture) | All That Money Can Buy |
14 | 1941 | Music (Scoring of a Musical Picture) | Dumbo |
14 | 1941 | Music (Song) | Lady Be Good |
14 | 1941 | Outstanding Motion Picture | How Green Was My Valley |
14 | 1941 | Scientific or Technical Award (Class II) | To ELECTRICAL RESEARCH PRODUCTS DIVISION OF WESTERN ELECTRIC CO., INC., for the development of the precision integrating sphere densitometer. |
14 | 1941 | Scientific or Technical Award (Class II) | To RCA MANUFACTURING COMPANY for the design and development of the MI-3043 Uni-directional microphone. |
14 | 1941 | Scientific or Technical Award (Class III) | To CHARLES LOOTENS and the REPUBLIC STUDIO SOUND DEPARTMENT for pioneering the use of and for the first practical application to motion picture production of CLASS B push-pull variable area recording. |
14 | 1941 | Scientific or Technical Award (Class III) | To DOUGLAS SHEARER and the METRO-GOLDWYN-MAYER STUDIO SOUND DEPARTMENT, and to LOREN RYDER and the PARAMOUNT STUDIO SOUND DEPARTMENT for pioneering the development of fine grain emulsions for variable density original sound recording in studio production. |
14 | 1941 | Scientific or Technical Award (Class III) | To PARAMOUNT PICTURES, INC., and 20TH CENTURY-FOX FILM CORP. for the development and first practical application to motion picture production of an automatic scene slating device. |
14 | 1941 | Scientific or Technical Award (Class III) | To RAY WILKINSON and the PARAMOUNT STUDIO LABORATORY for pioneering in the use of and for the first practical application to release printing of fine grain positive stock. |
14 | 1941 | Scientific or Technical Award (Class III) | To WILBUR SILVERTOOTH and the PARAMOUNT STUDIO ENGINEERING DEPARTMENT for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light. |
14 | 1941 | Short Subject (Cartoon) | Lend a Paw |
14 | 1941 | Short Subject (One-reel) | Of Pups and Puzzles |
14 | 1941 | Short Subject (Two-reel) | Main Street on the March! |
14 | 1941 | Sound Recording | That Hamilton Woman |
14 | 1941 | Special Award | To Leopold Stokowski and his associates for their unique achievement in the creation of a new form of visualized music in Walt Disney's production, Fantasia , thereby widening the scope of the motion picture as entertainment and as an art form. |
14 | 1941 | Special Award | To Rey Scott for his extraordinary achievement in producing Kukan , the film record of China's struggle, including its photography with a 16mm camera under the most difficult and dangerous conditions. |
14 | 1941 | Special Award | To The British Ministry of Information for its vivid and dramatic presentation of the heroism of the RAF in the documentary film, Target for Tonight . |
14 | 1941 | Special Award | To Walt Disney, William Garity, John N. A. Hawkins and the RCA Manufacturing Company for their outstanding contribution to the advancement of the use of sound in motion pictures through the production of Fantasia . |
14 | 1941 | Special Effects | I Wanted Wings |
14 | 1941 | Writing (Original Screenplay) | Citizen Kane |
14 | 1941 | Writing (Original Story) | Here Comes Mr. Jordan |
14 | 1941 | Writing (Screenplay) | Here Comes Mr. Jordan |
15 | 1942 | Actor | James Cagney |
15 | 1942 | Actor in a Supporting Role | Van Heflin |
15 | 1942 | Actress | Greer Garson |
15 | 1942 | Actress in a Supporting Role | Teresa Wright |
15 | 1942 | Art Direction (Black-and-white) | This above All |
15 | 1942 | Art Direction (Color) | My Gal Sal |
15 | 1942 | Cinematography (Black-and-white) | Mrs. Miniver |
15 | 1942 | Cinematography (Color) | The Black Swan |
15 | 1942 | Directing | Mrs. Miniver |
15 | 1942 | Documentary | Kokoda Front Line! |
15 | 1942 | Documentary | Moscow Strikes Back |
15 | 1942 | Documentary | Prelude to War |
15 | 1942 | Documentary | The Battle of Midway |
15 | 1942 | Film Editing | The Pride of the Yankees |
15 | 1942 | Irving G. Thalberg Memorial Award | Sidney Franklin |
15 | 1942 | Music (Music Score of a Dramatic or Comedy Picture) | Now, Voyager |
15 | 1942 | Music (Scoring of a Musical Picture) | Yankee Doodle Dandy |
15 | 1942 | Music (Song) | Holiday Inn |
15 | 1942 | Outstanding Motion Picture | Mrs. Miniver |
15 | 1942 | Scientific or Technical Award (Class II) | To CARROLL CLARK, F. THOMAS THOMPSON and the RKO RADIO STUDIO ART and MINIATURE DEPARTMENTS for the design and construction of a moving cloud and horizon machine. |
15 | 1942 | Scientific or Technical Award (Class II) | To DANIEL B. CLARK and the 20TH CENTURY-FOX FILM CORP. for the development of a lens calibration system and the application of this system to exposure control in cinematography. |
15 | 1942 | Scientific or Technical Award (Class III) | To DANIEL J. BLOOMBERG and the REPUBLIC STUDIO SOUND DEPARTMENT for the design and application to motion picture production of a device for marking action negative for pre-selection purposes. |
15 | 1942 | Scientific or Technical Award (Class III) | To ROBERT HENDERSON and the PARAMOUNT STUDIO ENGINEERING and TRANSPARENCY DEPARTMENTS for the design and construction of adjustable light bridges and screen frames for transparency process photography. |
15 | 1942 | Short Subject (Cartoon) | Der Fuehrer's Face |
15 | 1942 | Short Subject (One-reel) | Speaking of Animals and Their Families |
15 | 1942 | Short Subject (Two-reel) | Beyond the Line of Duty |
15 | 1942 | Sound Recording | Yankee Doodle Dandy |
15 | 1942 | Special Award | To Charles Boyer for his progressive cultural achievement in establishing the French Research Foundation in Los Angeles as a source of reference for the Hollywood Motion Picture Industry. |
15 | 1942 | Special Award | To Metro-Goldwyn-Mayer for its achievement in representing the American Way of Life in the production of the "Andy Hardy" series of films. |
15 | 1942 | Special Award | To Noel Coward for his outstanding production achievement in In Which We Serve . |
15 | 1942 | Special Effects | Reap the Wild Wind |
15 | 1942 | Writing (Original Motion Picture Story) | The Invaders |
15 | 1942 | Writing (Original Screenplay) | Woman of the Year |
15 | 1942 | Writing (Screenplay) | Mrs. Miniver |
16 | 1943 | Actor | Paul Lukas |
16 | 1943 | Actor in a Supporting Role | Charles Coburn |
16 | 1943 | Actress | Jennifer Jones |
16 | 1943 | Actress in a Supporting Role | Katina Paxinou |
16 | 1943 | Art Direction (Black-and-white) | The Song of Bernadette |
16 | 1943 | Art Direction (Color) | Phantom of the Opera |
16 | 1943 | Cinematography (Black-and-white) | The Song of Bernadette |
16 | 1943 | Cinematography (Color) | Phantom of the Opera |
16 | 1943 | Directing | Casablanca |
16 | 1943 | Documentary (Feature) | Desert Victory |
16 | 1943 | Documentary (Short Subject) | December 7th |
16 | 1943 | Film Editing | Air Force |
16 | 1943 | Irving G. Thalberg Memorial Award | Hal B. Wallis |
16 | 1943 | Music (Music Score of a Dramatic or Comedy Picture) | The Song of Bernadette |
16 | 1943 | Music (Scoring of a Musical Picture) | This Is the Army |
16 | 1943 | Music (Song) | Hello, Frisco, Hello |
16 | 1943 | Outstanding Motion Picture | Casablanca |
16 | 1943 | Scientific or Technical Award (Class II) | To FARCIOT EDOUART, EARLE MORGAN, BARTON THOMPSON and the PARAMOUNT STUDIO ENGINEERING and TRANSPARENCY DEPARTMENTS for the development and practical application to motion picture production of a method of duplicating and enlarging natural color photographs, transferring the image emulsions to glass plates and projecting these slides by especially designed stereopticon equipment. |
16 | 1943 | Scientific or Technical Award (Class II) | To PHOTO PRODUCTS DEPARTMENT, E. I. duPONT de NEMOURS AND CO., INC. for the development of fine-grain motion picture films. |
16 | 1943 | Scientific or Technical Award (Class III) | To CHARLES GALLOWAY CLARKE and the 20TH CENTURY-FOX STUDIO CAMERA DEPARTMENT for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography. |
16 | 1943 | Scientific or Technical Award (Class III) | To DANIEL J. BLOOMBERG and the REPUBLIC STUDIO SOUND DEPARTMENT for the design and development of an inexpensive method of converting Moviolas to Class B push-pull reproduction. |
16 | 1943 | Scientific or Technical Award (Class III) | To FARCIOT EDOUART and the PARAMOUNT STUDIO TRANSPARENCY DEPARTMENT for an automatic electric transparency cueing timer. |
16 | 1943 | Scientific or Technical Award (Class III) | To WILLARD H. TURNER and the RKO RADIO STUDIO SOUND DEPARTMENT for the design and construction of the phono-cue starter. |
16 | 1943 | Short Subject (Cartoon) | Yankee Doodle Mouse |
16 | 1943 | Short Subject (One-reel) | Amphibious Fighters |
16 | 1943 | Short Subject (Two-reel) | Heavenly Music |
16 | 1943 | Sound Recording | This Land Is Mine |
16 | 1943 | Special Award | To George Pal for the development of novel methods and techniques in the production of short subjects known as Puppetoons. |
16 | 1943 | Special Effects | Crash Dive |
16 | 1943 | Writing (Original Motion Picture Story) | The Human Comedy |
16 | 1943 | Writing (Original Screenplay) | Princess O'Rourke |
16 | 1943 | Writing (Screenplay) | Casablanca |
17 | 1944 | Actor | Bing Crosby |
17 | 1944 | Actor in a Supporting Role | Barry Fitzgerald |
17 | 1944 | Actress | Ingrid Bergman |
17 | 1944 | Actress in a Supporting Role | Ethel Barrymore |
17 | 1944 | Art Direction (Black-and-white) | Gaslight |
17 | 1944 | Art Direction (Color) | Wilson |
17 | 1944 | Best Motion Picture | Going My Way |
17 | 1944 | Cinematography (Black-and-white) | Laura |
17 | 1944 | Cinematography (Color) | Wilson |
17 | 1944 | Directing | Going My Way |
17 | 1944 | Documentary (Feature) | The Fighting Lady |
17 | 1944 | Documentary (Short Subject) | With the Marines at Tarawa |
17 | 1944 | Film Editing | Wilson |
17 | 1944 | Irving G. Thalberg Memorial Award | Darryl F. Zanuck |
17 | 1944 | Music (Music Score of a Dramatic or Comedy Picture) | Since You Went Away |
17 | 1944 | Music (Scoring of a Musical Picture) | Cover Girl |
17 | 1944 | Music (Song) | Going My Way |
17 | 1944 | Scientific or Technical Award (Class II) | To STEPHEN DUNN and the RKO RADIO STUDIO SOUND DEPARTMENT and RADIO CORPORATION OF AMERICA for the design and development of the electronic compressor-limiter. |
17 | 1944 | Scientific or Technical Award (Class III) | To BERNARD B. BROWN and JOHN P. LIVADARY for the design and engineering of a separate soloist and chorus recording room. |
17 | 1944 | Scientific or Technical Award (Class III) | To DANIEL J. BLOOMBERG and the REPUBLIC STUDIO SOUND DEPARTMENT for the design and development of a multi-interlock selector switch. |
17 | 1944 | Scientific or Technical Award (Class III) | To GORDON JENNINGS for the design and construction of the Paramount nodal point tripod. |
17 | 1944 | Scientific or Technical Award (Class III) | To GROVER LAUBE and the 20TH CENTURY-FOX STUDIO CAMERA DEPARTMENT for the development of a continuous loop projection device. |
17 | 1944 | Scientific or Technical Award (Class III) | To LINWOOD DUNN, CECIL LOVE and ACME TOOL AND MANUFACTURING COMPANY for the design and construction of the Acme-Dunn Optical Printer. |
17 | 1944 | Scientific or Technical Award (Class III) | To PAUL LERPAE for the design and construction of the Paramount traveling matte projection and photographing device. |
17 | 1944 | Scientific or Technical Award (Class III) | To PAUL ZEFF, S. J. TWINING and GEORGE SEID of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer. |
17 | 1944 | Scientific or Technical Award (Class III) | To RADIO CORPORATION OF AMERICA and the RKO RADIO STUDIO SOUND DEPARTMENT for the design and construction of the RKO reverberation chamber. |
17 | 1944 | Scientific or Technical Award (Class III) | To RUSSELL BROWN, RAY HINSDALE and JOSEPH E. ROBBINS for the development and production use of the Paramount floating hydraulic boat rocker. |
17 | 1944 | Scientific or Technical Award (Class III) | To WESTERN ELECTRIC COMPANY for the design and construction of the 1126A Limiting Amplifier for variable density sound recording. |
17 | 1944 | Short Subject (Cartoon) | Mouse Trouble |
17 | 1944 | Short Subject (One-reel) | Who's Who in Animal Land |
17 | 1944 | Short Subject (Two-reel) | I Won't Play |
17 | 1944 | Sound Recording | Wilson |
17 | 1944 | Special Award | To Bob Hope for his many services to the Academy. |
17 | 1944 | Special Award | To Margaret O'Brien, outstanding child actress of 1944. |
17 | 1944 | Special Effects | Thirty Seconds over Tokyo |
17 | 1944 | Writing (Original Motion Picture Story) | Going My Way |
17 | 1944 | Writing (Original Screenplay) | Wilson |
17 | 1944 | Writing (Screenplay) | Going My Way |
18 | 1945 | Actor | Ray Milland |
18 | 1945 | Actor in a Supporting Role | James Dunn |
18 | 1945 | Actress | Joan Crawford |
18 | 1945 | Actress in a Supporting Role | Anne Revere |
18 | 1945 | Art Direction (Black-and-white) | Blood on the Sun |
18 | 1945 | Art Direction (Color) | Frenchman's Creek |
18 | 1945 | Best Motion Picture | The Lost Weekend |
18 | 1945 | Cinematography (Black-and-white) | The Picture of Dorian Gray |
18 | 1945 | Cinematography (Color) | Leave Her to Heaven |
18 | 1945 | Directing | The Lost Weekend |
18 | 1945 | Documentary (Feature) | The True Glory |
18 | 1945 | Documentary (Short Subject) | Hitler Lives? |
18 | 1945 | Film Editing | National Velvet |
18 | 1945 | Music (Music Score of a Dramatic or Comedy Picture) | Spellbound |
18 | 1945 | Music (Scoring of a Musical Picture) | Anchors Aweigh |
18 | 1945 | Music (Song) | State Fair |
18 | 1945 | Scientific or Technical Award (Class III) | To LOREN L. RYDER, CHARLES R. DAILY and the PARAMOUNT STUDIO SOUND DEPARTMENT for the design, construction and use of the first dial controlled step-by-step sound channel line-up and test circuit. |
18 | 1945 | Scientific or Technical Award (Class III) | To MICHAEL S. LESHING, BENJAMIN C. ROBINSON, ARTHUR B. CHATELAIN and ROBERT C. STEVENS of 20th Century-Fox Studio and JOHN G. CAPSTAFF of Eastman Kodak Company for the 20th Century-Fox film processing machine. |
18 | 1945 | Short Subject (Cartoon) | Quiet Please! |
18 | 1945 | Short Subject (One-reel) | Stairway to Light |
18 | 1945 | Short Subject (Two-reel) | Star in the Night |
18 | 1945 | Sound Recording | The Bells of St. Mary's |
18 | 1945 | Special Award | To Peggy Ann Garner, outstanding child actress of 1945. |
18 | 1945 | Special Award | To Republic Studio, Daniel J. Bloomberg and the Republic Studio Sound Department for the building of an outstanding musical scoring auditorium which provides optimum recording conditions and combines all elements of acoustic and engineering design. |
18 | 1945 | Special Award | To The House I Live In , tolerance short subject; produced by Frank Ross and Mervyn LeRoy; directed by Mervyn LeRoy; screenplay by Albert Maltz; song "The House I Live In," music by Earl Robinson, lyrics by Lewis Allan; starring Frank Sinatra; released by RKO Radio. |
18 | 1945 | Special Award | To Walter Wanger for his six years service as President of the Academy of Motion Picture Arts and Sciences. |
18 | 1945 | Special Effects | Wonder Man |
18 | 1945 | Writing (Original Motion Picture Story) | The House on 92nd Street |
18 | 1945 | Writing (Original Screenplay) | Marie-Louise |
18 | 1945 | Writing (Screenplay) | The Lost Weekend |
19 | 1946 | Actor | Fredric March |
19 | 1946 | Actor in a Supporting Role | Harold Russell |
19 | 1946 | Actress | Olivia de Havilland |
19 | 1946 | Actress in a Supporting Role | Anne Baxter |
19 | 1946 | Art Direction (Black-and-white) | Anna and the King of Siam |
19 | 1946 | Art Direction (Color) | The Yearling |
19 | 1946 | Best Motion Picture | The Best Years of Our Lives |
19 | 1946 | Cinematography (Black-and-white) | Anna and the King of Siam |
19 | 1946 | Cinematography (Color) | The Yearling |
19 | 1946 | Directing | The Best Years of Our Lives |
19 | 1946 | Documentary (Short Subject) | Seeds of Destiny |
19 | 1946 | Film Editing | The Best Years of Our Lives |
19 | 1946 | Irving G. Thalberg Memorial Award | Samuel Goldwyn |
19 | 1946 | Music (Music Score of a Dramatic or Comedy Picture) | The Best Years of Our Lives |
19 | 1946 | Music (Scoring of a Musical Picture) | The Jolson Story |
19 | 1946 | Music (Song) | The Harvey Girls |
19 | 1946 | Scientific or Technical Award (Class III) | To ARTHUR F. BLINN, ROBERT O. COOK, C. O. SLYFIELD and the WALT DISNEY STUDIO SOUND DEPARTMENT for the design and development of an audio finder and track viewer for checking and locating noise in sound tracks. |
19 | 1946 | Scientific or Technical Award (Class III) | To BURTON F. MILLER and the WARNER BROS. STUDIO SOUND and ELECTRICAL DEPARTMENTS for the design and construction of a motion picture arc lighting generator filter. |
19 | 1946 | Scientific or Technical Award (Class III) | To BURTON F. MILLER and the WARNER BROS. STUDIO SOUND DEPARTMENT for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors. |
19 | 1946 | Scientific or Technical Award (Class III) | To CARL FAULKNER of the 20th Century-Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvonometer density recording. |
19 | 1946 | Scientific or Technical Award (Class III) | To HARLAN L. BAUMBACH and the PARAMOUNT WEST COAST LABORATORY for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths. |
19 | 1946 | Scientific or Technical Award (Class III) | To HAROLD NYE and the WARNER BROS. STUDIO ELECTRICAL DEPARTMENT for the development of the electronically controlled fire and gaslight effect. |
19 | 1946 | Scientific or Technical Award (Class III) | To HERBERT E. BRITT for the development and application of formulas and equipment for producing cloud and smoke effects. |
19 | 1946 | Scientific or Technical Award (Class III) | To MARTY MARTIN and HAL ADKINS of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects. |
19 | 1946 | Scientific or Technical Award (Class III) | To the MOLE-RICHARDSON COMPANY for the Type 450 super high intensity carbon arc lamp. |
19 | 1946 | Short Subject (Cartoon) | The Cat Concerto |
19 | 1946 | Short Subject (One-reel) | Facing Your Danger |
19 | 1946 | Short Subject (Two-reel) | A Boy and His Dog |
19 | 1946 | Sound Recording | The Jolson Story |
19 | 1946 | Special Award | To Claude Jarman, Jr., outstanding child actor of 1946. |
19 | 1946 | Special Award | To Ernst Lubitsch for his distinguished contributions to the art of the motion picture. |
19 | 1946 | Special Award | To Harold Russell for bringing hope and courage to his fellow veterans through his appearance in The Best Years of Our Lives . |
19 | 1946 | Special Award | To Laurence Olivier for his outstanding achievement as actor, producer and director in bringing Henry V to the screen. |
19 | 1946 | Special Effects | Blithe Spirit |
19 | 1946 | Writing (Original Motion Picture Story) | Vacation from Marriage |
19 | 1946 | Writing (Original Screenplay) | The Seventh Veil |
19 | 1946 | Writing (Screenplay) | The Best Years of Our Lives |
20 | 1947 | Actor | Ronald Colman |
20 | 1947 | Actor in a Supporting Role | Edmund Gwenn |
20 | 1947 | Actress | Loretta Young |
20 | 1947 | Actress in a Supporting Role | Celeste Holm |
20 | 1947 | Art Direction (Black-and-white) | Great Expectations |
20 | 1947 | Art Direction (Color) | Black Narcissus |
20 | 1947 | Best Motion Picture | Gentleman's Agreement |
20 | 1947 | Cinematography (Black-and-white) | Great Expectations |
20 | 1947 | Cinematography (Color) | Black Narcissus |
20 | 1947 | Directing | Gentleman's Agreement |
20 | 1947 | Documentary (Feature) | Design for Death |
20 | 1947 | Documentary (Short Subject) | First Steps |
20 | 1947 | Film Editing | Body and Soul |
20 | 1947 | Music (Music Score of a Dramatic or Comedy Picture) | A Double Life |
20 | 1947 | Music (Scoring of a Musical Picture) | Mother Wore Tights |
20 | 1947 | Music (Song) | Song of the South |
20 | 1947 | Scientific or Technical Award (Class II) | To C. C. DAVIS and ELECTRICAL RESEARCH PRODUCTS DIVISION OF WESTERN ELECTRIC COMPANY for the development and application of an improved film drive filter mechanism. |
20 | 1947 | Scientific or Technical Award (Class II) | To C. R. DAILY and the PARAMOUNT STUDIO FILM LABORATORY, STILL and ENGINEERING DEPARTMENTS for the development and first practical application to motion picture and still photography of a method of increasing film speed as first suggested to the industry by E. I. duPont de Nemours & Company. |
20 | 1947 | Scientific or Technical Award (Class III) | To FARCIOT EDOUART, C. R. DAILY, HAL CORL, H. G. CARTWRIGHT and the PARAMOUNT STUDIO TRANSPARENCY and ENGINEERING DEPARTMENTS for the first application of a special anti-solarizing glass to high-intensity background and spot arc projectors. |
20 | 1947 | Scientific or Technical Award (Class III) | To FRED PONEDEL of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds. |
20 | 1947 | Scientific or Technical Award (Class III) | To JAMES GIBBONS of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography. |
20 | 1947 | Scientific or Technical Award (Class III) | To KURT SINGER and the RCA VICTOR DIVISION OF RADIO CORPORATION OF AMERICA for the design and development of a continuously variable band-elimination filter. |
20 | 1947 | Scientific or Technical Award (Class III) | To NATHAN LEVINSON and the WARNER BROS. STUDIO SOUND DEPARTMENT for the design and construction of a constant-speed sound editing machine. |
20 | 1947 | Short Subject (Cartoon) | Tweetie Pie |
20 | 1947 | Short Subject (One-reel) | Good-bye Miss Turlock |
20 | 1947 | Short Subject (Two-reel) | Climbing the Matterhorn |
20 | 1947 | Sound Recording | The Bishop's Wife |
20 | 1947 | Special Award | To Bill and Coo , in which artistry and patience blended in a novel and entertaining use of the medium of motion pictures. |
20 | 1947 | Special Award | To Colonel William N. Selig, Albert E. Smith, Thomas Armat and George K. Spoor (one of) the small group of pioneers whose belief in a new medium, and whose contributions to its development, blazed the trail along which the motion picture has progressed, in their lifetime, from obscurity to world-wide acclaim. |
20 | 1947 | Special Award | To James Baskett for his able and heart-warming characterization of Uncle Remus, friend and story teller to the children of the world in Walt Disney's Song of the South . |
20 | 1947 | Special Award | To Shoe-Shine - the high quality of this motion picture, brought to eloquent life in a country scarred by war, is proof to the world that the creative spirit can triumph over adversity. |
20 | 1947 | Special Effects | Green Dolphin Street |
20 | 1947 | Writing (Motion Picture Story) | Miracle on 34th Street |
20 | 1947 | Writing (Original Screenplay) | The Bachelor and the Bobby-Soxer |
20 | 1947 | Writing (Screenplay) | Miracle on 34th Street |
21 | 1948 | Actor | Laurence Olivier |
21 | 1948 | Actor in a Supporting Role | Walter Huston |
21 | 1948 | Actress | Jane Wyman |
21 | 1948 | Actress in a Supporting Role | Claire Trevor |
21 | 1948 | Art Direction (Black-and-white) | Hamlet |
21 | 1948 | Art Direction (Color) | The Red Shoes |
21 | 1948 | Best Motion Picture | Hamlet |
21 | 1948 | Cinematography (Black-and-white) | The Naked City |
21 | 1948 | Cinematography (Color) | Joan of Arc |
21 | 1948 | Costume Design (Black-and-white) | Hamlet |
21 | 1948 | Costume Design (Color) | Joan of Arc |
21 | 1948 | Directing | The Treasure of the Sierra Madre |
21 | 1948 | Documentary (Feature) | The Secret Land |
21 | 1948 | Documentary (Short Subject) | Toward Independence |
21 | 1948 | Film Editing | The Naked City |
21 | 1948 | Irving G. Thalberg Memorial Award | Jerry Wald |
21 | 1948 | Music (Music Score of a Dramatic or Comedy Picture) | The Red Shoes |
21 | 1948 | Music (Scoring of a Musical Picture) | Easter Parade |
21 | 1948 | Music (Song) | The Paleface |
21 | 1948 | Scientific or Technical Award (Class II) | To NICK KALTEN, LOUIS J. WITTE and the 20TH CENTURY-FOX STUDIO MECHANICAL EFFECTS DEPARTMENT for a process of preserving and flame-proofing foliage. |
21 | 1948 | Scientific or Technical Award (Class II) | To VICTOR CACCIALANZA, MAURICE AYERS and the PARAMOUNT STUDIO SET CONSTRUCTION DEPARTMENT for the development and application of "Paralite," a new lightweight plaster process for set construction. |
21 | 1948 | Scientific or Technical Award (Class III) | To A. J. MORAN and the WARNER BROS. STUDIO ELECTRICAL DEPARTMENT for a method of remote control for shutters on motion picture arc lighting equipment. |
21 | 1948 | Scientific or Technical Award (Class III) | To MARTY MARTIN, JACK LANNON, RUSSELL SHEARMAN and the RKO RADIO STUDIO SPECIAL EFFECTS DEPARTMENT for the development of a new method of simulating falling snow on motion picture sets. |
21 | 1948 | Short Subject (Cartoon) | The Little Orphan |
21 | 1948 | Short Subject (One-reel) | Symphony of a City |
21 | 1948 | Short Subject (Two-reel) | Seal Island |
21 | 1948 | Sound Recording | The Snake Pit |
21 | 1948 | Special Award | To Adolph Zukor, a man who has been called the father of the feature film in America, for his services to the industry over a period of forty years. |
21 | 1948 | Special Award | To Ivan Jandl, for the outstanding juvenile performance of 1948, as "Karel Malik" in The Search . |
21 | 1948 | Special Award | To Jean Hersholt - in recognition of his service to the Academy during four terms as president. |
21 | 1948 | Special Award | To Sid Grauman, master showman, who raised the standard of exhibition of motion pictures. |
21 | 1948 | Special Award | To Walter Wanger for distinguished service to the industry in adding to its moral stature in the world community by his production of the picture Joan of Arc . |
21 | 1948 | Special Effects | Portrait of Jennie |
21 | 1948 | Special Foreign Language Film Award | To Monsieur Vincent - voted by the Academy Board of Governors as the most outstanding foreign language film released in the United States during 1948. |
21 | 1948 | Writing (Motion Picture Story) | The Search |
21 | 1948 | Writing (Screenplay) | The Treasure of the Sierra Madre |
22 | 1949 | Actor | Broderick Crawford |
22 | 1949 | Actor in a Supporting Role | Dean Jagger |
22 | 1949 | Actress | Olivia de Havilland |
22 | 1949 | Actress in a Supporting Role | Mercedes McCambridge |
22 | 1949 | Art Direction (Black-and-white) | The Heiress |
22 | 1949 | Art Direction (Color) | Little Women |
22 | 1949 | Best Motion Picture | All the King's Men |
22 | 1949 | Cinematography (Black-and-white) | Battleground |
22 | 1949 | Cinematography (Color) | She Wore a Yellow Ribbon |
22 | 1949 | Costume Design (Black-and-white) | The Heiress |
22 | 1949 | Costume Design (Color) | The Adventures of Don Juan |
22 | 1949 | Directing | A Letter to Three Wives |
22 | 1949 | Documentary (Feature) | Daybreak in Udi |
22 | 1949 | Documentary (Short Subject) | A Chance to Live |
22 | 1949 | Documentary (Short Subject) | So Much for So Little |
22 | 1949 | Film Editing | Champion |
22 | 1949 | Music (Music Score of a Dramatic or Comedy Picture) | The Heiress |
22 | 1949 | Music (Scoring of a Musical Picture) | On the Town |
22 | 1949 | Music (Song) | Neptune's Daughter |
22 | 1949 | Scientific or Technical Award (Class I) | To EASTMAN KODAK COMPANY for the development and introduction of an improved safety base motion picture film. |
22 | 1949 | Scientific or Technical Award (Class III) | To ALEXANDER VELCOFF for the application to production of the infra-red photographic evaluator. |
22 | 1949 | Scientific or Technical Award (Class III) | To ANDRE COUTANT and JACQUES MATHOT for the design of the Eclair camerette. |
22 | 1949 | Scientific or Technical Award (Class III) | To CHARLES R. DAILY, STEVE CSILLAG and the PARAMOUNT STUDIO ENGINEERING, EDITORIAL and MUSIC DEPARTMENTS for a new precision method of computing variable tempo click tracks. |
22 | 1949 | Scientific or Technical Award (Class III) | To HERBERT E. BRITT for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets. |
22 | 1949 | Scientific or Technical Award (Class III) | To LOREN L. RYDER, BRUCE H. DENNEY, ROBERT CARR and the PARAMOUNT STUDIO SOUND DEPARTMENT for the development and application of the supersonic playback and public address system. |
22 | 1949 | Scientific or Technical Award (Class III) | To M. B. PAUL for the first successful large-area seamless translucent backgrounds. |
22 | 1949 | Scientific or Technical Award (Class III) | To the INTERNATIONAL PROJECTOR CORPORATION for a simplified and self-adjusting take-up device for projection machines. |
22 | 1949 | Short Subject (Cartoon) | For Scent-Imental Reasons |
22 | 1949 | Short Subject (One-reel) | Aquatic House-Party |
22 | 1949 | Short Subject (Two-reel) | Van Gogh |
22 | 1949 | Sound Recording | Twelve O'Clock High |
22 | 1949 | Special Award | To Bobby Driscoll, as the outstanding juvenile actor of 1949. |
22 | 1949 | Special Award | To Cecil B. DeMille, distinguished motion picture pioneer, for 37 years of brilliant showmanship. |
22 | 1949 | Special Award | To Fred Astaire for his unique artistry and his contributions to the technique of musical pictures. |
22 | 1949 | Special Award | To Jean Hersholt, for distinguished service to the motion picture industry. |
22 | 1949 | Special Effects | Mighty Joe Young |
22 | 1949 | Special Foreign Language Film Award | To The Bicycle Thief - voted by the Academy Board of Governors as the most outstanding foreign language film released in the United States during 1949. |
22 | 1949 | Writing (Motion Picture Story) | The Stratton Story |
22 | 1949 | Writing (Screenplay) | A Letter to Three Wives |
22 | 1949 | Writing (Story and Screenplay) | Battleground |
23 | 1950 | Actor | José Ferrer |
23 | 1950 | Actor in a Supporting Role | George Sanders |
23 | 1950 | Actress | Judy Holliday |
23 | 1950 | Actress in a Supporting Role | Josephine Hull |
23 | 1950 | Art Direction (Black-and-white) | Sunset Blvd. |
23 | 1950 | Art Direction (Color) | Samson and Delilah |
23 | 1950 | Best Motion Picture | All about Eve |
23 | 1950 | Cinematography (Black-and-white) | The Third Man |
23 | 1950 | Cinematography (Color) | King Solomon's Mines |
23 | 1950 | Costume Design (Black-and-white) | All about Eve |
23 | 1950 | Costume Design (Color) | Samson and Delilah |
23 | 1950 | Directing | All about Eve |
23 | 1950 | Documentary (Feature) | The Titan: Story of Michelangelo |
23 | 1950 | Documentary (Short Subject) | Why Korea? |
23 | 1950 | Film Editing | King Solomon's Mines |
23 | 1950 | Honorary Award | To George Murphy for his services in interpreting the film industry to the country at large. |
23 | 1950 | Honorary Award | To Louis B. Mayer for distinguished service to the motion picture industry. |
23 | 1950 | Honorary Foreign Language Film Award | To The Walls of Malapaga - voted by the Board of Governors as the most outstanding foreign language film released in the United States in 1950. |
23 | 1950 | Irving G. Thalberg Memorial Award | Darryl F. Zanuck |
23 | 1950 | Music (Music Score of a Dramatic or Comedy Picture) | Sunset Blvd. |
23 | 1950 | Music (Scoring of a Musical Picture) | Annie Get Your Gun |
23 | 1950 | Music (Song) | Captain Carey, U.S.A. |
23 | 1950 | Scientific or Technical Award (Class II) | To JAMES B. GORDON and the 20TH CENTURY-FOX STUDIO CAMERA DEPARTMENT for the design and development of a multiple image film viewer. |
23 | 1950 | Scientific or Technical Award (Class II) | To JOHN PAUL LIVADARY, FLOYD CAMPBELL, L. W. RUSSELL and the COLUMBIA STUDIO SOUND DEPARTMENT for the development of a multi-track magnetic re-recording system. |
23 | 1950 | Scientific or Technical Award (Class II) | To LOREN L. RYDER and the PARAMOUNT STUDIO SOUND DEPARTMENT for the first studio-wide application of magnetic sound recording to motion picture production. |
23 | 1950 | Short Subject (Cartoon) | Gerald McBoing-Boing |
23 | 1950 | Short Subject (One-reel) | Grandad of Races |
23 | 1950 | Short Subject (Two-reel) | In Beaver Valley |
23 | 1950 | Sound Recording | All about Eve |
23 | 1950 | Special Effects | Destination Moon |
23 | 1950 | Writing (Motion Picture Story) | Panic in the Streets |
23 | 1950 | Writing (Screenplay) | All about Eve |
23 | 1950 | Writing (Story and Screenplay) | Sunset Blvd. |
24 | 1951 | Actor | Humphrey Bogart |
24 | 1951 | Actor in a Supporting Role | Karl Malden |
24 | 1951 | Actress | Vivien Leigh |
24 | 1951 | Actress in a Supporting Role | Kim Hunter |
24 | 1951 | Art Direction (Black-and-white) | A Streetcar Named Desire |
24 | 1951 | Art Direction (Color) | An American in Paris |
24 | 1951 | Best Motion Picture | An American in Paris |
24 | 1951 | Cinematography (Black-and-white) | A Place in the Sun |
24 | 1951 | Cinematography (Color) | An American in Paris |
24 | 1951 | Costume Design (Black-and-white) | A Place in the Sun |
24 | 1951 | Costume Design (Color) | An American in Paris |
24 | 1951 | Directing | A Place in the Sun |
24 | 1951 | Documentary (Feature) | Kon-Tiki |
24 | 1951 | Documentary (Short Subject) | Benjy |
24 | 1951 | Film Editing | A Place in the Sun |
24 | 1951 | Honorary Award | To Gene Kelly in appreciation of his versatility as an actor, singer, director and dancer, and specifically for his brilliant achievements in the art of choreography on film. |
24 | 1951 | Honorary Foreign Language Film Award | To Rashomon - voted by the Board of Governors as the most outstanding foreign language film released in the United States during 1951. |
24 | 1951 | Irving G. Thalberg Memorial Award | Arthur Freed |
24 | 1951 | Music (Music Score of a Dramatic or Comedy Picture) | A Place in the Sun |
24 | 1951 | Music (Scoring of a Musical Picture) | An American in Paris |
24 | 1951 | Music (Song) | Here Comes the Groom |
24 | 1951 | Scientific or Technical Award (Class II) | To GORDON JENNINGS, S. L. STANCLIFFE and the PARAMOUNT STUDIO SPECIAL PHOTOGRAPHIC and ENGINEERING DEPARTMENTS for the design, construction and application of a servo-operated recording and repeating device. |
24 | 1951 | Scientific or Technical Award (Class II) | To OLIN L. DUPY of Metro-Goldwyn-Mayer Studio for the design, construction and application of a motion picture reproducing system. |
24 | 1951 | Scientific or Technical Award (Class II) | To RADIO CORPORATION OF AMERICA, VICTOR DIVISION, for pioneering direct positive recording with anticipatory noise reduction. |
24 | 1951 | Scientific or Technical Award (Class III) | To CARLOS RIVAS of Metro-Goldwyn-Mayer Studio for the development of an automatic magnetic film splicer. |
24 | 1951 | Scientific or Technical Award (Class III) | To FRED PONEDEL, RALPH AYRES and GEORGE BROWN of Warner Bros. Studio for an air-driven water motor to provide flow, wake and white water for marine sequences in motion pictures. |
24 | 1951 | Scientific or Technical Award (Class III) | To GLEN ROBINSON and the METRO-GOLDWYN-MAYER STUDIO CONSTRUCTION DEPARTMENT for the development of a new music wire and cable cutter. |
24 | 1951 | Scientific or Technical Award (Class III) | To JACK GAYLORD and the METRO-GOLDWYN-MAYER STUDIO CONSTRUCTION DEPARTMENT for the development of balsa falling snow. |
24 | 1951 | Scientific or Technical Award (Class III) | To RICHARD M. HAFF, FRANK P. HERRNFELD, GARLAND C. MISENER and the ANSCO FILM DIVISION OF GENERAL ANILINE AND FILM CORPORATION for the development of the Ansco color scene tester. |
24 | 1951 | Short Subject (Cartoon) | The Two Mouseketeers |
24 | 1951 | Short Subject (One-reel) | World of Kids |
24 | 1951 | Short Subject (Two-reel) | Nature's Half Acre |
24 | 1951 | Sound Recording | The Great Caruso |
24 | 1951 | Special Effects | When Worlds Collide |
24 | 1951 | Writing (Motion Picture Story) | Seven Days to Noon |
24 | 1951 | Writing (Screenplay) | A Place in the Sun |
24 | 1951 | Writing (Story and Screenplay) | An American in Paris |
25 | 1952 | Actor | Gary Cooper |
25 | 1952 | Actor in a Supporting Role | Anthony Quinn |
25 | 1952 | Actress | Shirley Booth |
25 | 1952 | Actress in a Supporting Role | Gloria Grahame |
25 | 1952 | Art Direction (Black-and-white) | The Bad and the Beautiful |
25 | 1952 | Art Direction (Color) | Moulin Rouge |
25 | 1952 | Best Motion Picture | The Greatest Show on Earth |
25 | 1952 | Cinematography (Black-and-white) | The Bad and the Beautiful |
25 | 1952 | Cinematography (Color) | The Quiet Man |
25 | 1952 | Costume Design (Black-and-white) | The Bad and the Beautiful |
25 | 1952 | Costume Design (Color) | Moulin Rouge |
25 | 1952 | Directing | The Quiet Man |
25 | 1952 | Documentary (Feature) | The Sea around Us |
25 | 1952 | Documentary (Short Subject) | Neighbours |
25 | 1952 | Film Editing | High Noon |
25 | 1952 | Honorary Award | To Bob Hope for his contribution to the laughter of the world, his service to the motion picture industry, and his devotion to the American premise. |
25 | 1952 | Honorary Award | To George Alfred Mitchell for the design and development of the camera which bears his name and for his continued and dominant presence in the field of cinematography. |
25 | 1952 | Honorary Award | To Harold Lloyd, master comedian and good citizen. |
25 | 1952 | Honorary Award | To Joseph M. Schenck for long and distinguished service to the motion picture industry. |
25 | 1952 | Honorary Award | To Merian C. Cooper for his many innovations and contributions to the art of motion pictures. |
25 | 1952 | Honorary Foreign Language Film Award | Forbidden Games - Best Foreign Language Film first released in the United States during 1952. |
25 | 1952 | Irving G. Thalberg Memorial Award | Cecil B. DeMille |
25 | 1952 | Music (Music Score of a Dramatic or Comedy Picture) | High Noon |
25 | 1952 | Music (Scoring of a Musical Picture) | With a Song in My Heart |
25 | 1952 | Music (Song) | High Noon |
25 | 1952 | Scientific or Technical Award (Class I) | To ANSCO FILM DIVISION OF GENERAL ANILINE AND FILM CORPORATION for the introduction of Ansco color negative and Ansco color print film. |
25 | 1952 | Scientific or Technical Award (Class I) | To EASTMAN KODAK COMPANY for the introduction of Eastman color negative and Eastman color print film. |
25 | 1952 | Scientific or Technical Award (Class II) | To TECHNICOLOR MOTION PICTURE CORPORATION for an improved method of color motion picture photography under incandescent light. |
25 | 1952 | Scientific or Technical Award (Class III) | To CARLOS RIVAS of Metro-Goldwyn-Mayer Studio for the development of a sound reproducer for magnetic film. |
25 | 1952 | Scientific or Technical Award (Class III) | To GUSTAV JIROUCH for the design of the Robot automatic film splicer. |
25 | 1952 | Scientific or Technical Award (Class III) | To JOHN G. FRAYNE and R. R. SCOVILLE and WESTREX CORPORATION for a method of measuring distortion in sound reproduction. |
25 | 1952 | Scientific or Technical Award (Class III) | To PHOTO RESEARCH CORPORATION for creating the Spectra color temperature meter. |
25 | 1952 | Scientific or Technical Award (Class III) | To the PROJECTION, STILL PHOTOGRAPHIC and DEVELOPMENT ENGINEERING DEPARTMENTS of METRO-GOLDWYN-MAYER STUDIO for an improved method of projecting photographic backgrounds. |
25 | 1952 | Short Subject (Cartoon) | Johann Mouse |
25 | 1952 | Short Subject (One-reel) | Light in the Window: The Art of Vermeer |
25 | 1952 | Short Subject (Two-reel) | Water Birds |
25 | 1952 | Sound Recording | Breaking the Sound Barrier |
25 | 1952 | Special Effects | Plymouth Adventure |
25 | 1952 | Writing (Motion Picture Story) | The Greatest Show on Earth |
25 | 1952 | Writing (Screenplay) | The Bad and the Beautiful |
25 | 1952 | Writing (Story and Screenplay) | The Lavender Hill Mob |
26 | 1953 | Actor | William Holden |
26 | 1953 | Actor in a Supporting Role | Frank Sinatra |
26 | 1953 | Actress | Audrey Hepburn |
26 | 1953 | Actress in a Supporting Role | Donna Reed |
26 | 1953 | Art Direction (Black-and-white) | Julius Caesar |
26 | 1953 | Art Direction (Color) | The Robe |
26 | 1953 | Best Motion Picture | From Here to Eternity |
26 | 1953 | Cinematography (Black-and-white) | From Here to Eternity |
26 | 1953 | Cinematography (Color) | Shane |
26 | 1953 | Costume Design (Black-and-white) | Roman Holiday |
26 | 1953 | Costume Design (Color) | The Robe |
26 | 1953 | Directing | From Here to Eternity |
26 | 1953 | Documentary (Feature) | The Living Desert |
26 | 1953 | Documentary (Short Subject) | The Alaskan Eskimo |
26 | 1953 | Film Editing | From Here to Eternity |
26 | 1953 | Honorary Award | To 20th Century-Fox Film Corporation in recognition of their imagination, showmanship and foresight in introducing the revolutionary process known as CinemaScope. |
26 | 1953 | Honorary Award | To Bell and Howell Company for their pioneering and basic achievements in the advancement of the motion picture industry. |
26 | 1953 | Honorary Award | To Joseph I. Breen for his conscientious, open-minded and dignified management of the Motion Picture Production Code. |
26 | 1953 | Honorary Award | To Pete Smith for his witty and pungent observations on the American scene in his series of "Pete Smith Specialties." |
26 | 1953 | Irving G. Thalberg Memorial Award | George Stevens |
26 | 1953 | Music (Music Score of a Dramatic or Comedy Picture) | Lili |
26 | 1953 | Music (Scoring of a Musical Picture) | Call Me Madam |
26 | 1953 | Music (Song) | Calamity Jane |
26 | 1953 | Scientific or Technical Award (Class I) | To FRED WALLER for designing and developing the multiple photographic and projection systems which culminated in Cinerama. |
26 | 1953 | Scientific or Technical Award (Class I) | To PROFESSOR HENRI CHRETIEN and EARL SPONABLE, SOL HALPRIN, LORIN GRIGNON, HERBERT BRAGG and CARL FAULKNER of 20th Century-Fox Studios for creating, developing and engineering the equipment, processes and techniques known as CinemaScope. |
26 | 1953 | Scientific or Technical Award (Class II) | To REEVES SOUNDCRAFT CORPORATION for their development of a process of applying stripes of magnetic oxide to motion picture film for sound recording and reproduction. |
26 | 1953 | Scientific or Technical Award (Class III) | To WESTREX CORPORATION for the design and construction of a new film editing machine. |
26 | 1953 | Short Subject (Cartoon) | Toot, Whistle, Plunk and Boom |
26 | 1953 | Short Subject (One-reel) | The Merry Wives of Windsor Overture |
26 | 1953 | Short Subject (Two-reel) | Bear Country |
26 | 1953 | Sound Recording | From Here to Eternity |
26 | 1953 | Special Effects | The War of the Worlds |
26 | 1953 | Writing (Motion Picture Story) | Roman Holiday |
26 | 1953 | Writing (Screenplay) | From Here to Eternity |
26 | 1953 | Writing (Story and Screenplay) | Titanic (1953) |
27 | 1954 | Actor | Marlon Brando |
27 | 1954 | Actor in a Supporting Role | Edmond O'Brien |
27 | 1954 | Actress | Grace Kelly |
27 | 1954 | Actress in a Supporting Role | Eva Marie Saint |
27 | 1954 | Art Direction (Black-and-white) | On the Waterfront |
27 | 1954 | Art Direction (Color) | 20,000 Leagues under the Sea |
27 | 1954 | Best Motion Picture | On the Waterfront |
27 | 1954 | Cinematography (Black-and-white) | On the Waterfront |
27 | 1954 | Cinematography (Color) | Three Coins in the Fountain |
27 | 1954 | Costume Design (Black-and-white) | Sabrina |
27 | 1954 | Costume Design (Color) | Gate of Hell |
27 | 1954 | Directing | On the Waterfront |
27 | 1954 | Documentary (Feature) | The Vanishing Prairie |
27 | 1954 | Documentary (Short Subject) | Thursday's Children |
27 | 1954 | Film Editing | On the Waterfront |
27 | 1954 | Honorary Award | To Bausch & Lomb Optical Company for their contributions to the advancement of the motion picture industry. |
27 | 1954 | Honorary Award | To Danny Kaye for his unique talents, his service to the Academy, the motion picture industry, and the American people. |
27 | 1954 | Honorary Award | To Greta Garbo for her unforgettable screen performances. |
27 | 1954 | Honorary Award | To Jon Whiteley for his outstanding juvenile performance in The Little Kidnappers . |
27 | 1954 | Honorary Award | To Kemp R. Niver for the development of the Renovare Process which has made possible the restoration of the Library of Congress Paper Film Collection. |
27 | 1954 | Honorary Award | To Vincent Winter for his outstanding juvenile performance in The Little Kidnappers . |
27 | 1954 | Honorary Foreign Language Film Award | To Gate of Hell - Best Foreign Language Film first released in the United States during 1954. |
27 | 1954 | Music (Music Score of a Dramatic or Comedy Picture) | The High and the Mighty |
27 | 1954 | Music (Scoring of a Musical Picture) | Seven Brides for Seven Brothers |
27 | 1954 | Music (Song) | Three Coins in the Fountain |
27 | 1954 | Scientific or Technical Award (Class I) | To PARAMOUNT PICTURES, INC., LOREN L. RYDER, JOHN R. BISHOP and all the members of the technical and engineering staff for developing a method of producing and exhibiting motion pictures known as VistaVision. |
27 | 1954 | Scientific or Technical Award (Class III) | To CARLOS RIVAS, G.M. SPRAGUE and the METRO-GOLDWYN-MAYER STUDIO SOUND DEPARTMENT for the design of a magnetic sound editing machine. |
27 | 1954 | Scientific or Technical Award (Class III) | To DAVID S. HORSLEY and the UNIVERSAL-INTERNATIONAL STUDIO SPECIAL PHOTOGRAPHIC DEPARTMENT for a portable remote control device for process projectors. |
27 | 1954 | Scientific or Technical Award (Class III) | To FRED KNOTH and ORIEN ERNEST of the Universal-International Studio Technical Department for the development of a hand portable, electric, dry oil-fog machine. |
27 | 1954 | Scientific or Technical Award (Class III) | To FRED WILSON of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple-band equalizer. |
27 | 1954 | Scientific or Technical Award (Class III) | To JOHN P. LIVADARY, LLOYD RUSSELL and the COLUMBIA STUDIO SOUND DEPARTMENT for an improved limiting amplifier as applied to sound level comparison devices. |
27 | 1954 | Scientific or Technical Award (Class III) | To KARL FREUND and FRANK CRANDELL of Photo Research Corporation for the design and development of a direct reading brightness meter. |
27 | 1954 | Scientific or Technical Award (Class III) | To P.C. YOUNG of the Metro-Goldwyn-Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses. |
27 | 1954 | Scientific or Technical Award (Class III) | To ROLAND MILLER and MAX GOEPPINGER of Magnascope Corporation for the design and development of a cathode ray magnetic sound track viewer. |
27 | 1954 | Scientific or Technical Award (Class III) | To WESLEY C. MILLER, J.W. STAFFORD, K.M. FRIERSON and the METRO-GOLDWYN-MAYER STUDIO SOUND DEPARTMENT for an electronic sound printing comparison device. |
27 | 1954 | Short Subject (Cartoon) | When Magoo Flew |
27 | 1954 | Short Subject (One-reel) | This Mechanical Age |
27 | 1954 | Short Subject (Two-reel) | A Time Out of War |
27 | 1954 | Sound Recording | The Glenn Miller Story |
27 | 1954 | Special Effects | 20,000 Leagues under the Sea |
27 | 1954 | Writing (Motion Picture Story) | Broken Lance |
27 | 1954 | Writing (Screenplay) | The Country Girl |
27 | 1954 | Writing (Story and Screenplay) | On the Waterfront |
28 | 1955 | Actor | Ernest Borgnine |
28 | 1955 | Actor in a Supporting Role | Jack Lemmon |
28 | 1955 | Actress | Anna Magnani |
28 | 1955 | Actress in a Supporting Role | Jo Van Fleet |
28 | 1955 | Art Direction (Black-and-white) | The Rose Tattoo |
28 | 1955 | Art Direction (Color) | Picnic |
28 | 1955 | Best Motion Picture | Marty |
28 | 1955 | Cinematography (Black-and-white) | The Rose Tattoo |
28 | 1955 | Cinematography (Color) | To Catch a Thief |
28 | 1955 | Costume Design (Black-and-white) | I'll Cry Tomorrow |
28 | 1955 | Costume Design (Color) | Love Is a Many-Splendored Thing |
28 | 1955 | Directing | Marty |
28 | 1955 | Documentary (Feature) | Helen Keller in Her Story |
28 | 1955 | Documentary (Short Subject) | Men against the Arctic |
28 | 1955 | Film Editing | Picnic |
28 | 1955 | Honorary Foreign Language Film Award | To Samurai, The Legend of Musashi - Best Foreign Language Film first released in the United States during 1955. |
28 | 1955 | Music (Music Score of a Dramatic or Comedy Picture) | Love Is a Many-Splendored Thing |
28 | 1955 | Music (Scoring of a Musical Picture) | Oklahoma! |
28 | 1955 | Music (Song) | Love Is a Many-Splendored Thing |
28 | 1955 | Scientific or Technical Award (Class I) | To the NATIONAL CARBON CO. for the development and production of a high efficiency yellow flame carbon for motion picture color photography. |
28 | 1955 | Scientific or Technical Award (Class II) | To FARCIOT EDOUART, HAL CORL and the PARAMOUNT STUDIO TRANSPARENCY DEPARTMENT for the engineering and development of a double-frame, triple-head background projector. |
28 | 1955 | Scientific or Technical Award (Class II) | To the EASTMAN KODAK CO. for Eastman Tri-X Panchromatic Negative Film. |
28 | 1955 | Scientific or Technical Award (Class III) | To 20TH CENTURY-FOX STUDIO and the BAUSCH & LOMB CO. for the new combination lenses for CinemaScope Photography. |
28 | 1955 | Scientific or Technical Award (Class III) | To DAVE ANDERSON of 20th Century-Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances. |
28 | 1955 | Scientific or Technical Award (Class III) | To FARCIOT EDOUART, HAL CORL and the PARAMOUNT STUDIO TRANSPARENCY DEPARTMENT for an improved dual stereopticon background projector. |
28 | 1955 | Scientific or Technical Award (Class III) | To LOREN L. RYDER, CHARLES WEST, HENRY FRACKER and the PARAMOUNT STUDIOS for a projection film index to establish proper framing for various aspect ratios. |
28 | 1955 | Scientific or Technical Award (Class III) | To STEVE KRILANOVICH for an improved camera dolly incorporating multi-directional steering. |
28 | 1955 | Scientific or Technical Award (Class III) | To WALTER JOLLEY, MAURICE LARSON and R.H. SPIES of 20th Century-Fox Studio for a spraying process which creates simulated metallic surfaces. |
28 | 1955 | Short Subject (Cartoon) | Speedy Gonzales |
28 | 1955 | Short Subject (One-reel) | Survival City |
28 | 1955 | Short Subject (Two-reel) | The Face of Lincoln |
28 | 1955 | Sound Recording | Oklahoma! |
28 | 1955 | Special Effects | The Bridges at Toko-Ri |
28 | 1955 | Writing (Motion Picture Story) | Love Me or Leave Me |
28 | 1955 | Writing (Screenplay) | Marty |
28 | 1955 | Writing (Story and Screenplay) | Interrupted Melody |
29 | 1956 | Actor | Yul Brynner |
29 | 1956 | Actor in a Supporting Role | Anthony Quinn |
29 | 1956 | Actress | Ingrid Bergman |
29 | 1956 | Actress in a Supporting Role | Dorothy Malone |
29 | 1956 | Art Direction (Black-and-white) | Somebody Up There Likes Me |
29 | 1956 | Art Direction (Color) | The King and I |
29 | 1956 | Best Motion Picture | Around the World in 80 Days |
29 | 1956 | Cinematography (Black-and-white) | Somebody Up There Likes Me |
29 | 1956 | Cinematography (Color) | Around the World in 80 Days |
29 | 1956 | Costume Design (Black-and-white) | The Solid Gold Cadillac |
29 | 1956 | Costume Design (Color) | The King and I |
29 | 1956 | Directing | Giant |
29 | 1956 | Documentary (Feature) | The Silent World |
29 | 1956 | Documentary (Short Subject) | The True Story of the Civil War |
29 | 1956 | Film Editing | Around the World in 80 Days |
29 | 1956 | Foreign Language Film | La Strada |
29 | 1956 | Honorary Award | To Eddie Cantor for distinguished service to the film industry. |
29 | 1956 | Irving G. Thalberg Memorial Award | Buddy Adler |
29 | 1956 | Jean Hersholt Humanitarian Award | Y. Frank Freeman |
29 | 1956 | Music (Music Score of a Dramatic or Comedy Picture) | Around the World in 80 Days |
29 | 1956 | Music (Scoring of a Musical Picture) | The King and I |
29 | 1956 | Music (Song) | The Man Who Knew Too Much |
29 | 1956 | Scientific or Technical Award (Class III) | To DANIEL J. BLOOMBERG, JOHN POND, WILLIAM WADE and the ENGINEERING AND CAMERA DEPARTMENTS OF REPUBLIC STUDIO for the Naturama adaptation to the Mitchell camera. |
29 | 1956 | Scientific or Technical Award (Class III) | To RICHARD H. RANGER of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter-inch magnetic tape. |
29 | 1956 | Scientific or Technical Award (Class III) | To ROY C. STEWART AND SONS of Stewart-Trans Lux Corp., DR. C.R. DAILY and the TRANSPARENCY DEPARTMENT OF PARAMOUNT PICTURES CORP. for the engineering and development of the HiTrans and Para-HiTrans rear projection screens. |
29 | 1956 | Scientific or Technical Award (Class III) | To TED HIRSCH, CARL HAUGE and EDWARD REICHARD of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms. |
29 | 1956 | Scientific or Technical Award (Class III) | To the CONSTRUCTION DEPARTMENT OF METRO-GOLDWYN-MAYER STUDIO for a new hand-portable fog machine. |
29 | 1956 | Scientific or Technical Award (Class III) | To the TECHNICAL DEPARTMENTS OF PARAMOUNT PICTURES CORP. for the engineering and development of the Paramount light-weight horizontal-movement VistaVision camera. |
29 | 1956 | Short Subject (Cartoon) | Mister Magoo's Puddle Jumper |
29 | 1956 | Short Subject (One-reel) | Crashing the Water Barrier |
29 | 1956 | Short Subject (Two-reel) | The Bespoke Overcoat |
29 | 1956 | Sound Recording | The King and I |
29 | 1956 | Special Effects | The Ten Commandments |
29 | 1956 | Writing (Motion Picture Story) | The Brave One |
29 | 1956 | Writing (Screenplay--adapted) | Around the World in 80 Days |
29 | 1956 | Writing (Screenplay--original) | The Red Balloon |
30 | 1957 | Actor | Alec Guinness |
30 | 1957 | Actor in a Supporting Role | Red Buttons |
30 | 1957 | Actress | Joanne Woodward |
30 | 1957 | Actress in a Supporting Role | Miyoshi Umeki |
30 | 1957 | Art Direction | Sayonara |
30 | 1957 | Best Motion Picture | The Bridge on the River Kwai |
30 | 1957 | Cinematography | The Bridge on the River Kwai |
30 | 1957 | Costume Design | Les Girls |
30 | 1957 | Directing | The Bridge on the River Kwai |
30 | 1957 | Documentary (Feature) | Albert Schweitzer |
30 | 1957 | Film Editing | The Bridge on the River Kwai |
30 | 1957 | Foreign Language Film | The Nights of Cabiria |
30 | 1957 | Honorary Award | To B.B. Kahane for distinguished service to the motion picture industry. |
30 | 1957 | Honorary Award | To Charles Brackett for outstanding service to the Academy. |
30 | 1957 | Honorary Award | To Gilbert M. ("Broncho Billy") Anderson, motion picture pioneer, for his contributions to the development of motion pictures as entertainment. |
30 | 1957 | Honorary Award | To The Society of Motion Picture and Television Engineers for their contributions to the advancement of the motion picture industry. |
30 | 1957 | Jean Hersholt Humanitarian Award | Samuel Goldwyn |
30 | 1957 | Music (Scoring) | The Bridge on the River Kwai |
30 | 1957 | Music (Song) | The Joker Is Wild |
30 | 1957 | Scientific or Technical Award (Class I) | To THE MOTION PICTURE RESEARCH COUNCIL for the design and development of a high efficiency projection screen for drive-in theatres. |
30 | 1957 | Scientific or Technical Award (Class I) | To the TODD-AO CORP. and WESTREX CORP. for developing a method of producing and exhibiting wide-film motion pictures known as the Todd-AO System. |
30 | 1957 | Scientific or Technical Award (Class II) | To HARLAN L. BAUMBACH, LORAND WARGO, HOWARD M. LITTLE and the UNICORN ENGINEERING CORP. for the development of an Automatic Printer Light Selector. |
30 | 1957 | Scientific or Technical Award (Class II) | To the SOCIÉTÉ D'OPTIQUE ET DE MECANIQUE DE HAUTE PRECISION for the development of a high speed vari-focal photographic lens. |
30 | 1957 | Scientific or Technical Award (Class III) | To CHARLES E. SUTTER, WILLIAM B. SMITH, PARAMOUNT PICTURES CORP. and GENERAL CABLE CORP. for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. |
30 | 1957 | Short Subject (Cartoon) | Birds Anonymous |
30 | 1957 | Short Subject (Live Action) | The Wetback Hound |
30 | 1957 | Sound Recording | Sayonara |
30 | 1957 | Special Effects | The Enemy Below |
30 | 1957 | Writing (Screenplay--based On Material From Another Medium) | The Bridge on the River Kwai |
30 | 1957 | Writing (Story and Screenplay--written Directly For The Screen) | Designing Woman |
31 | 1958 | Actor | David Niven |
31 | 1958 | Actor in a Supporting Role | Burl Ives |
31 | 1958 | Actress | Susan Hayward |
31 | 1958 | Actress in a Supporting Role | Wendy Hiller |
31 | 1958 | Art Direction | Gigi |
31 | 1958 | Best Motion Picture | Gigi |
31 | 1958 | Cinematography (Black-and-white) | The Defiant Ones |
31 | 1958 | Cinematography (Color) | Gigi |
31 | 1958 | Costume Design | Gigi |
31 | 1958 | Directing | Gigi |
31 | 1958 | Documentary (Feature) | White Wilderness |
31 | 1958 | Documentary (Short Subject) | Ama Girls |
31 | 1958 | Film Editing | Gigi |
31 | 1958 | Foreign Language Film | My Uncle |
31 | 1958 | Honorary Award | To Maurice Chevalier for his contributions to the world of entertainment for more than half a century. |
31 | 1958 | Irving G. Thalberg Memorial Award | Jack L. Warner |
31 | 1958 | Music (Music Score of a Dramatic or Comedy Picture) | The Old Man and the Sea |
31 | 1958 | Music (Scoring of a Musical Picture) | Gigi |
31 | 1958 | Music (Song) | Gigi |
31 | 1958 | Scientific or Technical Award (Class II) | To DON W. PRIDEAUX, LEROY G. LEIGHTON and the LAMP DIVISION OF GENERAL ELECTRIC CO. for the development and production of an improved 10 kilowatt lamp for motion picture set lighting. |
31 | 1958 | Scientific or Technical Award (Class II) | To PANAVISION, INC., for the design and development of the Auto Panatar anamorphic photographic lens for 35mm CinemaScope photography. |
31 | 1958 | Scientific or Technical Award (Class III) | To FRED PONEDEL, GEORGE BROWN and CONRAD BOYE of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun. |
31 | 1958 | Scientific or Technical Award (Class III) | To WILLY BORBERG of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment. |
31 | 1958 | Short Subject (Cartoon) | Knighty Knight Bugs |
31 | 1958 | Short Subject (Live Action) | Grand Canyon |
31 | 1958 | Sound | South Pacific |
31 | 1958 | Special Effects | tom thumb |
31 | 1958 | Writing (Screenplay--based On Material From Another Medium) | Gigi |
31 | 1958 | Writing (Story and Screenplay--written Directly For The Screen) | The Defiant Ones |
32 | 1959 | Actor | Charlton Heston |
32 | 1959 | Actor in a Supporting Role | Hugh Griffith |
32 | 1959 | Actress | Simone Signoret |
32 | 1959 | Actress in a Supporting Role | Shelley Winters |
32 | 1959 | Art Direction (Black-and-white) | The Diary of Anne Frank |
32 | 1959 | Art Direction (Color) | Ben-Hur |
32 | 1959 | Best Motion Picture | Ben-Hur |
32 | 1959 | Cinematography (Black-and-white) | The Diary of Anne Frank |
32 | 1959 | Cinematography (Color) | Ben-Hur |
32 | 1959 | Costume Design (Black-and-white) | Some Like It Hot |
32 | 1959 | Costume Design (Color) | Ben-Hur |
32 | 1959 | Directing | Ben-Hur |
32 | 1959 | Documentary (Feature) | Serengeti Shall Not Die |
32 | 1959 | Documentary (Short Subject) | Glass |
32 | 1959 | Film Editing | Ben-Hur |
32 | 1959 | Foreign Language Film | Black Orpheus |
32 | 1959 | Honorary Award | To Buster Keaton for his unique talents which brought immortal comedies to the screen. |
32 | 1959 | Honorary Award | To Lee De Forest for his pioneering inventions which brought sound to the motion picture. |
32 | 1959 | Jean Hersholt Humanitarian Award | Bob Hope |
32 | 1959 | Music (Music Score of a Dramatic or Comedy Picture) | Ben-Hur |
32 | 1959 | Music (Scoring of a Musical Picture) | Porgy and Bess |
32 | 1959 | Music (Song) | A Hole in the Head |
32 | 1959 | Scientific or Technical Award (Class II) | To DOUGLAS G. SHEARER of Metro-Goldwyn-Mayer, Inc., and ROBERT E. GOTTSCHALK and JOHN R. MOORE of Panavision, Inc., for the development of a system of producing and exhibiting wide-film motion pictures known as Camera 65. |
32 | 1959 | Scientific or Technical Award (Class II) | To DR. HOWARD S. COLEMAN, DR. A. FRANCIS TURNER, HAROLD H. SCHROEDER, JAMES R. BENFORD and HAROLD E. ROSENBERGER of the Bausch & Lomb Optical Co. for the design and development of the Balcold Projection Mirror. |
32 | 1959 | Scientific or Technical Award (Class II) | To ROBERT P. GUTTERMAN of General Kinetics, Inc., and LIPSNER-SMITH CORP. for the design and development of the CF-2 Ultra-sonic Film Cleaner. |
32 | 1959 | Scientific or Technical Award (Class II) | To WADSWORTH E. POHL, JACK ALFORD, HENRY IMUS, JOSEPH SCHMIT, PAUL FASSNACHT, AL LOFQUIST and TECHNICOLOR CORP., for the development and practical application of equipment for wet printing. |
32 | 1959 | Scientific or Technical Award (Class II) | To WADSWORTH E. POHL, WILLIAM EVANS, WERNER HOPF, S.E. HOWSE, THOMAS P. DIXON, STANFORD RESEARCH INSTITUTE and TECHNICOLOR CORP., for the design and development of the Technicolor Electronic Printing Timer. |
32 | 1959 | Scientific or Technical Award (Class III) | To E.L. STONES, GLEN ROBINSON, WINFIELD HUBBARD and LUTHER NEWMAN of the Metro-Goldwyn-Mayer Studio Construction Department for the design of a multiple cable remote controlled winch. |
32 | 1959 | Scientific or Technical Award (Class III) | To UB IWERKS of Walt Disney Prods. for the design of an improved optical printer for special effects and matte shots. |
32 | 1959 | Short Subject (Cartoon) | Moonbird |
32 | 1959 | Short Subject (Live Action) | The Golden Fish |
32 | 1959 | Sound | Ben-Hur |
32 | 1959 | Special Effects | Ben-Hur |
32 | 1959 | Writing (Screenplay--based On Material From Another Medium) | Room at the Top |
32 | 1959 | Writing (Story and Screenplay--written Directly For The Screen) | Pillow Talk |
33 | 1960 | Actor | Burt Lancaster |
33 | 1960 | Actor in a Supporting Role | Peter Ustinov |
33 | 1960 | Actress | Elizabeth Taylor |
33 | 1960 | Actress in a Supporting Role | Shirley Jones |
33 | 1960 | Art Direction (Black-and-white) | The Apartment |
33 | 1960 | Art Direction (Color) | Spartacus |
33 | 1960 | Best Motion Picture | The Apartment |
33 | 1960 | Cinematography (Black-and-white) | Sons and Lovers |
33 | 1960 | Cinematography (Color) | Spartacus |
33 | 1960 | Costume Design (Black-and-white) | The Facts of Life |
33 | 1960 | Costume Design (Color) | Spartacus |
33 | 1960 | Directing | The Apartment |
33 | 1960 | Documentary (Feature) | The Horse with the Flying Tail |
33 | 1960 | Documentary (Short Subject) | Giuseppina |
33 | 1960 | Film Editing | The Apartment |
33 | 1960 | Foreign Language Film | The Virgin Spring |
33 | 1960 | Honorary Award | To Gary Cooper for his many memorable screen performances and the international recognition he, as an individual, has gained for the motion picture industry. |
33 | 1960 | Honorary Award | To Hayley Mills for Pollyanna , the most outstanding juvenile performance during 1960. |
33 | 1960 | Honorary Award | To Stan Laurel for his creative pioneering in the field of cinema comedy. |
33 | 1960 | Jean Hersholt Humanitarian Award | Sol Lesser |
33 | 1960 | Music (Music Score of a Dramatic or Comedy Picture) | Exodus |
33 | 1960 | Music (Scoring of a Musical Picture) | Song without End (The Story of Franz Liszt) |
33 | 1960 | Music (Song) | Never on Sunday |
33 | 1960 | Scientific or Technical Award (Class II) | To AMPEX PROFESSIONAL PRODUCTS CO. for the production of a well-engineered multi-purpose sound system combining high standards of quality with convenience of control, dependable operation and simplified emergency provisions. |
33 | 1960 | Scientific or Technical Award (Class III) | To ANTHONY PAGLIA and the 20TH CENTURY-FOX STUDIO MECHANICAL EFFECTS DEPARTMENT for the design and construction of a miniature flak gun and ammunition. |
33 | 1960 | Scientific or Technical Award (Class III) | To ARTHUR HOLCOMB, PETRO VLAHOS and COLUMBIA STUDIO CAMERA DEPARTMENT for a camera flicker indicating device. |
33 | 1960 | Scientific or Technical Award (Class III) | To CARL HAUGE, ROBERT GRUBEL and EDWARD REICHARD of Consolidated Film Industries for the development of an automatic developer replenisher system. |
33 | 1960 | Short Subject (Cartoon) | Munro |
33 | 1960 | Short Subject (Live Action) | Day of the Painter |
33 | 1960 | Sound | The Alamo |
33 | 1960 | Special Effects | The Time Machine |
33 | 1960 | Writing (Screenplay--based On Material From Another Medium) | Elmer Gantry |
33 | 1960 | Writing (Story and Screenplay--written Directly For The Screen) | The Apartment |
34 | 1961 | Actor | Maximilian Schell |
34 | 1961 | Actor in a Supporting Role | George Chakiris |
34 | 1961 | Actress | Sophia Loren |
34 | 1961 | Actress in a Supporting Role | Rita Moreno |
34 | 1961 | Art Direction (Black-and-white) | The Hustler |
34 | 1961 | Art Direction (Color) | West Side Story |
34 | 1961 | Best Motion Picture | West Side Story |
34 | 1961 | Cinematography (Black-and-white) | The Hustler |
34 | 1961 | Cinematography (Color) | West Side Story |
34 | 1961 | Costume Design (Black-and-white) | La Dolce Vita |
34 | 1961 | Costume Design (Color) | West Side Story |
34 | 1961 | Directing | West Side Story |
34 | 1961 | Documentary (Feature) | Le Ciel et la Boue (Sky Above and Mud Beneath) |
34 | 1961 | Documentary (Short Subject) | Project Hope |
34 | 1961 | Film Editing | West Side Story |
34 | 1961 | Foreign Language Film | Through a Glass Darkly |
34 | 1961 | Honorary Award | To Fred L. Metzler for his dedication and outstanding service to the Academy of Motion Picture Arts and Sciences. |
34 | 1961 | Honorary Award | To Jerome Robbins for his brilliant achievements in the art of choreography on film. |
34 | 1961 | Honorary Award | To William L. Hendricks for his outstanding patriotic service in the conception, writing and production of the Marine Corps film, A Force in Readiness , which has brought honor to the Academy and the motion picture industry. |
34 | 1961 | Irving G. Thalberg Memorial Award | Stanley Kramer |
34 | 1961 | Jean Hersholt Humanitarian Award | George Seaton |
34 | 1961 | Music (Music Score of a Dramatic or Comedy Picture) | Breakfast at Tiffany's |
34 | 1961 | Music (Scoring of a Musical Picture) | West Side Story |
34 | 1961 | Music (Song) | Breakfast at Tiffany's |
34 | 1961 | Scientific or Technical Award (Class II) | To 20TH CENTURY-FOX RESEARCH DEPARTMENT, under the direction of E.I. SPONABLE and HERBERT E. BRAGG, and DELUXE LABORATORIES, INC., with the assistance of F.D. LESLIE, R.D. WHITMORE, A.A. ALDEN, ENDEL POOL and JAMES B. GORDON for a system of decompressing and recomposing CinemaScope pictures for conventional aspect ratios. |
34 | 1961 | Scientific or Technical Award (Class II) | To JAMES DALE, S. WILSON, H.E. RICE, JOHN RUDE, LAURIE ATKIN, WADSWORTH E. POHL, H. PEASGOOD and TECHNICOLOR CORP. for a process of automatic selective printing. |
34 | 1961 | Scientific or Technical Award (Class II) | To SYLVANIA ELECTRIC PRODUCTS, INC., for the development of a hand held high-power photographic lighting unit known as the Sun Gun Professional. |
34 | 1961 | Scientific or Technical Award (Class III) | To HURLETRON, INC., ELECTRIC EYE EQUIPMENT DIVISION, for an automatic light changing system for motion picture printers. |
34 | 1961 | Scientific or Technical Award (Class III) | To WADSWORTH E. POHL and TECHNICOLOR CORP. for an integrated sound and picture transfer process. |
34 | 1961 | Short Subject (Cartoon) | Ersatz (The Substitute) |
34 | 1961 | Short Subject (Live Action) | Seawards the Great Ships |
34 | 1961 | Sound | West Side Story |
34 | 1961 | Special Effects | The Guns of Navarone |
34 | 1961 | Writing (Screenplay--based On Material From Another Medium) | Judgment at Nuremberg |
34 | 1961 | Writing (Story and Screenplay--written Directly For The Screen) | Splendor in the Grass |
35 | 1962 | Actor | Gregory Peck |
35 | 1962 | Actor in a Supporting Role | Ed Begley |
35 | 1962 | Actress | Anne Bancroft |
35 | 1962 | Actress in a Supporting Role | Patty Duke |
35 | 1962 | Art Direction (Black-and-white) | To Kill a Mockingbird |
35 | 1962 | Art Direction (Color) | Lawrence of Arabia |
35 | 1962 | Best Picture | Lawrence of Arabia |
35 | 1962 | Cinematography (Black-and-white) | The Longest Day |
35 | 1962 | Cinematography (Color) | Lawrence of Arabia |
35 | 1962 | Costume Design (Black-and-white) | What Ever Happened to Baby Jane? |
35 | 1962 | Costume Design (Color) | The Wonderful World of the Brothers Grimm |
35 | 1962 | Directing | Lawrence of Arabia |
35 | 1962 | Documentary (Feature) | Black Fox |
35 | 1962 | Documentary (Short Subject) | Dylan Thomas |
35 | 1962 | Film Editing | Lawrence of Arabia |
35 | 1962 | Foreign Language Film | Sundays and Cybele |
35 | 1962 | Jean Hersholt Humanitarian Award | Steve Broidy |
35 | 1962 | Music (Music Score--substantially Original) | Lawrence of Arabia |
35 | 1962 | Music (Scoring of Music--adaptation or Treatment) | Meredith Willson's The Music Man |
35 | 1962 | Music (Song) | Days of Wine and Roses |
35 | 1962 | Scientific or Technical Award (Class II) | To ALBERT S. PRATT, JAMES L. WASSELL and HANS C. WOHLRAB of the Professional Equipment Divison of Bell & Howell Co., for the design and development of a new and improved automatic motion picture additive color printer. |
35 | 1962 | Scientific or Technical Award (Class II) | To CHARLES E. SUTTER, WILLIAM BRYSON SMITH and LOUIS C. KENNELL of Paramount Pictures Corp. for the engineering and application to motion picture production of a new system of electric power distribution. |
35 | 1962 | Scientific or Technical Award (Class II) | To NORTH AMERICAN PHILIPS CO., INC., for the design and engineering of the Norelco Universal 70/35mm motion picture projector. |
35 | 1962 | Scientific or Technical Award (Class II) | To RALPH CHAPMAN for the design and development of an advanced motion picture camera crane. |
35 | 1962 | Scientific or Technical Award (Class III) | To ELECTRO-VOICE, INC., for a highly directional dynamic line microphone. |
35 | 1962 | Scientific or Technical Award (Class III) | To LOUIS G. MacKENZIE for a selective sound effects repeater. |
35 | 1962 | Short Subject (Cartoon) | The Hole |
35 | 1962 | Short Subject (Live Action) | Heureux Anniversaire (Happy Anniversary) |
35 | 1962 | Sound | Lawrence of Arabia |
35 | 1962 | Special Effects | The Longest Day |
35 | 1962 | Writing (Screenplay--based On Material From Another Medium) | To Kill a Mockingbird |
35 | 1962 | Writing (Story and Screenplay--written Directly For The Screen) | Divorce--Italian Style |
36 | 1963 | Actor | Sidney Poitier |
36 | 1963 | Actor in a Supporting Role | Melvyn Douglas |
36 | 1963 | Actress | Patricia Neal |
36 | 1963 | Actress in a Supporting Role | Margaret Rutherford |
36 | 1963 | Art Direction (Black-and-white) | America America |
36 | 1963 | Art Direction (Color) | Cleopatra |
36 | 1963 | Best Picture | Tom Jones |
36 | 1963 | Cinematography (Black-and-white) | Hud |
36 | 1963 | Cinematography (Color) | Cleopatra |
36 | 1963 | Costume Design (Black-and-white) | Federico Fellini's 8-1/2 |
36 | 1963 | Costume Design (Color) | Cleopatra |
36 | 1963 | Directing | Tom Jones |
36 | 1963 | Documentary (Feature) | Robert Frost: A Lover's Quarrel with the World |
36 | 1963 | Documentary (Short Subject) | Chagall |
36 | 1963 | Film Editing | How the West Was Won |
36 | 1963 | Foreign Language Film | Federico Fellini's 8-1/2 |
36 | 1963 | Irving G. Thalberg Memorial Award | Sam Spiegel |
36 | 1963 | Music (Music Score--substantially Original) | Tom Jones |
36 | 1963 | Music (Scoring of Music--adaptation or Treatment) | Irma La Douce |
36 | 1963 | Music (Song) | Papa's Delicate Condition |
36 | 1963 | Scientific or Technical Award (Class III) | To DOUGLAS G. SHEARER and A. ARNOLD GILLESPIE of Metro-Goldwyn-Mayer Studios for the engineering of an improved Background Process Projection System. |
36 | 1963 | Short Subject (Cartoon) | The Critic |
36 | 1963 | Short Subject (Live Action) | An Occurrence at Owl Creek Bridge |
36 | 1963 | Sound | How the West Was Won |
36 | 1963 | Sound Effects | It's a Mad, Mad, Mad, Mad World |
36 | 1963 | Special Effects | Cleopatra |
36 | 1963 | Writing (Screenplay--based On Material From Another Medium) | Tom Jones |
36 | 1963 | Writing (Story and Screenplay--written Directly For The Screen) | How the West Was Won |
37 | 1964 | Actor | Rex Harrison |
37 | 1964 | Actor in a Supporting Role | Peter Ustinov |
37 | 1964 | Actress | Julie Andrews |
37 | 1964 | Actress in a Supporting Role | Lila Kedrova |
37 | 1964 | Art Direction (Black-and-white) | Zorba the Greek |
37 | 1964 | Art Direction (Color) | My Fair Lady |
37 | 1964 | Best Picture | My Fair Lady |
37 | 1964 | Cinematography (Black-and-white) | Zorba the Greek |
37 | 1964 | Cinematography (Color) | My Fair Lady |
37 | 1964 | Costume Design (Black-and-white) | The Night of the Iguana |
37 | 1964 | Costume Design (Color) | My Fair Lady |
37 | 1964 | Directing | My Fair Lady |
37 | 1964 | Documentary (Feature) | Jacques-Yves Cousteau's World without Sun |
37 | 1964 | Documentary (Short Subject) | Nine from Little Rock |
37 | 1964 | Film Editing | Mary Poppins |
37 | 1964 | Foreign Language Film | Yesterday, Today and Tomorrow |
37 | 1964 | Honorary Award | To William Tuttle for his outstanding make-up achievement for 7 Faces of Dr. Lao . |
37 | 1964 | Music (Music Score--substantially Original) | Mary Poppins |
37 | 1964 | Music (Scoring of Music--adaptation or Treatment) | My Fair Lady |
37 | 1964 | Music (Song) | Mary Poppins |
37 | 1964 | Scientific or Technical Award (Class I) | To PETRO VLAHOS, WADSWORTH E. POHL and UB IWERKS for the conception and perfection of techniques for Color Traveling Matte Composite Cinematography. |
37 | 1964 | Scientific or Technical Award (Class II) | To PIERRE ANGENIEUX for the development of a ten-to-one Zoom Lens for cinematography. |
37 | 1964 | Scientific or Technical Award (Class II) | To SIDNEY P. SOLOW, EDWARD H. REICHARD, CARL W. HAUGE and JOB SANDERSON of Consolidated Film Industries for the design and development of a versatile Automatic 35mm Composite Color Printer. |
37 | 1964 | Scientific or Technical Award (Class III) | To ANTHONY PAGLIA and the 20TH CENTURY-FOX STUDIO MECHANICAL EFFECTS DEPARTMENT for an improved method of producing Explosion Flash Effects for motion pictures. |
37 | 1964 | Scientific or Technical Award (Class III) | To EDWARD H. REICHARD and CARL W. HAUGE of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers. |
37 | 1964 | Scientific or Technical Award (Class III) | To EDWARD H. REICHARD, LEONARD L. SOKOLOW and CARL W. HAUGE of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black-and-white film. |
37 | 1964 | Scientific or Technical Award (Class III) | To MILTON FORMAN, RICHARD B. GLICKMAN and DANIEL J. PEARLMAN of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps. |
37 | 1964 | Scientific or Technical Award (Class III) | To NELSON TYLER for the design and construction of an improved Helicopter Camera System. |
37 | 1964 | Scientific or Technical Award (Class III) | To STEWART FILMSCREEN CORPORATION for a seamless translucent Blue Screen for Traveling Matte Color Cinematography. |
37 | 1964 | Short Subject (Cartoon) | The Pink Phink |
37 | 1964 | Short Subject (Live Action) | Casals Conducts: 1964 |
37 | 1964 | Sound | My Fair Lady |
37 | 1964 | Sound Effects | Goldfinger |
37 | 1964 | Special Visual Effects | Mary Poppins |
37 | 1964 | Writing (Screenplay--based On Material From Another Medium) | Becket |
37 | 1964 | Writing (Story and Screenplay--written Directly For The Screen) | Father Goose |
38 | 1965 | Actor | Lee Marvin |
38 | 1965 | Actor in a Supporting Role | Martin Balsam |
38 | 1965 | Actress | Julie Christie |
38 | 1965 | Actress in a Supporting Role | Shelley Winters |
38 | 1965 | Art Direction (Black-and-white) | Ship of Fools |
38 | 1965 | Art Direction (Color) | Doctor Zhivago |
38 | 1965 | Best Picture | The Sound of Music |
38 | 1965 | Cinematography (Black-and-white) | Ship of Fools |
38 | 1965 | Cinematography (Color) | Doctor Zhivago |
38 | 1965 | Costume Design (Black-and-white) | Darling |
38 | 1965 | Costume Design (Color) | Doctor Zhivago |
38 | 1965 | Directing | The Sound of Music |
38 | 1965 | Documentary (Feature) | The Eleanor Roosevelt Story |
38 | 1965 | Documentary (Short Subject) | To Be Alive! |
38 | 1965 | Film Editing | The Sound of Music |
38 | 1965 | Foreign Language Film | The Shop on Main Street |
38 | 1965 | Honorary Award | To Bob Hope for unique and distinguished service to our industry and the Academy. |
38 | 1965 | Irving G. Thalberg Memorial Award | William Wyler |
38 | 1965 | Jean Hersholt Humanitarian Award | Edmond L. DePatie |
38 | 1965 | Music (Music Score--substantially Original) | Doctor Zhivago |
38 | 1965 | Music (Scoring of Music--adaptation or Treatment) | The Sound of Music |
38 | 1965 | Music (Song) | The Sandpiper |
38 | 1965 | Scientific or Technical Award (Class II) | To ARTHUR J. HATCH of the Strong Electric Corporation subsidiary of General Precision Equipment Corporation, for the design and development of an Air Blown Carbon Arc Projection Lamp. |
38 | 1965 | Scientific or Technical Award (Class II) | To STEFAN KUDELSKI for the design and development of the Nagra portable 1/4 inch tape recording system for motion picture sound recording. |
38 | 1965 | Short Subject (Cartoon) | The Dot and the Line |
38 | 1965 | Short Subject (Live Action) | The Chicken (Le Poulet) |
38 | 1965 | Sound | The Sound of Music |
38 | 1965 | Sound Effects | The Great Race |
38 | 1965 | Special Visual Effects | Thunderball |
38 | 1965 | Writing (Screenplay--based On Material From Another Medium) | Doctor Zhivago |
38 | 1965 | Writing (Story and Screenplay--written Directly For The Screen) | Darling |
39 | 1966 | Actor | Paul Scofield |
39 | 1966 | Actor in a Supporting Role | Walter Matthau |
39 | 1966 | Actress | Elizabeth Taylor |
39 | 1966 | Actress in a Supporting Role | Sandy Dennis |
39 | 1966 | Art Direction (Black-and-white) | Who's Afraid of Virginia Woolf? |
39 | 1966 | Art Direction (Color) | Fantastic Voyage |
39 | 1966 | Best Picture | A Man for All Seasons |
39 | 1966 | Cinematography (Black-and-white) | Who's Afraid of Virginia Woolf? |
39 | 1966 | Cinematography (Color) | A Man for All Seasons |
39 | 1966 | Costume Design (Black-and-white) | Who's Afraid of Virginia Woolf? |
39 | 1966 | Costume Design (Color) | A Man for All Seasons |
39 | 1966 | Directing | A Man for All Seasons |
39 | 1966 | Documentary (Feature) | The War Game |
39 | 1966 | Documentary (Short Subject) | A Year toward Tomorrow |
39 | 1966 | Film Editing | Grand Prix |
39 | 1966 | Foreign Language Film | A Man and a Woman |
39 | 1966 | Honorary Award | To Y. Frank Freeman for unusual and outstanding service to the Academy during his thirty years in Hollywood. |
39 | 1966 | Honorary Award | To Yakima Canutt for achievements as a stunt man and for developing safety devices to protect stunt men everywhere. |
39 | 1966 | Irving G. Thalberg Memorial Award | Robert Wise |
39 | 1966 | Jean Hersholt Humanitarian Award | George Bagnall |
39 | 1966 | Music (Original Music Score) | Born Free |
39 | 1966 | Music (Scoring of Music--adaptation or Treatment) | A Funny Thing Happened on the Way to the Forum |
39 | 1966 | Music (Song) | Born Free |
39 | 1966 | Scientific or Technical Award (Class II) | To ARNOLD & RICHTER KG for the design and development of the Arriflex 35mm Portable Motion Picture Reflex Camera. |
39 | 1966 | Scientific or Technical Award (Class II) | To MITCHELL CAMERA CORPORATION for the design and development of the Mitchell Mark II 35mm Portable Motion Picture Reflex Camera. |
39 | 1966 | Scientific or Technical Award (Class III) | To CARROLL KNUDSON for the production of a Composer's Manual for Motion Picture Music Synchronization. |
39 | 1966 | Scientific or Technical Award (Class III) | To PANAVISION, INCORPORATED, for the design of the Panatron Power Inverter and its application to motion picture camera operation. |
39 | 1966 | Scientific or Technical Award (Class III) | To RUBY RAKSIN for the production of a Composer's Manual for Motion Picture Music Synchronization. |
39 | 1966 | Short Subject (Cartoon) | Herb Alpert and the Tijuana Brass Double Feature |
39 | 1966 | Short Subject (Live Action) | Wild Wings |
39 | 1966 | Sound | Grand Prix |
39 | 1966 | Sound Effects | Grand Prix |
39 | 1966 | Special Visual Effects | Fantastic Voyage |
39 | 1966 | Writing (Screenplay--based On Material From Another Medium) | A Man for All Seasons |
39 | 1966 | Writing (Story and Screenplay--written Directly For The Screen) | A Man and a Woman |
40 | 1967 | Actor | Rod Steiger |
40 | 1967 | Actor in a Supporting Role | George Kennedy |
40 | 1967 | Actress | Katharine Hepburn |
40 | 1967 | Actress in a Supporting Role | Estelle Parsons |
40 | 1967 | Art Direction | Camelot |
40 | 1967 | Best Picture | In the Heat of the Night |
40 | 1967 | Cinematography | Bonnie and Clyde |
40 | 1967 | Costume Design | Camelot |
40 | 1967 | Directing | The Graduate |
40 | 1967 | Documentary (Feature) | The Anderson Platoon |
40 | 1967 | Documentary (Short Subject) | The Redwoods |
40 | 1967 | Film Editing | In the Heat of the Night |
40 | 1967 | Foreign Language Film | Closely Watched Trains |
40 | 1967 | Honorary Award | To Arthur Freed for distinguished service to the Academy and the production of six top-rated Awards telecasts. |
40 | 1967 | Irving G. Thalberg Memorial Award | Alfred Hitchcock |
40 | 1967 | Jean Hersholt Humanitarian Award | Gregory Peck |
40 | 1967 | Music (Original Music Score) | Thoroughly Modern Millie |
40 | 1967 | Music (Scoring of Music--adaptation or Treatment) | Camelot |
40 | 1967 | Music (Song) | Doctor Dolittle |
40 | 1967 | Scientific or Technical Award (Class III) | To FRED R. WILSON of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper. |
40 | 1967 | Scientific or Technical Award (Class III) | To PANAVISION, INCORPORATED, for a Variable Speed Motor for Motion Picture Cameras. |
40 | 1967 | Scientific or Technical Award (Class III) | To the ELECTRO-OPTICAL DIVISION OF THE KOLLMORGEN CORPORATION for the design and development of a series of Motion Picture Projection Lenses. |
40 | 1967 | Scientific or Technical Award (Class III) | To WALDON O. WATSON and the UNIVERSAL CITY STUDIO SOUND DEPARTMENT for new concepts in the design of a Music Scoring Stage. |
40 | 1967 | Short Subject (Cartoon) | The Box |
40 | 1967 | Short Subject (Live Action) | A Place to Stand |
40 | 1967 | Sound | In the Heat of the Night |
40 | 1967 | Sound Effects | The Dirty Dozen |
40 | 1967 | Special Visual Effects | Doctor Dolittle |
40 | 1967 | Writing (Screenplay--based On Material From Another Medium) | In the Heat of the Night |
40 | 1967 | Writing (Story and Screenplay--written Directly For The Screen) | Guess Who's Coming to Dinner |
41 | 1968 | Actor | Cliff Robertson |
41 | 1968 | Actor in a Supporting Role | Jack Albertson |
41 | 1968 | Actress | Barbra Streisand |
41 | 1968 | Actress | Katharine Hepburn |
41 | 1968 | Actress in a Supporting Role | Ruth Gordon |
41 | 1968 | Art Direction | Oliver! |
41 | 1968 | Best Picture | Oliver! |
41 | 1968 | Cinematography | Romeo and Juliet |
41 | 1968 | Costume Design | Romeo and Juliet |
41 | 1968 | Directing | Oliver! |
41 | 1968 | Documentary (Feature) | Journey into Self |
41 | 1968 | Documentary (Short Subject) | Why Man Creates |
41 | 1968 | Film Editing | Bullitt |
41 | 1968 | Foreign Language Film | War and Peace |
41 | 1968 | Honorary Award | To John Chambers for his outstanding makeup achievement for Planet of the Apes . |
41 | 1968 | Honorary Award | To Onna White for her outstanding choreography achievement for Oliver! |
41 | 1968 | Jean Hersholt Humanitarian Award | Martha Raye |
41 | 1968 | Music (Original Score--for a Motion Picture [not a Musical]) | The Lion in Winter |
41 | 1968 | Music (Score of a Musical Picture--original or Adaptation) | Oliver! |
41 | 1968 | Music (Song--original For The Picture) | The Thomas Crown Affair |
41 | 1968 | Scientific or Technical Award (Class I) | To EASTMAN KODAK COMPANY for the development and introduction of a color reversal intermediate film for motion pictures. |
41 | 1968 | Scientific or Technical Award (Class I) | To PHILIP V. PALMQUIST of Minnesota Mining and Manufacturing Co., to DR. HERBERT MEYER of the Motion Picture and Television Research Center, and to CHARLES D. STAFFELL of the Rank Organization for the development of a successful embodiment of the reflex background projection system for composite cinematography. |
41 | 1968 | Scientific or Technical Award (Class II) | To DONALD W. NORWOOD for the design and development of the Norwood Photographic Exposure Meters. |
41 | 1968 | Scientific or Technical Award (Class II) | To EASTMAN KODAK COMPANY and PRODUCERS SERVICE COMPANY for the development of a new high-speed step-optical reduction printer. |
41 | 1968 | Scientific or Technical Award (Class II) | To EASTMAN KODAK COMPANY for the introduction of a new high speed motion picture color negative film. |
41 | 1968 | Scientific or Technical Award (Class II) | To EDMUND M. DI GIULIO, NIELS G. PETERSEN and NORMAN S. HUGHES of the Cinema Product Development Company for the design and application of a conversion which makes available the reflex viewing system for motion picture cameras. |
41 | 1968 | Scientific or Technical Award (Class II) | To OPTICAL COATING LABORATORIES, INC. for the development of an improved anti-reflection coating for photographic and projection lens systems. |
41 | 1968 | Scientific or Technical Award (Class II) | To PANAVISION, INCORPORATED, for the conception, design and introduction of a 65mm hand-held motion picture camera. |
41 | 1968 | Scientific or Technical Award (Class II) | To TODD-AO and MITCHELL CAMERA COMPANY for the design and engineering of the Todd-AO hand-held motion picture camera. |
41 | 1968 | Scientific or Technical Award (Class III) | To CARL W. HAUGE and EDWARD H. REICHARD of Consolidated Film Industries and E. MICHAEL MEAHL and ROY J. RIDENOUR of Ramtronics for engineering an automatic exposure control for printing-machine lamps. |
41 | 1968 | Scientific or Technical Award (Class III) | To EASTMAN KODAK COMPANY for a new direct positive film and to CONSOLIDATED FILM INDUSTRIES for the application of this film to the making of post-production work prints. |
41 | 1968 | Short Subject (Cartoon) | Winnie the Pooh and the Blustery Day |
41 | 1968 | Short Subject (Live Action) | Robert Kennedy Remembered |
41 | 1968 | Sound | Oliver! |
41 | 1968 | Special Visual Effects | 2001: A Space Odyssey |
41 | 1968 | Writing (Screenplay--based On Material From Another Medium) | The Lion in Winter |
41 | 1968 | Writing (Story and Screenplay--written Directly For The Screen) | The Producers |
42 | 1969 | Actor | John Wayne |
42 | 1969 | Actor in a Supporting Role | Gig Young |
42 | 1969 | Actress | Maggie Smith |
42 | 1969 | Actress in a Supporting Role | Goldie Hawn |
42 | 1969 | Art Direction | Hello, Dolly! |
42 | 1969 | Best Picture | Midnight Cowboy |
42 | 1969 | Cinematography | Butch Cassidy and the Sundance Kid |
42 | 1969 | Costume Design | Anne of the Thousand Days |
42 | 1969 | Directing | Midnight Cowboy |
42 | 1969 | Documentary (Feature) | Arthur Rubinstein - The Love of Life |
42 | 1969 | Documentary (Short Subject) | Czechoslovakia 1968 |
42 | 1969 | Film Editing | Z |
42 | 1969 | Foreign Language Film | Z |
42 | 1969 | Honorary Award | To Cary Grant for his unique mastery of the art of screen acting with the respect and affection of his colleagues. |
42 | 1969 | Jean Hersholt Humanitarian Award | George Jessel |
42 | 1969 | Music (Original Score--for a Motion Picture [not a Musical]) | Butch Cassidy and the Sundance Kid |
42 | 1969 | Music (Score of a Musical Picture--original or Adaptation) | Hello, Dolly! |
42 | 1969 | Music (Song--original For The Picture) | Butch Cassidy and the Sundance Kid |
42 | 1969 | Scientific or Technical Award (Class II) | To FOUAD SAID for the design and introduction of the Cinemobile series of equipment trucks for location motion picture production. |
42 | 1969 | Scientific or Technical Award (Class II) | To HAZELTINE CORPORATION for the design and development of the Hazeltine Color Film Analyzer. |
42 | 1969 | Scientific or Technical Award (Class II) | To JUAN DE LA CIERVA and DYNASCIENCES CORPORATION for the design and development of the Dynalens optical image motion compensator. |
42 | 1969 | Scientific or Technical Award (Class III) | To FENTON HAMILTON of Metro-Goldwyn-Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting. |
42 | 1969 | Scientific or Technical Award (Class III) | To OTTO POPELKA of Magna-Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System. |
42 | 1969 | Scientific or Technical Award (Class III) | To PANAVISION, INCORPORATED, for the design and development of the Panaspeed Motion Picture Camera Motor. |
42 | 1969 | Scientific or Technical Award (Class III) | To ROBERT M. FLYNN and RUSSELL HESSEY of Universal City Studios, Inc. for a machine-gun modification for motion picture photography. |
42 | 1969 | Short Subject (Cartoon) | It's Tough to Be a Bird |
42 | 1969 | Short Subject (Live Action) | The Magic Machines |
42 | 1969 | Sound | Hello, Dolly! |
42 | 1969 | Special Visual Effects | Marooned |
42 | 1969 | Writing (Screenplay--based On Material From Another Medium) | Midnight Cowboy |
42 | 1969 | Writing (Story and Screenplay--based On Material Not Previously Published or Produced) | Butch Cassidy and the Sundance Kid |
43 | 1970 | Actor | George C. Scott |
43 | 1970 | Actor in a Supporting Role | John Mills |
43 | 1970 | Actress | Glenda Jackson |
43 | 1970 | Actress in a Supporting Role | Helen Hayes |
43 | 1970 | Art Direction | Patton |
43 | 1970 | Best Picture | Patton |
43 | 1970 | Cinematography | Ryan's Daughter |
43 | 1970 | Costume Design | Cromwell |
43 | 1970 | Directing | Patton |
43 | 1970 | Documentary (Feature) | Woodstock |
43 | 1970 | Documentary (Short Subject) | Interviews with My Lai Veterans |
43 | 1970 | Film Editing | Patton |
43 | 1970 | Foreign Language Film | Investigation of a Citizen above Suspicion |
43 | 1970 | Honorary Award | To Lillian Gish for superlative artistry and for distinguished contribution to the progress of motion pictures. |
43 | 1970 | Honorary Award | To Orson Welles for superlative artistry and versatility in the creation of motion pictures. |
43 | 1970 | Irving G. Thalberg Memorial Award | Ingmar Bergman |
43 | 1970 | Jean Hersholt Humanitarian Award | Frank Sinatra |
43 | 1970 | Music (Original Score) | Love Story |
43 | 1970 | Music (Original Song Score) | Let It Be |
43 | 1970 | Music (Song--original For The Picture) | Lovers and Other Strangers |
43 | 1970 | Scientific or Technical Award (Class II) | To LEONARD SOKOLOW and EDWARD H. REICHARD of Consolidated Film Industries for the concept and engineering of the Color Proofing Printer for motion pictures. |
43 | 1970 | Scientific or Technical Award (Class III) | To B. J. LOSMANDY for the concept, design and application of micro-miniature solid state amplifier modules used in motion picture recording equipment. |
43 | 1970 | Scientific or Technical Award (Class III) | To EASTMAN KODAK COMPANY and PHOTO ELECTRONICS CORPORATION for the design and engineering of an improved video color analyzer for motion picture laboratories. |
43 | 1970 | Scientific or Technical Award (Class III) | To ELECTRO SOUND INCORPORATED for the design and introduction of the Series 8000 Sound System for motion picture theatres. |
43 | 1970 | Scientific or Technical Award (Class III) | To SYLVANIA ELECTRIC PRODUCTS INC. for the development and introduction of a series of compact tungsten halogen lamps for motion picture production. |
43 | 1970 | Short Subject (Cartoon) | Is It Always Right to Be Right? |
43 | 1970 | Short Subject (Live Action) | The Resurrection of Broncho Billy |
43 | 1970 | Sound | Patton |
43 | 1970 | Special Visual Effects | Tora! Tora! Tora! |
43 | 1970 | Writing (Screenplay--based On Material From Another Medium) | M*A*S*H |
43 | 1970 | Writing (Story and Screenplay--based On Factual Material or Material Not Previously Published or Produced) | Patton |
44 | 1971 | Actor | Gene Hackman |
44 | 1971 | Actor in a Supporting Role | Ben Johnson |
44 | 1971 | Actress | Jane Fonda |
44 | 1971 | Actress in a Supporting Role | Cloris Leachman |
44 | 1971 | Art Direction | Nicholas and Alexandra |
44 | 1971 | Best Picture | The French Connection |
44 | 1971 | Cinematography | Fiddler on the Roof |
44 | 1971 | Costume Design | Nicholas and Alexandra |
44 | 1971 | Directing | The French Connection |
44 | 1971 | Documentary (Feature) | The Hellstrom Chronicle |
44 | 1971 | Documentary (Short Subject) | Sentinels of Silence |
44 | 1971 | Film Editing | The French Connection |
44 | 1971 | Foreign Language Film | The Garden of the Finzi Continis |
44 | 1971 | Honorary Award | To Charles Chaplin for the incalculable effect he has had in making motion pictures the art form of this century. |
44 | 1971 | Music (Original Dramatic Score) | Summer of '42 |
44 | 1971 | Music (Scoring: Adaptation and Original Song Score) | Fiddler on the Roof |
44 | 1971 | Music (Song--original For The Picture) | Shaft |
44 | 1971 | Scientific or Technical Award (Class II) | To JOHN N. WILKINSON of Optical Radiation Corporation for the development and engineering of a system of xenon arc lamphouses for motion picture projection. |
44 | 1971 | Scientific or Technical Award (Class III) | To CINEMA PRODUCTS COMPANY for a control motor to actuate zoom lenses on motion picture cameras. |
44 | 1971 | Scientific or Technical Award (Class III) | To PHOTO RESEARCH, A DIVISION OF KOLLMORGEN CORPORATION, for the development and introduction of the film-lens balanced Three Color Meter. |
44 | 1971 | Scientific or Technical Award (Class III) | To PRODUCERS SERVICE CORPORATION and CONSOLIDATED FILM INDUSTRIES; and to CINEMA RESEARCH CORPORATION and RESEARCH PRODUCTS, INC. for the engineering and implementation of fully automated blow-up motion picture printing systems. |
44 | 1971 | Scientific or Technical Award (Class III) | To ROBERT D. AUGUSTE and CINEMA PRODUCTS COMPANY for the development and introduction of a new crystal controlled lightweight motor for the 35mm motion picture Arriflex camera. |
44 | 1971 | Scientific or Technical Award (Class III) | To THOMAS JEFFERSON HUTCHINSON, JAMES R. ROCHESTER and FENTON HAMILTON for the development and introduction of the Sunbrute system of xenon arc lamps for location lighting in motion picture production. |
44 | 1971 | Short Subject (Animated) | The Crunch Bird |
44 | 1971 | Short Subject (Live Action) | Sentinels of Silence |
44 | 1971 | Sound | Fiddler on the Roof |
44 | 1971 | Special Visual Effects | Bedknobs and Broomsticks |
44 | 1971 | Writing (Screenplay--based On Material From Another Medium) | The French Connection |
44 | 1971 | Writing (Story and Screenplay--based On Factual Material or Material Not Previously Published or Produced) | The Hospital |
45 | 1972 | Actor | Marlon Brando |
45 | 1972 | Actor in a Supporting Role | Joel Grey |
45 | 1972 | Actress | Liza Minnelli |
45 | 1972 | Actress in a Supporting Role | Eileen Heckart |
45 | 1972 | Art Direction | Cabaret |
45 | 1972 | Best Picture | The Godfather |
45 | 1972 | Cinematography | Cabaret |
45 | 1972 | Costume Design | Travels with My Aunt |
45 | 1972 | Directing | Cabaret |
45 | 1972 | Documentary (Feature) | Marjoe |
45 | 1972 | Documentary (Short Subject) | This Tiny World |
45 | 1972 | Film Editing | Cabaret |
45 | 1972 | Foreign Language Film | The Discreet Charm of the Bourgeoisie |
45 | 1972 | Honorary Award | To Charles S. Boren, Leader for 38 years of the industry's enlightened labor relations and architect of its policy of non-discrimination. With the respect and affection of all who work in films. |
45 | 1972 | Honorary Award | To Edward G. Robinson who achieved greatness as a player, a patron of the arts and a dedicated citizen...in sum, a Renaissance man. From his friends in the industry he loves. |
45 | 1972 | Jean Hersholt Humanitarian Award | Rosalind Russell |
45 | 1972 | Music (Original Dramatic Score) | Limelight |
45 | 1972 | Music (Scoring: Adaptation and Original Song Score) | Cabaret |
45 | 1972 | Music (Song--original For The Picture) | The Poseidon Adventure |
45 | 1972 | Scientific or Technical Award (Class II) | To EDWARD H. REICHARD and HOWARD T. LA ZARE of Consolidated Film Industries, and EDWARD EFRON of IBM for the engineering of a computerized light valve monitoring system for motion picture printing. |
45 | 1972 | Scientific or Technical Award (Class II) | To JOSEPH E. BLUTH for research and development in the field of electronic photography and transfer of video tape to motion picture film. |
45 | 1972 | Scientific or Technical Award (Class II) | To PANAVISION, INCORPORATED, for the development and engineering of the Panaflex motion picture camera. |
45 | 1972 | Scientific or Technical Award (Class III) | To CARTER EQUIPMENT COMPANY, INC. and RAMTRONICS for the RAMtronics light-valve photometer for motion picture printers. |
45 | 1972 | Scientific or Technical Award (Class III) | To DAVID DEGENKOLB, HARRY LARSON, MANFRED MICHELSON and FRED SCOBEY of DeLuxe General Incorporated for the development of a computerized motion picture printer and process control system. |
45 | 1972 | Scientific or Technical Award (Class III) | To E. H. GEISSLER and G. M. BERGGREN of Wil-Kin Inc., for engineering of the Ultra-Vision Motion Picture Theater Projection System. |
45 | 1972 | Scientific or Technical Award (Class III) | To JIRO MUKAI and RYUSHO HIROSE of Canon, Inc., and WILTON R. HOLM of the AMPTP Motion Picture and Television Research Center for development of the Canon Macro Zoom Lens for motion picture photography. |
45 | 1972 | Scientific or Technical Award (Class III) | To PHILIP V. PALMQUIST and LEONARD L. OLSON of the 3M Company, and FRANK P. CLARK of the AMPTP Motion Picture and Television Research Center for development of the Nextel simulated blood for motion picture color photography. |
45 | 1972 | Scientific or Technical Award (Class III) | To PHOTO RESEARCH, A DIVISION OF KOLLMORGEN CORPORATION, and PSC TECHNOLOGY INC., ACME PRODUCTS DIVISION, for the Spectra Film Gate Photometer for motion picture printers. |
45 | 1972 | Short Subject (Animated) | A Christmas Carol |
45 | 1972 | Short Subject (Live Action) | Norman Rockwell's World...An American Dream |
45 | 1972 | Sound | Cabaret |
45 | 1972 | Special Achievement Award (Visual Effects) | The Poseidon Adventure |
45 | 1972 | Writing (Screenplay--based On Material From Another Medium) | The Godfather |
45 | 1972 | Writing (Story and Screenplay--based On Factual Material or Material Not Previously Published or Produced) | The Candidate |
46 | 1973 | Actor | Jack Lemmon |
46 | 1973 | Actor in a Supporting Role | John Houseman |
46 | 1973 | Actress | Glenda Jackson |
46 | 1973 | Actress in a Supporting Role | Tatum O'Neal |
46 | 1973 | Art Direction | The Sting |
46 | 1973 | Best Picture | The Sting |
46 | 1973 | Cinematography | Cries and Whispers |
46 | 1973 | Costume Design | The Sting |
46 | 1973 | Directing | The Sting |
46 | 1973 | Documentary (Feature) | The Great American Cowboy |
46 | 1973 | Documentary (Short Subject) | Princeton: A Search for Answers |
46 | 1973 | Film Editing | The Sting |
46 | 1973 | Foreign Language Film | Day for Night |
46 | 1973 | Honorary Award | To Groucho Marx in recognition of his brilliant creativity and for the unequalled achievements of the Marx Brothers in the art of motion picture comedy. |
46 | 1973 | Honorary Award | To Henri Langlois for his devotion to the art of film, his massive contributions in preserving its past and his unswerving faith in its future. |
46 | 1973 | Irving G. Thalberg Memorial Award | Lawrence Weingarten |
46 | 1973 | Jean Hersholt Humanitarian Award | Lew Wasserman |
46 | 1973 | Music (Original Dramatic Score) | The Way We Were |
46 | 1973 | Music (Scoring: Original Song Score and Adaptation -or- Scoring: Adaptation) | The Sting |
46 | 1973 | Music (Song) | The Way We Were |
46 | 1973 | Scientific or Technical Award (Class II) | To HAROLD A. SCHEIB, CLIFFORD H. ELLIS and ROGER W. BANKS of Research Products Incorporated for the concept and engineering of the Model 2101 optical printer for motion picture optical effects. |
46 | 1973 | Scientific or Technical Award (Class II) | To JOACHIM GERB and ERICH KASTNER of The Arnold and Richter Company for the development and engineering of the Arriflex 35BL motion picture camera. |
46 | 1973 | Scientific or Technical Award (Class II) | To MAGNA-TECH ELECTRONIC CO., INC. for the engineering and development of a high-speed re-recording system for motion picture production. |
46 | 1973 | Scientific or Technical Award (Class II) | To WILLIAM W. VALLIANT of PSC Technology Inc., HOWARD F. OTT of Eastman Kodak Company, and GERRY DIEBOLD of The Richmark Camera Service Inc. for the development of a liquid-gate system for motion-picture printers. |
46 | 1973 | Scientific or Technical Award (Class III) | To RICHARD H. VETTER of Todd-AO Corporation for the design of an improved anamorphic focusing system for motion picture photography. |
46 | 1973 | Scientific or Technical Award (Class III) | To ROSCO LABORATORIES, INC. for the technical advances and the development of a complete system of light-control materials for motion picture photography. |
46 | 1973 | Short Subject (Animated) | Frank Film |
46 | 1973 | Short Subject (Live Action) | The Bolero |
46 | 1973 | Sound | The Exorcist |
46 | 1973 | Writing (Screenplay--based On Material From Another Medium) | The Exorcist |
46 | 1973 | Writing (Story and Screenplay--based On Factual Material or Material Not Previously Published or Produced) | The Sting |
47 | 1974 | Actor | Art Carney |
47 | 1974 | Actor in a Supporting Role | Robert De Niro |
47 | 1974 | Actress | Ellen Burstyn |
47 | 1974 | Actress in a Supporting Role | Ingrid Bergman |
47 | 1974 | Art Direction | The Godfather Part II |
47 | 1974 | Best Picture | The Godfather Part II |
47 | 1974 | Cinematography | The Towering Inferno |
47 | 1974 | Costume Design | The Great Gatsby |
47 | 1974 | Directing | The Godfather Part II |
47 | 1974 | Documentary (Feature) | Hearts and Minds |
47 | 1974 | Documentary (Short Subject) | Don't |
47 | 1974 | Film Editing | The Towering Inferno |
47 | 1974 | Foreign Language Film | Amarcord |
47 | 1974 | Honorary Award | To Howard Hawks - A master American filmmaker whose creative efforts hold a distinguished place in world cinema. |
47 | 1974 | Honorary Award | To Jean Renoir - a genius who, with grace, responsibility and enviable devotion through silent film, sound film, feature, documentary and television, has won the world's admiration. |
47 | 1974 | Jean Hersholt Humanitarian Award | Arthur B. Krim |
47 | 1974 | Music (Original Dramatic Score) | The Godfather Part II |
47 | 1974 | Music (Scoring: Original Song Score and Adaptation -or- Scoring: Adaptation) | The Great Gatsby |
47 | 1974 | Music (Song) | The Towering Inferno |
47 | 1974 | Scientific or Technical Award (Class II) | To JOSEPH D. KELLY of Glen Glenn Sound for the design of new audio control consoles which have advanced the state of the art of sound recording and rerecording for motion picture production. |
47 | 1974 | Scientific or Technical Award (Class II) | To QUAD-EIGHT SOUND CORPORATION for the engineering and construction of new audio control consoles designed by The Burbank Studios Sound Department and by the Samuel Goldwyn Studios Sound Department. |
47 | 1974 | Scientific or Technical Award (Class II) | To SAMUEL GOLDWYN STUDIOS SOUND DEPARTMENT for the design of a new audio control console engineered and constructed by the Quad-Eight Sound Corporation. |
47 | 1974 | Scientific or Technical Award (Class II) | To THE BURBANK STUDIOS SOUND DEPARTMENT for the design of new audio control consoles engineered and constructed by the Quad-Eight Sound Corporation. |
47 | 1974 | Scientific or Technical Award (Class II) | To WALDON O. WATSON, RICHARD J. STUMPF, ROBERT J. LEONARD and the UNIVERSAL CITY STUDIOS SOUND DEPARTMENT for the development and engineering of the Sensurround System for motion picture presentation. |
47 | 1974 | Scientific or Technical Award (Class III) | To LOUIS AMI of Universal City Studios for the design and construction of a reciprocating camera platform used when photographing special visual effects for motion pictures. |
47 | 1974 | Scientific or Technical Award (Class III) | To THE ELEMACK COMPANY, ROME, ITALY, for the design and development of their Spyder camera dolly. |
47 | 1974 | Short Film (Animated) | Closed Mondays |
47 | 1974 | Short Film (Live Action) | One-Eyed Men Are Kings |
47 | 1974 | Sound | Earthquake |
47 | 1974 | Special Achievement Award (Visual Effects) | Earthquake |
47 | 1974 | Writing (Original Screenplay) | Chinatown |
47 | 1974 | Writing (Screenplay Adapted From Other Material) | The Godfather Part II |
48 | 1975 | Actor | Jack Nicholson |
48 | 1975 | Actor in a Supporting Role | George Burns |
48 | 1975 | Actress | Louise Fletcher |
48 | 1975 | Actress in a Supporting Role | Lee Grant |
48 | 1975 | Art Direction | Barry Lyndon |
48 | 1975 | Best Picture | One Flew over the Cuckoo's Nest |
48 | 1975 | Cinematography | Barry Lyndon |
48 | 1975 | Costume Design | Barry Lyndon |
48 | 1975 | Directing | One Flew over the Cuckoo's Nest |
48 | 1975 | Documentary (Feature) | The Man Who Skied down Everest |
48 | 1975 | Documentary (Short Subject) | The End of the Game |
48 | 1975 | Film Editing | Jaws |
48 | 1975 | Foreign Language Film | Dersu Uzala |
48 | 1975 | Honorary Award | To Mary Pickford in recognition of her unique contributions to the film industry and the development of film as an artistic medium. |
48 | 1975 | Irving G. Thalberg Memorial Award | Mervyn LeRoy |
48 | 1975 | Jean Hersholt Humanitarian Award | Dr. Jules C. Stein |
48 | 1975 | Music (Original Score) | Jaws |
48 | 1975 | Music (Original Song) | Nashville |
48 | 1975 | Music (Scoring: Original Song Score and Adaptation -or- Scoring: Adaptation) | Barry Lyndon |
48 | 1975 | Scientific or Technical Award (Class II) | To CHADWELL O'CONNOR of the O'Connor Engineering Laboratories for the concept and engineering of a fluid-damped camera-head for motion picture photography. |
48 | 1975 | Scientific or Technical Award (Class II) | To WILLIAM F. MINER of Universal City Studios, Inc. and the WESTINGHOUSE ELECTRIC CORPORATION for the development and engineering of a solid-state, 500 kilowatt, direct-current static rectifier for motion picture lighting. |
48 | 1975 | Scientific or Technical Award (Class III) | To BELL & HOWELL for the engineering and manufacture of a computerized tape punching system for programming laboratory printing machines. |
48 | 1975 | Scientific or Technical Award (Class III) | To CARTER EQUIPMENT COMPANY, INC. and RAMTRONICS for the engineering and manufacture of a computerized tape punching system for programming laboratory printing machines. |
48 | 1975 | Scientific or Technical Award (Class III) | To DAVID J. DEGENKOLB and FRED SCOBEY of Deluxe General Incorporated and JOHN C. DOLAN and RICHARD DUBOIS of the Akwaklame Company for the development of a technique for silver recovery from photographic wash-waters by ion exchange. |
48 | 1975 | Scientific or Technical Award (Class III) | To FREDRIK SCHLYTER for the engineering and manufacture of a computerized tape punching system for programming laboratory printing machines. |
48 | 1975 | Scientific or Technical Award (Class III) | To HOLLYWOOD FILM COMPANY for the engineering and manufacture of a computerized tape punching system for programming laboratory printing machines. |
48 | 1975 | Scientific or Technical Award (Class III) | To JOSEPH WESTHEIMER for the development of a device to obtain shadowed titles on motion picture films. |
48 | 1975 | Scientific or Technical Award (Class III) | To LAWRENCE W. BUTLER and ROGER BANKS for the concept of applying low inertia and stepping electric motors to film transport systems and optical printers for motion picture production. |
48 | 1975 | Short Film (Animated) | Great |
48 | 1975 | Short Film (Live Action) | Angel and Big Joe |
48 | 1975 | Sound | Jaws |
48 | 1975 | Special Achievement Award (Sound Effects) | The Hindenburg |
48 | 1975 | Special Achievement Award (Visual Effects) | The Hindenburg |
48 | 1975 | Writing (Original Screenplay) | Dog Day Afternoon |
48 | 1975 | Writing (Screenplay Adapted From Other Material) | One Flew over the Cuckoo's Nest |
49 | 1976 | Actor in a Leading Role | Peter Finch |
49 | 1976 | Actor in a Supporting Role | Jason Robards |
49 | 1976 | Actress in a Leading Role | Faye Dunaway |
49 | 1976 | Actress in a Supporting Role | Beatrice Straight |
49 | 1976 | Art Direction | All the President's Men |
49 | 1976 | Best Picture | Rocky |
49 | 1976 | Cinematography | Bound for Glory |
49 | 1976 | Costume Design | Fellini's Casanova |
49 | 1976 | Directing | Rocky |
49 | 1976 | Documentary (Feature) | Harlan County, U.S.A. |
49 | 1976 | Documentary (Short Subject) | Number Our Days |
49 | 1976 | Film Editing | Rocky |
49 | 1976 | Foreign Language Film | Black and White in Color |
49 | 1976 | Irving G. Thalberg Memorial Award | Pandro S. Berman |
49 | 1976 | Music (Original Score) | The Omen |
49 | 1976 | Music (Original Song Score and Its Adaptation or Adaptation Score) | Bound for Glory |
49 | 1976 | Music (Original Song) | A Star Is Born |
49 | 1976 | Scientific or Technical Award (Class II) | To CONSOLIDATED FILM INDUSTRIES and the BARNEBEY-CHENEY COMPANY for the development of a system for the recovery of film-cleaning solvent vapors in a motion picture laboratory. |
49 | 1976 | Scientific or Technical Award (Class II) | To WILLIAM L. GRAHAM, MANFRED G. MICHELSON, GEOFFREY F. NORMAN and SIEGFRIED SEIBERT of Technicolor for the development and engineering of a Continuous, High-Speed, Color Motion Picture Printing System. |
49 | 1976 | Scientific or Technical Award (Class III) | To CARL ZEISS COMPANY for the design and development of super-speed lenses for motion picture photography. |
49 | 1976 | Scientific or Technical Award (Class III) | To FRED BARTSCHER of Kollmorgen Corporation and to GLENN BERGGREN of the Schneider Corporation for the design and development of a single-lens magnifier for motion picture projection lenses. |
49 | 1976 | Scientific or Technical Award (Class III) | To HIROSHI SUZUKAWA of Canon and WILTON R. HOLM of AMPTP Motion Picture and Television Research Center for the design and development of super-speed lenses for motion picture photography. |
49 | 1976 | Scientific or Technical Award (Class III) | To PANAVISION INCORPORATED for the design and development of super-speed lenses for motion picture photography. |
49 | 1976 | Scientific or Technical Award (Class III) | To PHOTO RESEARCH DIVISION OF THE KOLLMORGEN CORPORATION for the engineering and manufacture of the Spectra TriColor Meter. |
49 | 1976 | Short Film (Animated) | Leisure |
49 | 1976 | Short Film (Live Action) | In the Region of Ice |
49 | 1976 | Sound | All the President's Men |
49 | 1976 | Special Achievement Award (Visual Effects) | King Kong |
49 | 1976 | Special Achievement Award (Visual Effects) | Logan's Run |
49 | 1976 | Writing (Screenplay Written Directly For The Screen--based On Factual Material or On Story Material Not Previously Published or Produced) | Network |
49 | 1976 | Writing (Screenplay--based On Material From Another Medium) | All the President's Men |
50 | 1977 | Actor in a Leading Role | Richard Dreyfuss |
50 | 1977 | Actor in a Supporting Role | Jason Robards |
50 | 1977 | Actress in a Leading Role | Diane Keaton |
50 | 1977 | Actress in a Supporting Role | Vanessa Redgrave |
50 | 1977 | Art Direction | Star Wars |
50 | 1977 | Best Picture | Annie Hall |
50 | 1977 | Cinematography | Close Encounters of the Third Kind |
50 | 1977 | Costume Design | Star Wars |
50 | 1977 | Directing | Annie Hall |
50 | 1977 | Documentary (Feature) | Who Are the DeBolts? And Where Did They Get Nineteen Kids? |
50 | 1977 | Documentary (Short Subject) | Gravity Is My Enemy |
50 | 1977 | Film Editing | Star Wars |
50 | 1977 | Foreign Language Film | Madame Rosa |
50 | 1977 | Honorary Award | To Margaret Booth for her exceptional contribution to the art of film editing in the motion picture industry. |
50 | 1977 | Irving G. Thalberg Memorial Award | Walter Mirisch |
50 | 1977 | Jean Hersholt Humanitarian Award | Charlton Heston |
50 | 1977 | Medal of Commendation | To Gordon E. Sawyer in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
50 | 1977 | Medal of Commendation | To Sidney Paul Solow in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
50 | 1977 | Music (Original Score) | Star Wars |
50 | 1977 | Music (Original Song Score and Its Adaptation or Adaptation Score) | A Little Night Music |
50 | 1977 | Music (Original Song) | You Light Up My Life |
50 | 1977 | Scientific or Technical Award (Class I) | To GARRETT BROWN and the CINEMA PRODUCTS CORPORATION ENGINEERING STAFF under the supervision of John Jurgens, for the invention and development of Steadicam. |
50 | 1977 | Scientific or Technical Award (Class II) | To EASTMAN KODAK COMPANY for the development and introduction of a new duplicating film for motion pictures. |
50 | 1977 | Scientific or Technical Award (Class II) | To JOHN C. DYKSTRA for the development of a facility uniquely oriented toward visual effects photography, and to ALVAH J. MILLER and JERRY JEFFRESS for the engineering of the Electronic Motion Control System used in concert for multiple exposure visual effects motion picture photography. |
50 | 1977 | Scientific or Technical Award (Class II) | To JOSEPH D. KELLY, EMORY M. COHEN, BARRY K. HENLEY, HAMMOND H. HOLT and JOHN AGALSOFF of Glen Glenn Sound for the concept and development of a Post-production Audio Processing System for Motion Picture Films. |
50 | 1977 | Scientific or Technical Award (Class II) | To N. PAUL KENWORTHY, JR. and WILLIAM R. LATADY for the invention and development of the Kenworthy Snorkel Camera System for motion picture photography. |
50 | 1977 | Scientific or Technical Award (Class II) | To PANAVISION, INCORPORATED, for the concept and engineering of the improvements incorporated in the Panaflex Motion Picture Camera. |
50 | 1977 | Scientific or Technical Award (Class II) | To STEFAN KUDELSKI of Nagra Magnetic Recorders, Incorporated, for the engineering of the improvements incorporated in the Nagra 4.2L sound recorder for motion picture production. |
50 | 1977 | Scientific or Technical Award (Class III) | To DR. BERNHARD KÜHL and WERNER BLOCK of OSRAM, GmbH, for the development of the HMI high-efficiency discharge lamp for motion picture lighting. |
50 | 1977 | Scientific or Technical Award (Class III) | To EECO (Electronic Engineering Company of California) for developing a method for interlocking non-sprocketed film and tape media used in motion picture production. |
50 | 1977 | Scientific or Technical Award (Class III) | To ERNST NETTMANN of the Astrovision Division of Continental Camera Systems, Incorporated, for the engineering of its Periscope Aerial Camera System. |
50 | 1977 | Scientific or Technical Award (Class III) | To PANAVISION, INCORPORATED, for the design of Panalite, a camera-mounted controllable light for motion picture photography. |
50 | 1977 | Scientific or Technical Award (Class III) | To PANAVISION, INCORPORATED, for the engineering of the Panahead gearhead for motion picture cameras. |
50 | 1977 | Scientific or Technical Award (Class III) | To PICLEAR, INCORPORATED, for originating and developing an attachment to motion picture projectors to improve screen image quality. |
50 | 1977 | Short Film (Animated) | The Sand Castle |
50 | 1977 | Short Film (Live Action) | I'll Find a Way |
50 | 1977 | Sound | Star Wars |
50 | 1977 | Special Achievement Award | To Benjamin Burtt, Jr. for the creation of the alien, creature and robot voices featured in Star Wars . |
50 | 1977 | Special Achievement Award (Sound Effects Editing) | Close Encounters of the Third Kind |
50 | 1977 | Visual Effects | Star Wars |
50 | 1977 | Writing (Screenplay Written Directly For The Screen--based On Factual Material or On Story Material Not Previously Published or Produced) | Annie Hall |
50 | 1977 | Writing (Screenplay--based On Material From Another Medium) | Julia |
51 | 1978 | Actor in a Leading Role | Jon Voight |
51 | 1978 | Actor in a Supporting Role | Christopher Walken |
51 | 1978 | Actress in a Leading Role | Jane Fonda |
51 | 1978 | Actress in a Supporting Role | Maggie Smith |
51 | 1978 | Art Direction | Heaven Can Wait |
51 | 1978 | Best Picture | The Deer Hunter |
51 | 1978 | Cinematography | Days of Heaven |
51 | 1978 | Costume Design | Death on the Nile |
51 | 1978 | Directing | The Deer Hunter |
51 | 1978 | Documentary (Feature) | Scared Straight! |
51 | 1978 | Documentary (Short Subject) | The Flight of the Gossamer Condor |
51 | 1978 | Film Editing | The Deer Hunter |
51 | 1978 | Foreign Language Film | Get Out Your Handkerchiefs |
51 | 1978 | Honorary Award | To King Vidor for his incomparable achievements as a cinematic creator and innovator. |
51 | 1978 | Honorary Award | To Laurence Olivier for the full body of his work, for the unique achievements of his entire career and his lifetime of contribution to the art of film. |
51 | 1978 | Honorary Award | To The Museum of Modern Art Department of Film for the contribution it has made to the public's perception of movies as an art form. |
51 | 1978 | Honorary Award | To Walter Lantz for bringing joy and laughter to every part of the world through his unique animated motion pictures. |
51 | 1978 | Jean Hersholt Humanitarian Award | Leo Jaffe |
51 | 1978 | Medal of Commendation | To Linwood G. Dunn in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
51 | 1978 | Medal of Commendation | To Loren L. Ryder in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
51 | 1978 | Medal of Commendation | To Waldon O. Watson in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
51 | 1978 | Music (Adaptation Score) | The Buddy Holly Story |
51 | 1978 | Music (Original Score) | Midnight Express |
51 | 1978 | Music (Original Song) | Thank God It's Friday |
51 | 1978 | Scientific or Technical Award (Academy Award of Merit) | To EASTMAN KODAK COMPANY for the research and development of a Duplicating Color film for Motion Pictures. |
51 | 1978 | Scientific or Technical Award (Academy Award of Merit) | To PANAVISION, INCORPORATED, and its engineering staff under the direction of ROBERT E. GOTTSCHALK, for the concept, design and continuous development of the Panaflex Motion Picture Camera System. |
51 | 1978 | Scientific or Technical Award (Academy Award of Merit) | To STEFAN KUDELSKI of Nagra Magnetic Recorders, Incorporated, for the continuing research, design and development of the Nagra Production Sound Recorder for Motion Pictures. |
51 | 1978 | Scientific or Technical Award (Scientific and Engineering Award) | To RAY M. DOLBY, IOAN R. ALLEN, DAVID P. ROBINSON, STEPHEN M. KATZ and PHILIP S. J. BOOLE of Dolby Laboratories, Incorporated, for the development and implementation of an improved Sound Recording and Reproducing System for Motion Picture Production and Exhibition. |
51 | 1978 | Scientific or Technical Award (Technical Achievement Award) | To DAVID J. DEGENKOLB, ARTHUR L. FORD and FRED J. SCOBEY of DeLuxe General, Incorporated, for the development of a Method to Recycle Motion Picture Laboratory Photographic Wash Waters by Ion Exchange. |
51 | 1978 | Scientific or Technical Award (Technical Achievement Award) | To JAMES L. FISHER of J.L. Fisher, Incorporated, for the design and manufacture of a small, mobile, motion picture camera platform known as the Fisher Model Ten Dolly. |
51 | 1978 | Scientific or Technical Award (Technical Achievement Award) | To KARL MACHER and GLENN M. BERGGREN of Isco Optische Werke for the development and introduction of the Cinelux-ULTRA Lens for 35mm Motion Picture Projection. |
51 | 1978 | Scientific or Technical Award (Technical Achievement Award) | To KIICHI SEKIGUCHI of CINE-FI International for the development of the CINE-FI Auto Radio Sound System for Drive-In Theaters. |
51 | 1978 | Scientific or Technical Award (Technical Achievement Award) | To LEONARD CHAPMAN of Leonard Equipment Company, for the design and manufacture of a small, mobile, motion picture camera platform known as the Chapman Hustler Dolly. |
51 | 1978 | Scientific or Technical Award (Technical Achievement Award) | To ROBERT STINDT of Production Grip Equipment Company, for the design and manufacture of a small, mobile, motion picture camera platform known as the Stindt Dolly. |
51 | 1978 | Short Film (Animated) | Special Delivery |
51 | 1978 | Short Film (Live Action) | Teenage Father |
51 | 1978 | Sound | The Deer Hunter |
51 | 1978 | Special Achievement Award (Visual Effects) | Superman |
51 | 1978 | Writing (Screenplay Based On Material From Another Medium) | Midnight Express |
51 | 1978 | Writing (Screenplay Written Directly For The Screen) | Coming Home |
52 | 1979 | Actor in a Leading Role | Dustin Hoffman |
52 | 1979 | Actor in a Supporting Role | Melvyn Douglas |
52 | 1979 | Actress in a Leading Role | Sally Field |
52 | 1979 | Actress in a Supporting Role | Meryl Streep |
52 | 1979 | Art Direction | All That Jazz |
52 | 1979 | Best Picture | Kramer vs. Kramer |
52 | 1979 | Cinematography | Apocalypse Now |
52 | 1979 | Costume Design | All That Jazz |
52 | 1979 | Directing | Kramer vs. Kramer |
52 | 1979 | Documentary (Feature) | Best Boy |
52 | 1979 | Documentary (Short Subject) | Paul Robeson: Tribute to an Artist |
52 | 1979 | Film Editing | All That Jazz |
52 | 1979 | Foreign Language Film | The Tin Drum |
52 | 1979 | Honorary Award | To Alec Guinness for advancing the art of screen acting through a host of memorable and distinguished performances. |
52 | 1979 | Honorary Award | To Hal Elias for his dedication and distinguished service to the Academy of Motion Picture Arts and Sciences. |
52 | 1979 | Irving G. Thalberg Memorial Award | Ray Stark |
52 | 1979 | Jean Hersholt Humanitarian Award | Robert Benjamin |
52 | 1979 | Medal of Commendation | To Charles G. Clarke in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
52 | 1979 | Medal of Commendation | To John G. Frayne in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
52 | 1979 | Medal of Commendation | To John O. Aalberg in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
52 | 1979 | Music (Original Score) | A Little Romance |
52 | 1979 | Music (Original Song Score and Its Adaptation -or- Adaptation Score) | All That Jazz |
52 | 1979 | Music (Original Song) | Norma Rae |
52 | 1979 | Scientific or Technical Award (Academy Award of Merit) | To MARK SERRURIER for the progressive development of the Moviola from the 1924 invention of his father, Iwan Serrurier, to the present Series 20 sophisticated film editing equipment. |
52 | 1979 | Scientific or Technical Award (Scientific and Engineering Award) | To NEIMAN-TILLAR ASSOCIATES for the creative development and to MINI-MICRO SYSTEMS, INCORPORATED, for the design and engineering of an Automated Computer-Controlled Editing Sound System (ACCESS) for motion picture post-production. |
52 | 1979 | Scientific or Technical Award (Technical Achievement Award) | To A. D. FLOWERS and LOGAN R. FRAZEE for the development of a device to control flight patterns of miniature airplanes during motion picture photography. |
52 | 1979 | Scientific or Technical Award (Technical Achievement Award) | To BRUCE LYON and JOHN LAMB for the development of a Video Animation System for testing motion picture animation sequences. |
52 | 1979 | Scientific or Technical Award (Technical Achievement Award) | To IRWIN YOUNG, PAUL KAUFMAN and FREDRIK SCHLYTER of Du Art Film Laboratories, Incorporated, for the development of a Computer-controlled Paper Tape Programmer System and its applications in the motion picture laboratory. |
52 | 1979 | Scientific or Technical Award (Technical Achievement Award) | To JAMES S. STANFIELD and PAUL W. TRESTER for the development and manufacture of a device for the repair or protection of sprocket holes in motion picture film. |
52 | 1979 | Scientific or Technical Award (Technical Achievement Award) | To MICHAEL V. CHEWEY, WALTER G. EGGERS and ALLEN HECHT of M-G-M Laboratories for the development of a Computer-controlled Paper Tape Programmer System and its applications in the motion picture laboratory. |
52 | 1979 | Scientific or Technical Award (Technical Achievement Award) | To PHOTO RESEARCH DIVISION OF KOLLMORGEN CORPORATION for the development of the Spectra Series II Cine Special Exposure Meter for motion picture photography. |
52 | 1979 | Scientific or Technical Award (Technical Achievement Award) | To ROSS LOWELL of Lowel-Light Manufacturing, Incorporated, for the development of compact lighting equipment for motion picture photography. |
52 | 1979 | Scientific or Technical Award (Technical Achievement Award) | To ZORAN PERISIC of Courier Films, Limited, for the Zoptic Special Optical Effects Device for motion picture photography. |
52 | 1979 | Short Film (Animated) | Every Child |
52 | 1979 | Short Film (Live Action) | Board and Care |
52 | 1979 | Sound | Apocalypse Now |
52 | 1979 | Special Achievement Award (Sound Editing) | The Black Stallion |
52 | 1979 | Visual Effects | Alien |
52 | 1979 | Writing (Screenplay Based On Material From Another Medium) | Kramer vs. Kramer |
52 | 1979 | Writing (Screenplay Written Directly For The Screen) | Breaking Away |
53 | 1980 | Actor in a Leading Role | Robert De Niro |
53 | 1980 | Actor in a Supporting Role | Timothy Hutton |
53 | 1980 | Actress in a Leading Role | Sissy Spacek |
53 | 1980 | Actress in a Supporting Role | Mary Steenburgen |
53 | 1980 | Art Direction | Tess |
53 | 1980 | Best Picture | Ordinary People |
53 | 1980 | Cinematography | Tess |
53 | 1980 | Costume Design | Tess |
53 | 1980 | Directing | Ordinary People |
53 | 1980 | Documentary (Feature) | From Mao to Mozart: Isaac Stern in China |
53 | 1980 | Documentary (Short Subject) | Karl Hess: Toward Liberty |
53 | 1980 | Film Editing | Raging Bull |
53 | 1980 | Foreign Language Film | Moscow Does Not Believe in Tears |
53 | 1980 | Honorary Award | To Henry Fonda, the consummate actor, in recognition of his brilliant accomplishments and enduring contribution to the art of motion pictures. |
53 | 1980 | Medal of Commendation | To Fred Hynes, in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
53 | 1980 | Music (Original Score) | Fame |
53 | 1980 | Music (Original Song) | Fame |
53 | 1980 | Scientific or Technical Award (Academy Award of Merit) | To LINWOOD G. DUNN, CECIL D. LOVE and ACME TOOL AND MANUFACTURING COMPANY for the concept, engineering and development of the Acme-Dunn Optical Printer for motion picture special effects. |
53 | 1980 | Scientific or Technical Award (Scientific and Engineering Award) | To DAVID A. GRAFTON for the optical design and engineering of a telecentric anamorphic lens for motion picture optical effects printers. |
53 | 1980 | Scientific or Technical Award (Scientific and Engineering Award) | To DR. BERNHARD KÜHL and DR. WERNER BLOCK of OSRAM GmbH, for the progressive engineering and manufacture of the OSRAM HMI light source for motion picture color photography. |
53 | 1980 | Scientific or Technical Award (Scientific and Engineering Award) | To EDWARD B. KRAUSE of Filmline Corporation for the engineering and manufacture of the micro-demand drive for continuous motion picture film processors. |
53 | 1980 | Scientific or Technical Award (Scientific and Engineering Award) | To JEAN-MARIE LAVALOU, ALAIN MASSERON and DAVID SAMUELSON of Samuelson Alga Cinema S.A. and Samuelson Film Service, Limited, for the engineering and development of the Louma Camera Crane and remote control system for motion picture production. |
53 | 1980 | Scientific or Technical Award (Scientific and Engineering Award) | To ROSS TAYLOR for the concept and development of a system of air guns for propelling objects used in special effects motion picture production. |
53 | 1980 | Scientific or Technical Award (Technical Achievement Award) | To ANDRÉ DeBRIE S.A. for the development of a continuous contact, total immersion, additive color motion picture printer. |
53 | 1980 | Scientific or Technical Award (Technical Achievement Award) | To CARTER EQUIPMENT COMPANY for the development of a continuous contact, total immersion, additive color motion picture printer. |
53 | 1980 | Scientific or Technical Award (Technical Achievement Award) | To CHARLES VAUGHN and EUGENE NOTTINGHAM of Cinetron Computer Systems, Incorporated, for the development of a versatile general purpose computer system for animation and optical effects motion picture photography. |
53 | 1980 | Scientific or Technical Award (Technical Achievement Award) | To HOLLYWOOD FILM COMPANY for the development of a continuous contact, total immersion, additive color motion picture printer. |
53 | 1980 | Scientific or Technical Award (Technical Achievement Award) | To JOHN W. LANG, WALTER HRASTNIK and CHARLES J. WATSON of Bell and Howell Company for the development and manufacture of a modular continuous contact motion picture film printer. |
53 | 1980 | Scientific or Technical Award (Technical Achievement Award) | To PETER A. REGLA and DAN SLATER of Elicon for the development of a follow-focus system for motion picture optical effects printers and animation stands. |
53 | 1980 | Scientific or Technical Award (Technical Achievement Award) | To WORTH BAIRD of LaVezzi Machine Works, Incorporated, for the advanced design and manufacture of a film sprocket for motion picture projectors. |
53 | 1980 | Short Film (Animated) | The Fly |
53 | 1980 | Short Film (Dramatic Live Action) | The Dollar Bottom |
53 | 1980 | Sound | The Empire Strikes Back |
53 | 1980 | Special Achievement Award (Visual Effects) | The Empire Strikes Back |
53 | 1980 | Writing (Screenplay Based On Material From Another Medium) | Ordinary People |
53 | 1980 | Writing (Screenplay Written Directly For The Screen) | Melvin and Howard |
54 | 1981 | Actor in a Leading Role | Henry Fonda |
54 | 1981 | Actor in a Supporting Role | John Gielgud |
54 | 1981 | Actress in a Leading Role | Katharine Hepburn |
54 | 1981 | Actress in a Supporting Role | Maureen Stapleton |
54 | 1981 | Art Direction | Raiders of the Lost Ark |
54 | 1981 | Best Picture | Chariots of Fire |
54 | 1981 | Cinematography | Reds |
54 | 1981 | Costume Design | Chariots of Fire |
54 | 1981 | Directing | Reds |
54 | 1981 | Documentary (Feature) | Genocide |
54 | 1981 | Documentary (Short Subject) | Close Harmony |
54 | 1981 | Film Editing | Raiders of the Lost Ark |
54 | 1981 | Foreign Language Film | Mephisto |
54 | 1981 | Gordon E. Sawyer Award | Joseph B. Walker |
54 | 1981 | Honorary Award | To Barbara Stanwyck for superlative creativity and unique contribution to the art of screen acting. |
54 | 1981 | Irving G. Thalberg Memorial Award | Albert R. Broccoli |
54 | 1981 | Jean Hersholt Humanitarian Award | Danny Kaye |
54 | 1981 | Makeup | An American Werewolf in London |
54 | 1981 | Music (Original Score) | Chariots of Fire |
54 | 1981 | Music (Original Song) | Arthur |
54 | 1981 | Scientific or Technical Award (Academy Award of Merit) | To FUJI PHOTO FILM COMPANY, LTD. for the research, development and introduction of a new Ultra-high-speed color negative film for motion pictures. |
54 | 1981 | Scientific or Technical Award (Scientific and Engineering Award) | To EDWARD J. BLASKO and DR. RODERICK T. RYAN of the Eastman Kodak Company for the application of the Prostar Microfilm Processor for motion picture title and special optical effects production. |
54 | 1981 | Scientific or Technical Award (Scientific and Engineering Award) | To LEONARD SOKOLOW for the concept and design and to HOWARD T. LaZARE for the development of the Consolidated Film Industries' Stroboscan motion picture film viewer. |
54 | 1981 | Scientific or Technical Award (Scientific and Engineering Award) | To NELSON TYLER for the progressive development and improvement of the Tyler Helicopter motion picture camera platform. |
54 | 1981 | Scientific or Technical Award (Scientific and Engineering Award) | To RICHARD EDLUND and INDUSTRIAL LIGHT AND MAGIC, INCORPORATED for the concept and engineering of a beam-splitter optical composite motion picture printer. |
54 | 1981 | Scientific or Technical Award (Scientific and Engineering Award) | To RICHARD EDLUND and INDUSTRIAL LIGHT AND MAGIC, INCORPORATED for the engineering of the Empire Motion Picture Camera System. |
54 | 1981 | Scientific or Technical Award (Technical Achievement Award) | To BILL HOGAN of Ruxton, Ltd. and RICHARD J. STUMPF and DANIEL R. BREWER of Universal City Studios' Production Sound Department for the engineering of a 24-frame color video system. |
54 | 1981 | Scientific or Technical Award (Technical Achievement Award) | To BILL TAYLOR of Universal City Studios for the concept and specifications for a Two Format, Rotating Head, Aerial Image Optical Printer. |
54 | 1981 | Scientific or Technical Award (Technical Achievement Award) | To DENNIS MUREN and STUART ZIFF of Industrial Light and Magic, Incorporated for the development of a Motion Picture Figure Mover for animation photography. |
54 | 1981 | Scientific or Technical Award (Technical Achievement Award) | To DR. LOUIS STANKIEWICZ and H. L. BLACHFORD for the development of Baryfol sound barrier materials. |
54 | 1981 | Scientific or Technical Award (Technical Achievement Award) | To ERNST F. NETTMANN of Continental Camera Systems, Inc. for the development of a pitching lens for motion picture photography. |
54 | 1981 | Scientific or Technical Award (Technical Achievement Award) | To HAL LANDAKER for the concept and to ALAN D. LANDAKER for the engineering of the Burbank Studios' Production Sound Department 24-frame color video system. |
54 | 1981 | Scientific or Technical Award (Technical Achievement Award) | To JOHN DeMUTH for the engineering of a 24-frame video system. |
54 | 1981 | Scientific or Technical Award (Technical Achievement Award) | To PETER D. PARKS of Oxford Scientific Films for the development of the OSF microcosmic zoom device for microscopic photography. |
54 | 1981 | Short Film (Animated) | Crac |
54 | 1981 | Short Film (Live Action) | Violet |
54 | 1981 | Sound | Raiders of the Lost Ark |
54 | 1981 | Special Achievement Award (Sound Effects Editing) | Raiders of the Lost Ark |
54 | 1981 | Visual Effects | Raiders of the Lost Ark |
54 | 1981 | Writing (Screenplay Based On Material From Another Medium) | On Golden Pond |
54 | 1981 | Writing (Screenplay Written Directly For The Screen) | Chariots of Fire |
55 | 1982 | Actor in a Leading Role | Ben Kingsley |
55 | 1982 | Actor in a Supporting Role | Louis Gossett, Jr. |
55 | 1982 | Actress in a Leading Role | Meryl Streep |
55 | 1982 | Actress in a Supporting Role | Jessica Lange |
55 | 1982 | Art Direction | Gandhi |
55 | 1982 | Best Picture | Gandhi |
55 | 1982 | Cinematography | Gandhi |
55 | 1982 | Costume Design | Gandhi |
55 | 1982 | Directing | Gandhi |
55 | 1982 | Documentary (Feature) | Just Another Missing Kid |
55 | 1982 | Documentary (Short Subject) | If You Love This Planet |
55 | 1982 | Film Editing | Gandhi |
55 | 1982 | Foreign Language Film | Volver a Empezar ('To Begin Again') |
55 | 1982 | Gordon E. Sawyer Award | John O. Aalberg |
55 | 1982 | Honorary Award | To Mickey Rooney, in recognition of his 60 years of versatility in a variety of memorable film performances. |
55 | 1982 | Jean Hersholt Humanitarian Award | Walter Mirisch |
55 | 1982 | Makeup | Quest for Fire |
55 | 1982 | Music (Original Score) | E.T. The Extra-Terrestrial |
55 | 1982 | Music (Original Song Score and Its Adaptation -or- Adaptation Score) | Victor/Victoria |
55 | 1982 | Music (Original Song) | An Officer and a Gentleman |
55 | 1982 | Scientific or Technical Award (Academy Award of Merit) | To AUGUST ARNOLD and ERICH KAESTNER of Arnold & Richter, GmbH, for the concept and engineering of the first operational 35mm, hand-held, spinning-mirror reflex, motion picture camera. |
55 | 1982 | Scientific or Technical Award (Scientific and Engineering Award) | To BRIANNE MURPHY and DONALD SCHISLER of Mitchell Insert Systems, Incorporated, for the concept, design and manufacture of the MISI Camera Insert Car and Process Trailer. |
55 | 1982 | Scientific or Technical Award (Scientific and Engineering Award) | To COLIN F. MOSSMAN and THE RESEARCH AND DEVELOPMENT GROUP OF RANK FILM LABORATORIES, LONDON, for the engineering and implementation of a 4,000 meter printing system for motion picture laboratories. |
55 | 1982 | Scientific or Technical Award (Scientific and Engineering Award) | To DR. MOHAMMAD S. NOZARI of Minnesota Mining and Manufacturing Company for the research and development of the 3M Photogard protective coating for motion picture film. |
55 | 1982 | Scientific or Technical Award (Scientific and Engineering Award) | To JACOBUS L. DIMMERS for the engineering and manufacture of the Teccon Enterprises' magnetic transducer for motion picture sound recording and playback. |
55 | 1982 | Scientific or Technical Award (Scientific and Engineering Award) | To LEONARD CHAPMAN for the engineering design, development and manufacture of the PeeWee Camera Dolly for motion picture production. |
55 | 1982 | Scientific or Technical Award (Scientific and Engineering Award) | To SANTE ZELLI and SALVATORE ZELLI of Elemack Italia S.r.l., Rome, Italy, for the continuing engineering, design and development that has resulted in the Elemack Camera Dolly System for motion picture production. |
55 | 1982 | Scientific or Technical Award (Technical Achievement Award) | To BRAN FERREN of Associates and Ferren for the design and development of a computerized lightning effect system for motion picture photography. |
55 | 1982 | Scientific or Technical Award (Technical Achievement Award) | To CHRISTIE ELECTRIC CORPORATION and LaVEZZI MACHINE WORKS, INCORPORATED, for the design and manufacture of the Ultramittent film transport for Christie motion picture projectors. |
55 | 1982 | Scientific or Technical Award (Technical Achievement Award) | To CONSTANT TRESFON and ADRIAAN DE ROOY of Egripment, and to ED PHILLIPS and CARLOS DE MATTOS of Matthews Studio Equipment, Incorporated, for the design and manufacture of the "Tulip Crane" for motion picture production. |
55 | 1982 | Scientific or Technical Award (Technical Achievement Award) | To RICHARD W. DEATS for the design and manufacture of the "Little Big Crane" for motion picture production. |
55 | 1982 | Short Film (Animated) | Tango |
55 | 1982 | Short Film (Live Action) | A Shocking Accident |
55 | 1982 | Sound | E.T. The Extra-Terrestrial |
55 | 1982 | Sound Effects Editing | E.T. The Extra-Terrestrial |
55 | 1982 | Visual Effects | E.T. The Extra-Terrestrial |
55 | 1982 | Writing (Screenplay Based On Material From Another Medium) | Missing |
55 | 1982 | Writing (Screenplay Written Directly For The Screen) | Gandhi |
56 | 1983 | Actor in a Leading Role | Robert Duvall |
56 | 1983 | Actor in a Supporting Role | Jack Nicholson |
56 | 1983 | Actress in a Leading Role | Shirley MacLaine |
56 | 1983 | Actress in a Supporting Role | Linda Hunt |
56 | 1983 | Art Direction | Fanny & Alexander |
56 | 1983 | Best Picture | Terms of Endearment |
56 | 1983 | Cinematography | Fanny & Alexander |
56 | 1983 | Costume Design | Fanny & Alexander |
56 | 1983 | Directing | Terms of Endearment |
56 | 1983 | Documentary (Feature) | He Makes Me Feel Like Dancin' |
56 | 1983 | Documentary (Short Subject) | Flamenco at 5:15 |
56 | 1983 | Film Editing | The Right Stuff |
56 | 1983 | Foreign Language Film | Fanny & Alexander |
56 | 1983 | Gordon E. Sawyer Award | Dr. John G. Frayne |
56 | 1983 | Honorary Award | To Hal Roach, in recognition of his unparalleled record of distinguished contributions to the motion picture art form. |
56 | 1983 | Jean Hersholt Humanitarian Award | M. J. Frankovich |
56 | 1983 | Music (Original Score) | The Right Stuff |
56 | 1983 | Music (Original Song Score or Adaptation Score) | Yentl |
56 | 1983 | Music (Original Song) | Flashdance |
56 | 1983 | Scientific or Technical Award (Academy Award of Merit) | To DR. KURT LARCHE of OSRAM GmbH for the research and development of xenon short-arc discharge lamps for motion picture projection. |
56 | 1983 | Scientific or Technical Award (Scientific and Engineering Award) | To GERALD L. TURPIN of Lightflex International Limited for the design, engineering and development of an on-camera device providing contrast control, sourceless fill light and special effects for motion picture photography. |
56 | 1983 | Scientific or Technical Award (Scientific and Engineering Award) | To GUNNAR P. MICHELSON for the engineering and development of an improved, electronic, high-speed, precision light valve for use in motion picture printing machines. |
56 | 1983 | Scientific or Technical Award (Scientific and Engineering Award) | To JONATHAN ERLAND and ROGER DORNEY of Apogee, Incorporated, for the engineering and development of a reverse bluescreen traveling matte process for special effects photography. |
56 | 1983 | Scientific or Technical Award (Technical Achievement Award) | To CHARLES J. WATSON, LARRY L. LANGREHR and JOHN H. STEINER for the development of the BHP (electro-mechanical) fader for use on continuous motion picture contact printers. |
56 | 1983 | Scientific or Technical Award (Technical Achievement Award) | To DAVID J. DEGENKOLB for the design and development of an automated device used in the silver recovery process in motion picture laboratories. |
56 | 1983 | Scientific or Technical Award (Technical Achievement Award) | To DOUGLAS FRIES, JOHN LACEY and MICHAEL SIGRIST for the design and engineering of a 35mm reflex conversion camera system for special effects photography. |
56 | 1983 | Scientific or Technical Award (Technical Achievement Award) | To ELIZABETH D. DE LA MARE of De La Mare Engineering, Incorporated, for the progressive development and continuous research of special effects pyrotechnics originally designed by Glenn W. De La Mare for motion picture production. |
56 | 1983 | Scientific or Technical Award (Technical Achievement Award) | To JACK CASHIN of Ultra-Stereo Labs, Incorporated, for the engineering and development of a 4-channel, stereophonic, decoding system for optical motion picture sound track reproduction. |
56 | 1983 | Scientific or Technical Award (Technical Achievement Award) | To WILLIAM G. KROKAUGGER of Mole-Richardson Company for the design and engineering of a portable, 12,000 watt, lighting-control dimmer for use in motion picture production. |
56 | 1983 | Short Film (Animated) | Sundae in New York |
56 | 1983 | Short Film (Live Action) | Boys and Girls |
56 | 1983 | Sound | The Right Stuff |
56 | 1983 | Sound Effects Editing | The Right Stuff |
56 | 1983 | Special Achievement Award (Visual Effects) | Return of the Jedi |
56 | 1983 | Writing (Screenplay Based On Material From Another Medium) | Terms of Endearment |
56 | 1983 | Writing (Screenplay Written Directly For The Screen) | Tender Mercies |
57 | 1984 | Actor in a Leading Role | F. Murray Abraham |
57 | 1984 | Actor in a Supporting Role | Haing S. Ngor |
57 | 1984 | Actress in a Leading Role | Sally Field |
57 | 1984 | Actress in a Supporting Role | Peggy Ashcroft |
57 | 1984 | Art Direction | Amadeus |
57 | 1984 | Best Picture | Amadeus |
57 | 1984 | Cinematography | The Killing Fields |
57 | 1984 | Costume Design | Amadeus |
57 | 1984 | Directing | Amadeus |
57 | 1984 | Documentary (Feature) | The Times of Harvey Milk |
57 | 1984 | Documentary (Short Subject) | The Stone Carvers |
57 | 1984 | Film Editing | The Killing Fields |
57 | 1984 | Foreign Language Film | Dangerous Moves |
57 | 1984 | Gordon E. Sawyer Award | Linwood G. Dunn |
57 | 1984 | Honorary Award | To James Stewart, for his fifty years of memorable performances. For his high ideals both on and off the screen. With the respect and affection of his colleagues. |
57 | 1984 | Honorary Award | To the National Endowment for the Arts, in recognition of its 20th anniversary and its dedicated commitment to fostering artistic and creative activity and excellence in every area of the arts. |
57 | 1984 | Jean Hersholt Humanitarian Award | David L. Wolper |
57 | 1984 | Makeup | Amadeus |
57 | 1984 | Music (Original Score) | A Passage to India |
57 | 1984 | Music (Original Song Score) | Purple Rain |
57 | 1984 | Music (Original Song) | The Woman in Red |
57 | 1984 | Scientific or Technical Award (Scientific and Engineering Award) | To BARRY M. STULTZ, RUBEN AVILA and WES KENNEDY of Film Processing Corporation for the development of FPC 200 PB Fullcoat Magnetic Film for motion picture sound recording. |
57 | 1984 | Scientific or Technical Award (Scientific and Engineering Award) | To BARRY M. STULTZ, RUBEN AVILA and WES KENNEDY of Film Processing Corporation for the formulation and application of an improved sound track stripe to 70mm motion picture film, and to JOHN MOSELY for the engineering research involved therein. |
57 | 1984 | Scientific or Technical Award (Scientific and Engineering Award) | To DONALD A. ANDERSON and DIANA REINERS of 3M Company for the development of "Cinetrak" Magnetic Film #350/351 for motion picture sound recording. |
57 | 1984 | Scientific or Technical Award (Scientific and Engineering Award) | To GÜNTHER SCHAIDT and ROSCO LABORATORIES, INCORPORATED, for the development of an improved, non-toxic fluid for creating fog and smoke for motion picture production. |
57 | 1984 | Scientific or Technical Award (Scientific and Engineering Award) | To JOHN WHITNEY, JR. and GARY DEMOS of Digital Productions, Incorporated, for the practical simulation of motion picture photography by means of computer-generated images. |
57 | 1984 | Scientific or Technical Award (Scientific and Engineering Award) | To KENNETH RICHTER of Richter Cine Equipment for the design and engineering of the R-2 Auto-Collimator for examining image quality at the focal plane of motion picture camera lenses. |
57 | 1984 | Scientific or Technical Award (Technical Achievement Award) | To DONALD TRUMBULL, JONATHAN ERLAND, STEPHEN FOG and PAUL BURK of Apogee, Incorporated, for the design and development of the "Blue Max" high-power, blue-flux projector for traveling matte composite photography. |
57 | 1984 | Scientific or Technical Award (Technical Achievement Award) | To HOWARD J. PRESTON of Preston Cinema Systems for the design and development of a variable speed control device with automatic exposure compensation for motion picture cameras. |
57 | 1984 | Scientific or Technical Award (Technical Achievement Award) | To JONATHAN ERLAND and ROBERT BEALMEAR of Apogee, Incorporated, for an innovative design for front projection screens and an improved method for their construction. |
57 | 1984 | Scientific or Technical Award (Technical Achievement Award) | To NAT TIFFEN of Tiffen Manufacturing Corporation for the production of high-quality, durable, laminated color filters for motion picture photography. |
57 | 1984 | Short Film (Animated) | Charade |
57 | 1984 | Short Film (Live Action) | Up |
57 | 1984 | Sound | Amadeus |
57 | 1984 | Special Achievement Award (Sound Effects Editing) | The River |
57 | 1984 | Visual Effects | Indiana Jones and the Temple of Doom |
57 | 1984 | Writing (Screenplay Based On Material From Another Medium) | Amadeus |
57 | 1984 | Writing (Screenplay Written Directly For The Screen) | Places in the Heart |
58 | 1985 | Actor in a Leading Role | William Hurt |
58 | 1985 | Actor in a Supporting Role | Don Ameche |
58 | 1985 | Actress in a Leading Role | Geraldine Page |
58 | 1985 | Actress in a Supporting Role | Anjelica Huston |
58 | 1985 | Art Direction | Out of Africa |
58 | 1985 | Best Picture | Out of Africa |
58 | 1985 | Cinematography | Out of Africa |
58 | 1985 | Costume Design | Ran |
58 | 1985 | Directing | Out of Africa |
58 | 1985 | Documentary (Feature) | Broken Rainbow |
58 | 1985 | Documentary (Short Subject) | Witness to War: Dr. Charlie Clements |
58 | 1985 | Film Editing | Witness |
58 | 1985 | Foreign Language Film | The Official Story |
58 | 1985 | Honorary Award | To Alex North, in recognition of his brilliant artistry in the creation of memorable music for a host of distinguished motion pictures. |
58 | 1985 | Honorary Award | To Paul Newman, in recognition of his many and memorable compelling screen performances and for his personal integrity and dedication to his craft. |
58 | 1985 | Jean Hersholt Humanitarian Award | Charles 'Buddy' Rogers |
58 | 1985 | Makeup | Mask |
58 | 1985 | Medal of Commendation | To John H. Whitney, Sr. for Cinematic Pioneering. |
58 | 1985 | Music (Original Score) | Out of Africa |
58 | 1985 | Music (Original Song) | White Nights |
58 | 1985 | Scientific or Technical Award (Scientific and Engineering Award) | To ERNST NETTMANN of E.F. Nettmann & Associates for the invention, and to EDWARD PHILLIPS and CARLOS DeMATTOS of Matthews Studio Equipment, Inc. for the development, of the Cam-Remote for motion picture photography. |
58 | 1985 | Scientific or Technical Award (Scientific and Engineering Award) | To IMAX SYSTEMS CORPORATION for a method of filming and exhibiting high-fidelity, large-format, wide angle motion pictures. |
58 | 1985 | Scientific or Technical Award (Scientific and Engineering Award) | To MYRON GORDIN, JOE P. CROOKHAM, JIM DROST and DAVID CROOKHAM of Musco Mobile Lighting, Ltd., for the invention of a method of transporting adjustable, high-intensity luminaires and their application to the motion picture industry. |
58 | 1985 | Scientific or Technical Award (Technical Achievement Award) | To ALAN LANDAKER of The Burbank Studios for the Mark III Camera Drive for motion picture photography. |
58 | 1985 | Scientific or Technical Award (Technical Achievement Award) | To DAVID W. SPENCER for the development of an Animation Photo Transfer (APT) process. |
58 | 1985 | Scientific or Technical Award (Technical Achievement Award) | To HARRISON & HARRISON, OPTICAL ENGINEERS, for the invention and development of Harrison Diffusion filters for motion picture photography. |
58 | 1985 | Scientific or Technical Award (Technical Achievement Award) | To LARRY BARTON of Cinematography Electronics, Inc., for a Precision Speed Crystal-Controlled Device for motion picture photography. |
58 | 1985 | Short Film (Animated) | Anna & Bella |
58 | 1985 | Short Film (Live Action) | Molly's Pilgrim |
58 | 1985 | Sound | Out of Africa |
58 | 1985 | Sound Effects Editing | Back to the Future |
58 | 1985 | Visual Effects | Cocoon |
58 | 1985 | Writing (Screenplay Based On Material From Another Medium) | Out of Africa |
58 | 1985 | Writing (Screenplay Written Directly For The Screen) | Witness |
59 | 1986 | Actor in a Leading Role | Paul Newman |
59 | 1986 | Actor in a Supporting Role | Michael Caine |
59 | 1986 | Actress in a Leading Role | Marlee Matlin |
59 | 1986 | Actress in a Supporting Role | Dianne Wiest |
59 | 1986 | Art Direction | A Room with a View |
59 | 1986 | Best Picture | Platoon |
59 | 1986 | Cinematography | The Mission |
59 | 1986 | Costume Design | A Room with a View |
59 | 1986 | Directing | Platoon |
59 | 1986 | Documentary (Feature) | Artie Shaw: Time Is All You've Got |
59 | 1986 | Documentary (Feature) | Down and Out in America |
59 | 1986 | Documentary (Short Subject) | Women--for America, for the World |
59 | 1986 | Film Editing | Platoon |
59 | 1986 | Foreign Language Film | The Assault |
59 | 1986 | Honorary Award | To Ralph Bellamy for his unique artistry and his distinguished service to the profession of acting. |
59 | 1986 | Irving G. Thalberg Memorial Award | Steven Spielberg |
59 | 1986 | Makeup | The Fly |
59 | 1986 | Medal of Commendation | To E. M. (Al) Lewis in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
59 | 1986 | Music (Original Score) | Round Midnight |
59 | 1986 | Music (Original Song) | Top Gun |
59 | 1986 | Scientific or Technical Award (Scientific and Engineering Award) | To ANTHONY D. BRUNO and JOHN L. BAPTISTA of Metro-Goldwyn-Mayer Laboratories Incorporated and to MANFRED G. MICHELSON and BRUCE W. KELLER of Technical Film Systems, Incorporated, for the design and engineering of a Continuous-Feed Printer. |
59 | 1986 | Scientific or Technical Award (Scientific and Engineering Award) | To BRAN FERREN, CHARLES HARRISON and KENNETH WISNER of Associates and Ferren for the concept and design of an advanced optical printer. |
59 | 1986 | Scientific or Technical Award (Scientific and Engineering Award) | To PROFESSOR FRITZ SENNHEISER of Sennheiser Electronic Corporation for the invention of an interference tube directional microphone. |
59 | 1986 | Scientific or Technical Award (Scientific and Engineering Award) | To RICHARD BENJAMIN GRANT and RON GRANT of Auricle Control Systems for their invention of the Film Composer's Time Processor. |
59 | 1986 | Scientific or Technical Award (Scientific and Engineering Award) | To RICHARD EDLUND, GENE WHITEMAN, DAVID GRAFTON, MARK WEST, JERRY JEFFRESS and BOB WILCOX of Boss Film Corporation for the design and development of a Zoom Aerial (ZAP) 65mm Optical Printer. |
59 | 1986 | Scientific or Technical Award (Scientific and Engineering Award) | To ROBERT GREENBERG, JOEL HYNEK and EUGENE MAMUT of R/Greenberg Associates, Incorporated, and to DR. ALFRED THUMIM, ELAN LIPSCHITZ and DARRYL A. ARMOUR of the Oxberry Division of Richmark Camera Service, Incorporated, for the design and development of the RGA/Oxberry Compu-Quad Special Effects Optical Printer. |
59 | 1986 | Scientific or Technical Award (Scientific and Engineering Award) | To WILLIAM L. FREDRICK and HAL NEEDHAM for the design and development of the Shotmaker Elite camera car and crane. |
59 | 1986 | Scientific or Technical Award (Technical Achievement Award) | To BRAN FERREN of Associates and Ferren for the development of a laser synchro-cue system for applications in the motion picture industry. |
59 | 1986 | Scientific or Technical Award (Technical Achievement Award) | To CARL HOLMES of Carl E. Holmes Company and to ALEXANDER BRYCE of The Burbank Studios for the development of a mobile DC power supply unit for motion picture production photography. |
59 | 1986 | Scientific or Technical Award (Technical Achievement Award) | To DAVID W. SAMUELSON for the development of programs incorporated into a pocket computer for motion picture cinematographers, and to WILLIAM B. POLLARD for contributing new algorithms on which the programs are based. |
59 | 1986 | Scientific or Technical Award (Technical Achievement Award) | To HAL LANDAKER and ALAN LANDAKER of The Burbank Studios for the development of the Beat System low-frequency cue track for motion picture production sound recording. |
59 | 1986 | Scientific or Technical Award (Technical Achievement Award) | To JOHN L. BAPTISTA of Metro-Goldwyn-Mayer Laboratories, Inc. for the development and installation of a computerized silver recovery operation. |
59 | 1986 | Scientific or Technical Award (Technical Achievement Award) | To LEE ELECTRIC (LIGHTING) LIMITED for the design and development of an electronic, flicker-free, discharge lamp control system. |
59 | 1986 | Scientific or Technical Award (Technical Achievement Award) | To MATT SWEENEY and LUCINDA STRUB for the development of an automatic capsule gun for simulating bullet hits for motion picture special effects. |
59 | 1986 | Scientific or Technical Award (Technical Achievement Award) | To PETER D. PARKS of Oxford Scientific Films' Image Quest Division for the development of a live aero-compositor for special effects photography. |
59 | 1986 | Short Film (Animated) | A Greek Tragedy |
59 | 1986 | Short Film (Live Action) | Precious Images |
59 | 1986 | Sound | Platoon |
59 | 1986 | Sound Effects Editing | Aliens |
59 | 1986 | Visual Effects | Aliens |
59 | 1986 | Writing (Screenplay Based On Material From Another Medium) | A Room with a View |
59 | 1986 | Writing (Screenplay Written Directly For The Screen) | Hannah and Her Sisters |
60 | 1987 | Actor in a Leading Role | Michael Douglas |
60 | 1987 | Actor in a Supporting Role | Sean Connery |
60 | 1987 | Actress in a Leading Role | Cher |
60 | 1987 | Actress in a Supporting Role | Olympia Dukakis |
60 | 1987 | Art Direction | The Last Emperor |
60 | 1987 | Best Picture | The Last Emperor |
60 | 1987 | Cinematography | The Last Emperor |
60 | 1987 | Costume Design | The Last Emperor |
60 | 1987 | Directing | The Last Emperor |
60 | 1987 | Documentary (Feature) | The Ten-Year Lunch: The Wit and Legend of the Algonquin Round Table |
60 | 1987 | Documentary (Short Subject) | Young at Heart |
60 | 1987 | Film Editing | The Last Emperor |
60 | 1987 | Foreign Language Film | Babette's Feast |
60 | 1987 | Gordon E. Sawyer Award | Fred Hynes |
60 | 1987 | Irving G. Thalberg Memorial Award | Billy Wilder |
60 | 1987 | Makeup | Harry and the Hendersons |
60 | 1987 | Music (Original Score) | The Last Emperor |
60 | 1987 | Music (Original Song) | Dirty Dancing |
60 | 1987 | Scientific or Technical Award (Academy Award of Merit) | To BERNHARD KÜHL and WERNER BLOCK and to the OSRAM GmbH RESEARCH AND DEVELOPMENT DEPARTMENT for the invention and the continuing improvement of the OSRAM HMI light source for motion picture photography. |
60 | 1987 | Scientific or Technical Award (Scientific and Engineering Award) | To COLIN F. MOSSMAN and RANK FILM LABORATORIES' DEVELOPMENT GROUP for creating a fully-automated, film handling system for improving productivity of high speed film processing. |
60 | 1987 | Scientific or Technical Award (Scientific and Engineering Award) | To EASTMAN KODAK COMPANY for the development of Eastman Color High Speed Daylight Negative Film 5297/7297. |
60 | 1987 | Scientific or Technical Award (Scientific and Engineering Award) | To EASTMAN KODAK COMPANY for the development of Eastman Color High Speed SA Negative Film 5295 for blue-screen traveling matte photography. |
60 | 1987 | Scientific or Technical Award (Scientific and Engineering Award) | To FRITZ GABRIEL BAUER for the invention and development of the improved features of the Moviecam Camera System. |
60 | 1987 | Scientific or Technical Award (Scientific and Engineering Award) | To MONTAGE GROUP, LTD. for the development, and to RONALD C. BARKER and CHESTER L. SCHULER for the invention, of the Montage Picture Processor electronic film editing system. |
60 | 1987 | Scientific or Technical Award (Scientific and Engineering Award) | To the CARL ZEISS COMPANY for the design and development of a series of super-speed lenses for motion picture photography. |
60 | 1987 | Scientific or Technical Award (Scientific and Engineering Award) | To WILLI BURTH and KINOTONE CORPORATION for the invention and development of the Non-rewind Platter System for motion picture presentations. |
60 | 1987 | Scientific or Technical Award (Scientific and Engineering Award) | To ZORAN PERISIC of Courier Films Ltd. for the Zoptic dual-zoom front projection system for visual effects photography. |
60 | 1987 | Scientific or Technical Award (Technical Achievement Award) | To DAN C. NORRIS and TIM COOK of Norris Film Products for the development of a single-frame exposure system for motion picture photography. |
60 | 1987 | Scientific or Technical Award (Technical Achievement Award) | To IOAN ALLEN of Dolby Laboratories, Inc., for the Cat. 43 playback-only noise reduction unit and its practical application to motion picture sound recordings. |
60 | 1987 | Scientific or Technical Award (Technical Achievement Award) | To JAN JACOBSEN for the application of a dual screen, front projection system to motion picture special effects photography. |
60 | 1987 | Scientific or Technical Award (Technical Achievement Award) | To JOHN EPPOLITO, WALLY GENTLEMAN, WILLIAM MESA, LES PAUL ROBLEY and GEOFFREY H. WILLIAMSON for refinements to a dual screen, front projection, image-compositing system. |
60 | 1987 | Scientific or Technical Award (Technical Achievement Award) | To TADEUZ KRZANOWSKI of Industrial Light and Magic, Inc., for the development of a Wire Rig Model Support Mechanism used to control the movements of miniatures in special effects. |
60 | 1987 | Scientific or Technical Award (Technical Achievement Award) | To THAINE MORRIS and DAVID PIER for the development of DSC Spark Devices for motion picture special effects. |
60 | 1987 | Short Film (Animated) | The Man Who Planted Trees |
60 | 1987 | Short Film (Live Action) | Ray's Male Heterosexual Dance Hall |
60 | 1987 | Sound | The Last Emperor |
60 | 1987 | Special Achievement Award (Sound Effects Editing) | RoboCop |
60 | 1987 | Visual Effects | Innerspace |
60 | 1987 | Writing (Screenplay Based On Material From Another Medium) | The Last Emperor |
60 | 1987 | Writing (Screenplay Written Directly For The Screen) | Moonstruck |
61 | 1988 | Actor in a Leading Role | Dustin Hoffman |
61 | 1988 | Actor in a Supporting Role | Kevin Kline |
61 | 1988 | Actress in a Leading Role | Jodie Foster |
61 | 1988 | Actress in a Supporting Role | Geena Davis |
61 | 1988 | Art Direction | Dangerous Liaisons |
61 | 1988 | Best Picture | Rain Man |
61 | 1988 | Cinematography | Mississippi Burning |
61 | 1988 | Costume Design | Dangerous Liaisons |
61 | 1988 | Directing | Rain Man |
61 | 1988 | Documentary (Feature) | Hotel Terminus: The Life and Times of Klaus Barbie |
61 | 1988 | Documentary (Short Subject) | You Don't Have to Die |
61 | 1988 | Film Editing | Who Framed Roger Rabbit |
61 | 1988 | Foreign Language Film | Pelle the Conqueror |
61 | 1988 | Gordon E. Sawyer Award | Gordon Henry Cook |
61 | 1988 | Honorary Award | To Eastman Kodak Company in recognition of the company's fundamental contributions to the art of motion pictures during the first century of film history. |
61 | 1988 | Honorary Award | To the National Film Board of Canada in recognition of its 50th anniversary and its dedicated commitment to originate artistic, creative and technological activity and excellence in every area of film making. |
61 | 1988 | Makeup | Beetlejuice |
61 | 1988 | Music (Original Score) | The Milagro Beanfield War |
61 | 1988 | Music (Original Song) | Working Girl |
61 | 1988 | Scientific or Technical Award (Academy Award of Merit) | To RAY DOLBY and IOAN ALLEN of Dolby Laboratories Incorporated for their continuous contributions to motion picture sound through the research and development programs of Dolby Laboratories. |
61 | 1988 | Scientific or Technical Award (Scientific and Engineering Award) | To BILL TONDREAU of Tondreau Systems / to ALVAH MILLER and PAUL JOHNSON of Lynx Robotics / to PETER A. REGLA of Elicon / to DAN SLATER / to BUD ELAM, JOE PARKER and BILL BRYAN of Interactive Motion Control / and to JERRY JEFFRESS, RAY FEENEY, BILL HOLLAND and KRIS BROWN for their individual contributions and the collective advancements they have brought to the motion picture industry in the field of motion control technology. |
61 | 1988 | Scientific or Technical Award (Scientific and Engineering Award) | To ROY W. EDWARDS and the ENGINEERING STAFF OF PHOTO-SONICS, INCORPORATED for the design and development of the Photo-Sonics 35mm-4ER High-Speed Motion Picture Camera with Reflex Viewing and Video Assist. |
61 | 1988 | Scientific or Technical Award (Scientific and Engineering Award) | To the ARNOLD & RICHTER ENGINEERING STAFF, OTTO BLASCHEK and ARRIFLEX CORPORATION for the concept and engineering of the Arriflex 35-3 Motion Picture Camera. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To BHP, INC., successor to the Bell & Howell Professional Equipment Division, for the development of a high-speed reader incorporating microprocessor technology for motion picture laboratories. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To BOB BADAMI, DICK BERNSTEIN and BILL BERNSTEIN of Offbeat Systems for the design and development of the Streamline Scoring System, Mark IV, for motion picture music editing. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To BRUCE W. KELLER and MANFRED G. MICHELSON of Technical Film Systems for the design and development of a high-speed light valve controller and constant current power supply for motion picture laboratories. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To DR. ANTAL LISZIEWICZ and GLENN M. BERGGREN of ISCO-OPTIC GmbH for the design and development of the Ultra-Star series of motion picture lenses. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To EMANUEL TRILLING of Trilling Resources Limited for the development of Stunt-Gel fire protection barrier for motion picture stunt work. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To GARY ZELLER of Zeller International Limited for the development of Zel-Jel fire protection barrier for motion picture stunt work. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To GRANT LOUCKS of Alan Gordon Enterprises Incorporated for the design concept, and to GEOFFREY H. WILLIAMSON of Wilcam for the mechanical and electrical engineering, of the Image 300 35mm High-Speed Motion Picture Camera. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To HOLLYWOOD FILM COMPANY for the development of a high-speed reader incorporating microprocessor technology for motion picture laboratories. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To JAMES K. BRANCH of Spectra Cine, Incorporated, and to WILLIAM L. BLOWERS and NASIR J. ZAIDI for the design and development of the Spectra CineSpot one-degree spotmeter for measuring the brightness of motion picture screens. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To MICHAEL V. CHEWEY, III for the development of the motion picture industry's first paper tape reader incorporating microprocessor technology. |
61 | 1988 | Scientific or Technical Award (Technical Achievement Award) | To PAUL A. ROOS for the invention of a method known as Video Assist, whereby a scene being photographed on motion picture film can be viewed on a monitor and/or recorded on video tape. |
61 | 1988 | Short Film (Animated) | Tin Toy |
61 | 1988 | Short Film (Live Action) | The Appointments of Dennis Jennings |
61 | 1988 | Sound | Bird |
61 | 1988 | Sound Effects Editing | Who Framed Roger Rabbit |
61 | 1988 | Special Achievement Award | To Richard Williams for the animation direction of Who Framed Roger Rabbit . |
61 | 1988 | Visual Effects | Who Framed Roger Rabbit |
61 | 1988 | Writing (Screenplay Based On Material From Another Medium) | Dangerous Liaisons |
61 | 1988 | Writing (Screenplay Written Directly For The Screen) | Rain Man |
62 | 1989 | Actor in a Leading Role | Daniel Day Lewis |
62 | 1989 | Actor in a Supporting Role | Denzel Washington |
62 | 1989 | Actress in a Leading Role | Jessica Tandy |
62 | 1989 | Actress in a Supporting Role | Brenda Fricker |
62 | 1989 | Art Direction | Batman |
62 | 1989 | Award of Commendation | The Academy of Motion Picture Arts and Sciences' Board of Governors commends the contributions of the members of the engineering committees of the Society of Motion Picture and Television Engineers (SMPTE). By establishing industry standards, they have greatly contributed to making film a primary form of international communication. |
62 | 1989 | Best Picture | Driving Miss Daisy |
62 | 1989 | Cinematography | Glory |
62 | 1989 | Costume Design | Henry V |
62 | 1989 | Directing | Born on the Fourth of July |
62 | 1989 | Documentary (Feature) | Common Threads: Stories from the Quilt |
62 | 1989 | Documentary (Short Subject) | The Johnstown Flood |
62 | 1989 | Film Editing | Born on the Fourth of July |
62 | 1989 | Foreign Language Film | Cinema Paradiso |
62 | 1989 | Gordon E. Sawyer Award | Pierre Angenieux |
62 | 1989 | Honorary Award | To Akira Kurosawa for accomplishments that have inspired, delighted, enriched and entertained audiences and influenced filmmakers throughout the world. |
62 | 1989 | Jean Hersholt Humanitarian Award | Howard W. Koch |
62 | 1989 | Makeup | Driving Miss Daisy |
62 | 1989 | Music (Original Score) | The Little Mermaid |
62 | 1989 | Music (Original Song) | The Little Mermaid |
62 | 1989 | Scientific or Technical Award (Scientific and Engineering Award) | To GEOFFREY H. WILLIAMSON of Wilcam Photo Research, Incorporated, for the design and development, and to ROBERT D. AUGUSTE for the electronic design and development of the Wilcam W-7 200 frames-per-second VistaVision Rotating Mirror Reflex Camera. |
62 | 1989 | Scientific or Technical Award (Scientific and Engineering Award) | To J. L. FISHER of J. L. Fisher, Incorporated, for the design and manufacture of a small, mobile motion picture camera platform known as the Fisher Model Ten Dolly. |
62 | 1989 | Scientific or Technical Award (Scientific and Engineering Award) | To J. NOXON LEAVITT, for the invention of, and ISTEC, INCORPORATED, for the continuing development of the Wescam Stabilized Camera System. |
62 | 1989 | Scientific or Technical Award (Scientific and Engineering Award) | To JAMES KETCHAM of JSK Engineering, for the excellence in engineering and the broad adaptability of the SDA521B Advance/Retard system for magnetic film sound dubbing. |
62 | 1989 | Scientific or Technical Award (Scientific and Engineering Award) | To KLAUS RESCH for the design, ERICH FITZ and FGV SCHMIDLE & FITZ for the development of the Super Panther MS-180 Camera Dolly. |
62 | 1989 | Scientific or Technical Award (Technical Achievement Award) | To DR. LEO CATOZZO for the design and development of the CIR-Catozzo Self-Perforating Adhesive Tape Film Splicer. |
62 | 1989 | Scientific or Technical Award (Technical Achievement Award) | To MAGNA-TECH ELECTRONIC COMPANY for the introduction of the first remotely controlled Advance/Retard function for magnetic film sound dubbing. |
62 | 1989 | Short Film (Animated) | Balance |
62 | 1989 | Short Film (Live Action) | Work Experience |
62 | 1989 | Sound | Glory |
62 | 1989 | Sound Effects Editing | Indiana Jones and the Last Crusade |
62 | 1989 | Visual Effects | The Abyss |
62 | 1989 | Writing (Screenplay Based On Material From Another Medium) | Driving Miss Daisy |
62 | 1989 | Writing (Screenplay Written Directly For The Screen) | Dead Poets Society |
63 | 1990 | Actor in a Leading Role | Jeremy Irons |
63 | 1990 | Actor in a Supporting Role | Joe Pesci |
63 | 1990 | Actress in a Leading Role | Kathy Bates |
63 | 1990 | Actress in a Supporting Role | Whoopi Goldberg |
63 | 1990 | Art Direction | Dick Tracy |
63 | 1990 | Best Picture | Dances With Wolves |
63 | 1990 | Cinematography | Dances With Wolves |
63 | 1990 | Costume Design | Cyrano de Bergerac |
63 | 1990 | Directing | Dances With Wolves |
63 | 1990 | Documentary (Feature) | American Dream |
63 | 1990 | Documentary (Short Subject) | Days of Waiting |
63 | 1990 | Film Editing | Dances With Wolves |
63 | 1990 | Foreign Language Film | Journey of Hope |
63 | 1990 | Gordon E. Sawyer Award | Stefan Kudelski |
63 | 1990 | Honorary Award | To Myrna Loy, in recognition of her extraordinary qualities both on screen and off, with appreciation for a lifetime's worth of indelible performances. |
63 | 1990 | Honorary Award | To Sophia Loren, one of the genuine treasures of world cinema who, in a career rich with memorable performances, has added permanent luster to our art form. |
63 | 1990 | Irving G. Thalberg Memorial Award | David Brown and Richard D. Zanuck |
63 | 1990 | Makeup | Dick Tracy |
63 | 1990 | Medal of Commendation | To Don Trumbull in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
63 | 1990 | Medal of Commendation | To Geoffrey H. Williamson in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
63 | 1990 | Medal of Commendation | To Roderick T. Ryan in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
63 | 1990 | Music (Original Score) | Dances With Wolves |
63 | 1990 | Music (Original Song) | Dick Tracy |
63 | 1990 | Scientific or Technical Award (Academy Award of Merit) | To EASTMAN KODAK COMPANY for the development of T-Grain technology and the introduction of EXR color negative films which utilize this technology. |
63 | 1990 | Scientific or Technical Award (Scientific and Engineering Award) | To BRUCE WILTON and CARLOS ICINKOFF of Mechanical Concepts, Incorporated, for the development of the Mechanical Concepts Optical Printer Platform. |
63 | 1990 | Scientific or Technical Award (Scientific and Engineering Award) | To JOHN W. LANG, WALTER HRASTNIK and CHARLES J. WATSON of Bell and Howell Company for the development and manufacture of a modular continuous contact motion picture film printer. |
63 | 1990 | Scientific or Technical Award (Scientific and Engineering Award) | To MANFRED G. MICHELSON of Technical Film Systems, Incorporated, for the design and development of the first sprocket-driven film transport system for color print film processors which permits transport speeds in excess of 600 feet per minute. |
63 | 1990 | Scientific or Technical Award (Scientific and Engineering Award) | To the ENGINEERING DEPARTMENT OF ARNOLD & RICHTER for the continued design improvements of the Arriflex BL Camera System, culminating in the 35BL-4S model. |
63 | 1990 | Scientific or Technical Award (Scientific and Engineering Award) | To the FUJI PHOTO FILM COMPANY, LIMITED, for the development and introduction of the F-Series of color negative films covering the range of film speeds from EI 64 to EI 500. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To BENGT O. ORHALL, KENNETH LUND, BJORN SELIN and KJELL HOGBERG of AB Film-Teknik for the development and manufacture of the Mark IV film subtitling processor, which has increased the speed, simplified the operation and improved the quality of subtitling. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To CHRISTOPHER S. GILMAN and HARVEY HUBERT, JR. of the Diligent Dwarves Effects Lab for the development of the Actor Climate System, consisting of heat-transferring undergarments. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To DEDO WEIGERT of Dedo Weigert Film GmbH for the development of the Dedolight, a miniature low-voltage tungsten-halogen lighting fixture. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To DR. FRED KOLB, JR. and PAUL PREO for the concept and development of a 35mm projection test film. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To IAIN NEIL for optical design; TAKUO MIYAGISHIMA for the mechanical design; and PANAVISION, INCORPORATED, for the concept and development of the Primo Series of spherical prime lenses for 35mm cinematography. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To JIM GRAVES of J&G Enterprises for the development of the Cool Suit System, consisting of heat-transferring undergarments. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To PETER BALDWIN for the design; DR. PAUL KIANKHOOY and the LIGHTMAKER COMPANY for the development of the Lightmaker AC/DC HMI Ballast. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To RICHARD MULA and PETE ROMANO of HydroImage, Incorporated, for the development of the SeaPar 1200 watt HMI Underwater Lamp. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To the ALL-UNION CINEMA AND PHOTO RESEARCH INSTITUTE (NIKFI) for continuously improving and providing 3-D presentations to Soviet motion picture audiences for the last 25 years. |
63 | 1990 | Scientific or Technical Award (Technical Achievement Award) | To WILLIAM L. BLOWERS of Belco Associates, Incorporated and THOMAS F. DENOVE for the development and manufacture of the Belco/Denove Cinemeter. This digital/analog exposure meter was specifically and uniquely designed for the cinematographer. |
63 | 1990 | Short Film (Animated) | Creature Comforts |
63 | 1990 | Short Film (Live Action) | The Lunch Date |
63 | 1990 | Sound | Dances With Wolves |
63 | 1990 | Sound Effects Editing | The Hunt for Red October |
63 | 1990 | Special Achievement Award (Visual Effects) | Total Recall |
63 | 1990 | Writing (Screenplay Based On Material From Another Medium) | Dances With Wolves |
63 | 1990 | Writing (Screenplay Written Directly For The Screen) | Ghost |
64 | 1991 | Actor in a Leading Role | Anthony Hopkins |
64 | 1991 | Actor in a Supporting Role | Jack Palance |
64 | 1991 | Actress in a Leading Role | Jodie Foster |
64 | 1991 | Actress in a Supporting Role | Mercedes Ruehl |
64 | 1991 | Art Direction | Bugsy |
64 | 1991 | Award of Commendation | To Pete Comandini, Richard T. Dayton, Donald Hagans and Richard T. Ryan of YCM Laboratories for the creation and development of a motion picture film restoration process using liquid gate and registration correction on a contact printer. |
64 | 1991 | Best Picture | The Silence of the Lambs |
64 | 1991 | Cinematography | JFK |
64 | 1991 | Costume Design | Bugsy |
64 | 1991 | Directing | The Silence of the Lambs |
64 | 1991 | Documentary (Feature) | In the Shadow of the Stars |
64 | 1991 | Documentary (Short Subject) | Deadly Deception: General Electric, Nuclear Weapons and Our Environment |
64 | 1991 | Film Editing | JFK |
64 | 1991 | Foreign Language Film | Mediterraneo |
64 | 1991 | Gordon E. Sawyer Award | Ray Harryhausen |
64 | 1991 | Honorary Award | To Satyajit Ray, in recognition of his rare mastery of the art of motion pictures, and of his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world. |
64 | 1991 | Irving G. Thalberg Memorial Award | George Lucas |
64 | 1991 | Makeup | Terminator 2: Judgment Day |
64 | 1991 | Medal of Commendation | To Joseph Westheimer for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
64 | 1991 | Medal of Commendation | To Richard J. Stumpf for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
64 | 1991 | Music (Original Score) | Beauty and the Beast |
64 | 1991 | Music (Original Song) | Beauty and the Beast |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To FAZ FAZAKAS, BRIAN HENSON, DAVE HOUSMAN, PETER MILLER and JOHN STEPHENSON for the development of the Henson Performance Control System. |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To GEORG THOMA for the design; HEINZ FEIERLEIN and the ENGINEERING DEPARTMENT OF SACHTLER AG for the development of a range of fluid tripod heads. |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To GEORGE WORRALL for the design, development and manufacture of the Worrall geared camera head for motion picture production. |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To GUIDO CARTONI for his pioneering work in developing the technology to achieve selectable and repeatable viscous drag modules in fluid tripod heads. |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To HARRY J. BAKER for the design and development of the first full fluid-action tripod head with adjustable degrees of viscous drag. |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To IAIN NEIL for the optical design; ALBERT SAIKI for the mechanical design; and PANAVISION, INCORPORATED, for the concept and development of the Primo Zoom Lens for 35mm cinematography. |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To MARIO CELSO for his pioneering work in the design, development and manufacture of equipment for carbon arc and xenon power supplies and igniters used in motion picture projection. |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To RANDY CARTWRIGHT, DAVID B. COONS, LEM DAVIS, THOMAS HAHN, JAMES HOUSTON, MARK KIMBALL, DYLAN W. KOHLER, PETER NYE, MICHAEL SHANTZIS, DAVID F. WOLF and the WALT DISNEY FEATURE ANIMATION DEPARTMENT for the design and development of the "CAPS" production system for feature film animation. |
64 | 1991 | Scientific or Technical Award (Scientific and Engineering Award) | To RAY FEENEY, RICHARD KEENEY and RICHARD J. LUNDELL for the software development and adaptation of the Solitaire Film Recorder that provides a flexible, cost-effective film recording system. |
64 | 1991 | Scientific or Technical Award (Technical Achievement Award) | To CENTURY PRECISION OPTICS for the opto-mechanical design and development of the Canon/Century Precision Optics Zoom Lens. |
64 | 1991 | Scientific or Technical Award (Technical Achievement Award) | To DICK CAVDEK, STEVE HAMERSKI and OTTO NEMENZ INTERNATIONAL, INCORPORATED for the opto-mechanical design and development of the Canon/Nemenz Zoom Lens. |
64 | 1991 | Scientific or Technical Award (Technical Achievement Award) | To JAMES DOYLE for the design and development of the Dry Fogger, which uses liquid nitrogen to produce a safe, dense, low-hanging fog effects. |
64 | 1991 | Scientific or Technical Award (Technical Achievement Award) | To KEN ROBINGS and CLAIRMONT CAMERA for the opto-mechanical design and development of the Canon/Clairmont Camera Zoom Lens. |
64 | 1991 | Scientific or Technical Award (Technical Achievement Award) | To ROBERT W. STOKER, JR., for the design and development of a cobweb gun, for applying non-toxic cobweb effects on motion picture sets with both safety and ease of operation. |
64 | 1991 | Short Film (Animated) | Manipulation |
64 | 1991 | Short Film (Live Action) | Session Man |
64 | 1991 | Sound | Terminator 2: Judgment Day |
64 | 1991 | Sound Effects Editing | Terminator 2: Judgment Day |
64 | 1991 | Visual Effects | Terminator 2: Judgment Day |
64 | 1991 | Writing (Screenplay Based On Material Previously Produced or Published) | The Silence of the Lambs |
64 | 1991 | Writing (Screenplay Written Directly For The Screen) | Thelma & Louise |
65 | 1992 | Actor in a Leading Role | Al Pacino |
65 | 1992 | Actor in a Supporting Role | Gene Hackman |
65 | 1992 | Actress in a Leading Role | Emma Thompson |
65 | 1992 | Actress in a Supporting Role | Marisa Tomei |
65 | 1992 | Art Direction | Howards End |
65 | 1992 | Award of Commendation | To The International Alliance of Theatrical Stage Employees in recognition of the indispensable contributions of its members, who represent the full spectrum of artists, technicians and craftspeople, to the art of motion pictures on the occasion of the one-hundredth anniversary of the Alliance's founding. |
65 | 1992 | Best Picture | Unforgiven |
65 | 1992 | Cinematography | A River Runs through It |
65 | 1992 | Costume Design | Bram Stoker's Dracula |
65 | 1992 | Directing | Unforgiven |
65 | 1992 | Documentary (Feature) | The Panama Deception |
65 | 1992 | Documentary (Short Subject) | Educating Peter |
65 | 1992 | Film Editing | Unforgiven |
65 | 1992 | Foreign Language Film | Indochine |
65 | 1992 | Gordon E. Sawyer Award | Erich Kaestner |
65 | 1992 | Honorary Award | To Federico Fellini in recognition of his place as one of the screen's master storytellers. |
65 | 1992 | Jean Hersholt Humanitarian Award | Audrey Hepburn |
65 | 1992 | Jean Hersholt Humanitarian Award | Elizabeth Taylor |
65 | 1992 | Makeup | Bram Stoker's Dracula |
65 | 1992 | Medal of Commendation | To Petro Vlahos in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
65 | 1992 | Music (Original Score) | Aladdin |
65 | 1992 | Music (Original Song) | Aladdin |
65 | 1992 | Scientific and Technical Award (Academy Award of Merit) | To CHADWELL O'CONNOR of the O'Connor Engineering Laboratories for the concept and engineering of the fluid-damped camera head for motion picture photography. |
65 | 1992 | Scientific and Technical Award (Scientific and Engineering Award) | To AL MAYER for the camera design; IAIN NEIL and GEORGE KRAEMER for the optical design; HANS SPIRAWSKI and BILL ESLICK for the opto-mechanical design; and DON EARL for technical support in developing the Panavision System 65 Studio Sync Sound Reflex Camera for 65mm motion picture photography. |
65 | 1992 | Scientific and Technical Award (Scientific and Engineering Award) | To ARNOLD & RICHTER, OTTO BLASCHEK and the ENGINEERING DEPARTMENT OF ARRI, AUSTRIA for the design and development of the Arriflex 765 Camera System for 65mm motion picture photography. |
65 | 1992 | Scientific and Technical Award (Scientific and Engineering Award) | To CLAUS WIEDEMANN and ROBERT ORBAN for the design and DOLBY LABORATORIES for the development of the Dolby Labs 'Container.' |
65 | 1992 | Scientific and Technical Award (Scientific and Engineering Award) | To DOUGLAS TRUMBULL for the concept; GEOFFREY H. WILLIAMSON for the movement design; ROBERT D. AUGUSTE for the electronic design and EDMUND M. DI GIULIO for the camera system design of the CP-65 Showscan Camera System for 65mm motion picture photography. |
65 | 1992 | Scientific and Technical Award (Scientific and Engineering Award) | To KEN BATES for the design and development of the Bates Decelerator System for accurately and safely arresting the descent of stunt persons in high freefalls. |
65 | 1992 | Scientific and Technical Award (Scientific and Engineering Award) | To LOREN CARPENTER, ROB COOK, ED CATMULL, TOM PORTER, PAT HANRAHAN, TONY APODACA and DARWYN PEACHEY for the development of "RenderMan" software which produces images used in motion pictures from 3D computer descriptions of shape and appearance. |
65 | 1992 | Scientific and Technical Award (Technical Achievement Award) | To IAIN NEIL for the optical design and KAZ FUDANO for the mechanical design of the Panavision Slant Focus Lens for motion picture photography. |
65 | 1992 | Scientific and Technical Award (Technical Achievement Award) | To IRA TIFFEN of the Tiffen Manufacturing Corporation for the production of the Ultra Contrast Filter Series for motion picture photography. |
65 | 1992 | Scientific and Technical Award (Technical Achievement Award) | To ROBERT R. BURTON of Audio Rents, Incorporated, for the development of the Model S-27 4-Band Splitter/Combiner. |
65 | 1992 | Scientific and Technical Award (Technical Achievement Award) | To TOM BRIGHAM for the original concept and pioneering work; and DOUGLAS SMYTHE and the COMPUTER GRAPHICS DEPARTMENT OF INDUSTRIAL LIGHT & MAGIC for the development and the first implementation in feature motion pictures of the "MORF" system for digital metamorphosis of high resolution images. |
65 | 1992 | Short Film (Animated) | Mona Lisa Descending a Staircase |
65 | 1992 | Short Film (Live Action) | Omnibus |
65 | 1992 | Sound | The Last of the Mohicans |
65 | 1992 | Sound Effects Editing | Bram Stoker's Dracula |
65 | 1992 | Visual Effects | Death Becomes Her |
65 | 1992 | Writing (Screenplay Based On Material Previously Produced or Published) | Howards End |
65 | 1992 | Writing (Screenplay Written Directly For The Screen) | The Crying Game |
66 | 1993 | Actor in a Leading Role | Tom Hanks |
66 | 1993 | Actor in a Supporting Role | Tommy Lee Jones |
66 | 1993 | Actress in a Leading Role | Holly Hunter |
66 | 1993 | Actress in a Supporting Role | Anna Paquin |
66 | 1993 | Art Direction | Schindler's List |
66 | 1993 | Best Picture | Schindler's List |
66 | 1993 | Cinematography | Schindler's List |
66 | 1993 | Costume Design | The Age of Innocence |
66 | 1993 | Directing | Schindler's List |
66 | 1993 | Documentary (Feature) | I Am a Promise: The Children of Stanton Elementary School |
66 | 1993 | Documentary (Short Subject) | Defending Our Lives |
66 | 1993 | Film Editing | Schindler's List |
66 | 1993 | Foreign Language Film | Belle Epoque |
66 | 1993 | Gordon E. Sawyer Award | Petro Vlahos |
66 | 1993 | Honorary Award | To Deborah Kerr, in appreciation for a full career's worth of elegant and beautifully crafted performances. |
66 | 1993 | Jean Hersholt Humanitarian Award | Paul Newman |
66 | 1993 | Makeup | Mrs. Doubtfire |
66 | 1993 | Music (Original Score) | Schindler's List |
66 | 1993 | Music (Original Song) | Philadelphia |
66 | 1993 | Scientific and Technical Award (Academy Award of Merit) | To MANFRED G. MICHELSON of Technical Film Systems, Incorporated, for the design and development of the first sprocket-driven film transport system for color print film processors which permits transport speeds in excess of 600 feet per minute. |
66 | 1993 | Scientific and Technical Award (Academy Award of Merit) | To PANAVISION for the Auto Panatar anamorphic photographic lens. |
66 | 1993 | Scientific and Technical Award (Scientific and Engineering Award) | To FRITZ GABRIEL BAUER for the design, development and manufacture of the Moviecam Compact Modular 35mm motion picture camera system. |
66 | 1993 | Scientific and Technical Award (Scientific and Engineering Award) | To MARK LEATHER, LES DITTERT, DOUGLAS SMYTHE and GEORGE JOBLOVE for the concept and development of the Digital Motion Picture Retouching System for removing visible rigging and dirt/damage artifacts from original motion picture imagery. |
66 | 1993 | Scientific and Technical Award (Technical Achievement Award) | To DAVID DEGENKOLB for the development of a Silver Recovery Ion Exchange System to eliminate hazardous waste (silver ion) in wash water and allow recycling of this water. |
66 | 1993 | Scientific and Technical Award (Technical Achievement Award) | To GARY NUZZI, DAVID JOHNSRUD and WILLIAM BLETHEN for the design and development of the Unilux H3000 Strobe Lighting System. |
66 | 1993 | Scientific and Technical Award (Technical Achievement Award) | To HARRY J. BAKER for the design and development of the Ronford-Baker Metal Tripods for motion picture photography. |
66 | 1993 | Scientific and Technical Award (Technical Achievement Award) | To MICHAEL DORROUGH for the design and development of the compound meter known as the Dorrough Audio Level Meter. |
66 | 1993 | Scientific and Technical Award (Technical Achievement Award) | To WALLY MILLS for the concept; and GARY STADLER and GUSTAVE PARADA for the design of the Cinemills Lamp Protection System. |
66 | 1993 | Short Film (Animated) | The Wrong Trousers |
66 | 1993 | Short Film (Live Action) | Black Rider (Schwarzfahrer) |
66 | 1993 | Sound | Jurassic Park |
66 | 1993 | Sound Effects Editing | Jurassic Park |
66 | 1993 | Visual Effects | Jurassic Park |
66 | 1993 | Writing (Screenplay Based On Material Previously Produced or Published) | Schindler's List |
66 | 1993 | Writing (Screenplay Written Directly For The Screen) | The Piano |
67 | 1994 | Actor in a Leading Role | Tom Hanks |
67 | 1994 | Actor in a Supporting Role | Martin Landau |
67 | 1994 | Actress in a Leading Role | Jessica Lange |
67 | 1994 | Actress in a Supporting Role | Dianne Wiest |
67 | 1994 | Art Direction | The Madness of King George |
67 | 1994 | Best Picture | Forrest Gump |
67 | 1994 | Cinematography | Legends of the Fall |
67 | 1994 | Costume Design | The Adventures of Priscilla, Queen of the Desert |
67 | 1994 | Directing | Forrest Gump |
67 | 1994 | Documentary (Feature) | Maya Lin: A Strong Clear Vision |
67 | 1994 | Documentary (Short Subject) | A Time for Justice |
67 | 1994 | Film Editing | Forrest Gump |
67 | 1994 | Foreign Language Film | Burnt by the Sun |
67 | 1994 | Honorary Award | To Michelangelo Antonioni in recognition of his place as one of the cinema's master visual stylists. |
67 | 1994 | Irving G. Thalberg Memorial Award | Clint Eastwood |
67 | 1994 | Jean Hersholt Humanitarian Award | Quincy Jones |
67 | 1994 | Makeup | Ed Wood |
67 | 1994 | Medal of Commendation | To John A. Bonner in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
67 | 1994 | Music (Original Score) | The Lion King |
67 | 1994 | Music (Original Song) | The Lion King |
67 | 1994 | Scientific and Technical Award (Academy Award of Merit) | To PETRO VLAHOS and PAUL VLAHOS for the conception and development of the Ultimatte Electronic Blue Screen Compositing Process for motion pictures. |
67 | 1994 | Scientific and Technical Award (Academy Award of Merit) | To the EASTMAN KODAK COMPANY for the development of the Eastman EXR Color Intermediate Film 5244. |
67 | 1994 | Scientific and Technical Award (Scientific and Engineering Award) | To GARY DEMOS and DAN CAMERON of Information International, DAVID DiFRANCESCO and GARY STARKWEATHER of Pixar, and SCOTT SQUIRES of Industrial Light & Magic for their pioneering work in the field of film input scanning. |
67 | 1994 | Scientific and Technical Award (Scientific and Engineering Award) | To GEORGE SAUVE, BILL BISHOP, ARPAG DADOURIAN, RAY FEENEY and RICHARD PATTERSON for the Cinefusion software implementation of the Ultimatte Blue Screen Compositing Technology. |
67 | 1994 | Scientific and Technical Award (Scientific and Engineering Award) | To IAIN NEIL for the optical design, AL SAIKI for the mechanical design, and PANAVISION INTERNATIONAL L.P. for the development of the Panavision 11:1 Primo Zoom Lens for motion picture photography. |
67 | 1994 | Scientific and Technical Award (Scientific and Engineering Award) | To JAMES KETCHAM of JSK Engineering for the concept and design of the MC211 micro processor based motion controller for synchronizing sprocketed film with time-code based machines. |
67 | 1994 | Scientific and Technical Award (Scientific and Engineering Award) | To LINCOLN HU and MICHAEL MacKENZIE of Industrial Light & Magic and GLENN KENNEL and MIKE DAVIS of Eastman Kodak for their joint development work on a linear array CCD (Charge Coupled Device) film input scanning system. |
67 | 1994 | Scientific and Technical Award (Scientific and Engineering Award) | To PAUL BAMBOROUGH for the concept, NICK POLLACK and ARTHUR WRIGHT for the hardware development, and NEIL HARRIS and DUNCAN MacLEAN for the software development of The Lightworks Editor for motion picture editing. |
67 | 1994 | Scientific and Technical Award (Scientific and Engineering Award) | To RAY FEENEY, WILL McCOWN and BILL BISHOP of RFX, Inc. and LES DITTERT of Pacific Data Images for their development work with area array CCD (Charge Coupled Device) film input scanning systems. |
67 | 1994 | Scientific and Technical Award (Scientific and Engineering Award) | To WILLIAM J. WARNER and ERIC C. PETERS for the concept, MICHAEL E. PHILLIPS and TOM A. OHANIAN for the system design, and PATRICK D. O'CONNOR and JOE H. RICE for the engineering of the Avid Film Composer for motion picture editing. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To ART FRITZEN of the California Fritzen Propeller Company as the designer and sole manufacturer of the Eight-Bladed Ritter Fan Propellers. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To AUDIO TRACKS, INC. for the design and development of the ADE (Advanced Data Encoding) System which creates an encoded timecode track and database during the initial transfer of the production sound "dailies." |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To B. RUSSELL HESSEY of Special Effects Spectacular, Inc. and VINCENT T. KELTON for the hardware design and GEORGE JACKMAN of De La Mare Engineering, Inc. for the pyrotechnic development which together comprise the non-gun safety blank firing system. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To CLAY DAVIS and JOHN CARTER of Todd-AO for the pioneering effort of computer controlled list management style ADR (Automated Dialogue Replacement). |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To COLIN BROAD of CB Electronics for the design and development of the EDL (Edit Decision List) Lister which creates an encoded timecode track and database during the initial transfer of the production sound "dailies." |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To DAVID A. ADDLEMAN and LLOYD A. ADDLEMAN for the development of the Cyberware 3030 3D Digitizer. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To DIETER STURM of Sturm's Special Effects Int'l for the creation and development of the Bio-Snow 2 Flake. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To DR. MIKE BOUDRY of the Computer Film Company for his pioneering work in the field of film input scanning. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To EMMANUEL PREVINAIRE of Flying-Cam for his pioneering concept and for the development of mounting a motion picture camera on a remotely-controlled miniature helicopter. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To FRIEDER HOCHHEIM, GARY SWINK, DR. JOE ZHOU and DON NORTHROP for the development of the Kino Flo Portable, Flicker Free, High Output Fluorescent Lighting System for motion picture set illumination. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To JACK C. SMITH, MICHAEL CRICHTON and EMIL SAFIER for pioneering computerized motion picture budgeting and scheduling. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To JACQUES SAX of Sonosax for the design and development of the Sonosax SX-S portable audio mixer. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To MARK R. SCHNEIDER, HERBERT R. JONES, CHRISTOPHER D. CONOVER and JOHN R.B. BROWN for the development of the Polhemus 3 Space Digitizing System. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To STEPHEN GREENFIELD and CHRIS HUNTLEY of Screenplay Systems for development of the "Scriptor" software. |
67 | 1994 | Scientific and Technical Award (Technical Achievement Award) | To STEPHEN W. POTTER, JOHN B. ASMAN, CHARLES PELL and RICHARD LARSON of LarTec Systems for the advancement and refinement of the computer controlled list management style ADR (Automated Dialogue Replacement) system via the LarTec ADR System that has established itself as a standard of the industry. |
67 | 1994 | Short Film (Animated) | Bob's Birthday |
67 | 1994 | Short Film (Live Action) | Franz Kafka's It's a Wonderful Life |
67 | 1994 | Short Film (Live Action) | Trevor |
67 | 1994 | Sound | Speed |
67 | 1994 | Sound Effects Editing | Speed |
67 | 1994 | Visual Effects | Forrest Gump |
67 | 1994 | Writing (Screenplay Based On Material Previously Produced or Published) | Forrest Gump |
67 | 1994 | Writing (Screenplay Written Directly For The Screen) | Pulp Fiction |
68 | 1995 | Actor in a Leading Role | Nicolas Cage |
68 | 1995 | Actor in a Supporting Role | Kevin Spacey |
68 | 1995 | Actress in a Leading Role | Susan Sarandon |
68 | 1995 | Actress in a Supporting Role | Mira Sorvino |
68 | 1995 | Art Direction | Restoration |
68 | 1995 | Best Picture | Braveheart |
68 | 1995 | Cinematography | Braveheart |
68 | 1995 | Costume Design | Restoration |
68 | 1995 | Directing | Braveheart |
68 | 1995 | Documentary (Feature) | Anne Frank Remembered |
68 | 1995 | Documentary (Short Subject) | One Survivor Remembers |
68 | 1995 | Film Editing | Apollo 13 |
68 | 1995 | Foreign Language Film | Antonia's Line |
68 | 1995 | Gordon E. Sawyer Award | Donald C. Rogers |
68 | 1995 | Honorary Award | To Chuck Jones, for the creation of classic cartoons which have brought worldwide joy for more than half a century. |
68 | 1995 | Honorary Award | To Kirk Douglas, for fifty years as a creative and moral force in the motion picture community. |
68 | 1995 | Makeup | Braveheart |
68 | 1995 | Music (Original Dramatic Score) | The Postman (Il Postino) |
68 | 1995 | Music (Original Musical or Comedy Score) | Pocahontas |
68 | 1995 | Music (Original Song) | Pocahontas |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To ALVY RAY SMITH, ED CATMULL, THOMAS PORTER and TOM DUFF for their pioneering inventions in Digital Image Compositing. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To ARNOLD AND RICHTER CINE TECHNIK for the development of the Arriflex 535 Series of Cameras for motion picture cinematography. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To COLIN MOSSMAN, JOE WARY, HANS LEISINGER, GERALD PAINTER and DELUXE LABORATORIES for the design and development of the Deluxe Quad Format Digital Sound Printing Head. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To DAVID GILMARTIN, JOHANNES BORGGREBE, JEAN-PIERRE GAGNON, FRANK RICOTTA and TECHNICOLOR, INC. for the design and development of the Technicolor Contact Printer Sound Head. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To DIGITAL THEATER SYSTEMS for the design and development of the DTS Digital Sound System for motion picture exhibition. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To DOLBY LABORATORIES for the design and development of the SR-D Digital Sound System for motion picture exhibition. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To HOWARD FLEMMING and RONALD UHLIG for their pioneering work leading to motion picture digital sound. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To IAIN NEIL for the optical design; RICK GELBARD for the mechanical design; ERIC DUBBERKE for the engineering and PANAVISION INTERNATIONAL, L.P., for the development of the Primo 3:1 Zoom Lens. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To MARTIN S. MUELLER for the design and development of the MSM 9801 IMAX 65mm/15 perf production motion picture camera. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To RONALD C. GOODMAN, ATTILA SZALAY, STEVEN SASS and SPACECAM SYSTEMS, INC. for the design of the SpaceCam gyroscopically stabilized Camera System. |
68 | 1995 | Scientific and Technical Award (Scientific and Engineering Award) | To SONY CORPORATION for the design and development of the SDDS Digital Sound System for motion picture exhibition. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To AL JENSEN, CHUCK HEADLEY, JEAN MESSNER and HAZEM NABULSI of CEI Technology for producing a self-contained, flicker-free Color Video-Assist Camera. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To BHP, INCORPORATED for their pioneering efforts developing Digital Sound Printing Heads for motion pictures. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To CLAY DAVIS and JOHN CARTER of Todd-AO for their pioneering efforts in creating an Automated Patchbay System for motion picture sound transfer and dubbing operations. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To DAVID PRINGLE and YAN ZHONG FANG for the design and development of "Lightning Strikes," a flexible, high-performance electronic lightning effect system. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To DOUGLAS SMYTHE, LINCOLN HU, DOUGLAS S. KAY and INDUSTRIAL LIGHT AND MAGIC for their pioneering efforts in the creation of the ILM Digital Film Compositing System. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To GARY DEMOS, DAVID RUHOFF, DAN CAMERON and MICHELLE FERAUD for their pioneering efforts in the creation of the Digital Productions Digital Film Compositing System. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To INSTITUT NATIONAL POLYTECHNIQUE DE TOULOUSE for the concept; KODAK PATHE CTP CINE for the prototype; and ECLAIR LABORATORIES and MARTINEAU INDUSTRIES for the development and further implementation of the Toulouse Electrolytic Silver Recovery Cell. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To JAMES DEAS of the Warner Bros. Studio Facility for the design and subsequent development of an Automated Patchbay and Metering System for motion picture sound transfer and dubbing operations. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To JOE FINNEGAN (a.k.a. Joe Yrigoyen) for his pioneering work in developing the Air Ram for motion picture stunt effects. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To PASCAL CHEDEVILLE for the design of the L.C. Concept Digital Sound System for motion picture exhibition. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To PETER DENZ of Präzisions-Entwicklung Denz for developing a flicker-free Color Video-Assist Camera. |
68 | 1995 | Scientific and Technical Award (Technical Achievement Award) | To the COMPUTER FILM COMPANY for their pioneering efforts in the creation of the CFC Digital Film Compositing System. |
68 | 1995 | Short Film (Animated) | A Close Shave |
68 | 1995 | Short Film (Live Action) | Lieberman in Love |
68 | 1995 | Sound | Apollo 13 |
68 | 1995 | Sound Effects Editing | Braveheart |
68 | 1995 | Special Achievement Award | To John Lasseter, for his inspired leadership of the Pixar Toy Story team, resulting in the first feature-length computer-animated film. |
68 | 1995 | Visual Effects | Babe |
68 | 1995 | Writing (Screenplay Based On Material Previously Produced or Published) | Sense and Sensibility |
68 | 1995 | Writing (Screenplay Written Directly For The Screen) | The Usual Suspects |
69 | 1996 | Actor in a Leading Role | Geoffrey Rush |
69 | 1996 | Actor in a Supporting Role | Cuba Gooding, Jr. |
69 | 1996 | Actress in a Leading Role | Frances McDormand |
69 | 1996 | Actress in a Supporting Role | Juliette Binoche |
69 | 1996 | Art Direction | The English Patient |
69 | 1996 | Award of Commendation | To Joe Lombardi in celebration of 50 years in the motion picture industry. His knowledge and leadership in the field of pyrotechnics and special effects along with his uncompromising promotion of safety on the set have established the standard for today's special effects technicians. |
69 | 1996 | Best Picture | The English Patient |
69 | 1996 | Cinematography | The English Patient |
69 | 1996 | Costume Design | The English Patient |
69 | 1996 | Directing | The English Patient |
69 | 1996 | Documentary (Feature) | When We Were Kings |
69 | 1996 | Documentary (Short Subject) | Breathing Lessons: The Life and Work of Mark O'Brien |
69 | 1996 | Film Editing | The English Patient |
69 | 1996 | Foreign Language Film | Kolya |
69 | 1996 | Honorary Award | To Michael Kidd in recognition of his services to the art of the dance in the art of the screen. |
69 | 1996 | Irving G. Thalberg Memorial Award | Saul Zaentz |
69 | 1996 | John A. Bonner Medal of Commendation | To Burton "Bud" Stone in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
69 | 1996 | John A. Bonner Medal of Commendation | To Volker W. Bahnemann in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
69 | 1996 | Makeup | The Nutty Professor |
69 | 1996 | Music (Original Dramatic Score) | The English Patient |
69 | 1996 | Music (Original Musical or Comedy Score) | Emma |
69 | 1996 | Music (Original Song) | Evita |
69 | 1996 | Scientific and Technical Award (Academy Award of Merit) | To IMAX CORPORATION for the method of filming and exhibiting high-fidelity, large-format, wide-angle motion pictures. |
69 | 1996 | Scientific and Technical Award (Scientific and Engineering Award) | To JIM HOURIHAN for the primary design and development of the interactive language-based control of partical systems as embodied in the Dynamation software package. |
69 | 1996 | Scientific and Technical Award (Scientific and Engineering Award) | To JOHN SCHLAG, BRIAN KNEP, ZORAN KACIC-ALESIC and THOMAS WILLIAMS for the development of the Viewpaint 3D Paint System for film production work. |
69 | 1996 | Scientific and Technical Award (Scientific and Engineering Award) | To JONATHAN ERLAND and KAY BEVING ERLAND for the development of the Digital Series Traveling Matte Backing System used for composite photography in motion pictures. |
69 | 1996 | Scientific and Technical Award (Scientific and Engineering Award) | To WILLIAM REEVES for the original concept and the development of particle systems used to create computer generated visual effects in motion pictures. |
69 | 1996 | Scientific and Technical Award (Technical Achievement Award) | To BRIAN KNEP, CRAIG HAYES, RICK SAYRE and THOMAS WILLIAMS for the creation and development of the Direct Input Device. |
69 | 1996 | Scientific and Technical Award (Technical Achievement Award) | To GRANT LOUCKS for the concept and specifications of the Mark V Director's Viewfinder. |
69 | 1996 | Scientific and Technical Award (Technical Achievement Award) | To JAMES KAJIYA and TIMOTHY KAY for their pioneering work in producing computer generated fur and hair in motion pictures. |
69 | 1996 | Scientific and Technical Award (Technical Achievement Award) | To JEFFERY YOST, CHRISTIAN ROUET, DAVID BENSON and FLORIAN KAINZ for the development of a system to create and control computer generated fur and hair in motion pictures. |
69 | 1996 | Scientific and Technical Award (Technical Achievement Award) | To KEN PERLIN for the development of Perlin Noise, a technique used to produce natural appearing textures on computer generated surfaces for motion picture visual effects. |
69 | 1996 | Scientific and Technical Award (Technical Achievement Award) | To NESTOR BURTNYK and MARCELI WEIN of the National Research Council of Canada for their pioneering work in the development of software techniques for Computer Assisted Key Framing for Character Animation. |
69 | 1996 | Scientific and Technical Award (Technical Achievement Award) | To PERRY KIVOLOWITZ, for the primary design, and DR. GARTH A. DICKIE for the development of the algorithms, for the shape-driven warping and morphing subsystem of the Elastic Reality Special Effects System. |
69 | 1996 | Scientific and Technical Award (Technical Achievement Award) | To RICHARD A. PREY and WILLIAM N. MASTEN for the design and development of the Nite Sun II lighting crane and camera platform. |
69 | 1996 | Short Film (Animated) | Quest |
69 | 1996 | Short Film (Live Action) | Dear Diary |
69 | 1996 | Sound | The English Patient |
69 | 1996 | Sound Effects Editing | The Ghost and the Darkness |
69 | 1996 | Visual Effects | Independence Day |
69 | 1996 | Writing (Screenplay Based On Material Previously Produced or Published) | Sling Blade |
69 | 1996 | Writing (Screenplay Written Directly For The Screen) | Fargo |
70 | 1997 | Actor in a Leading Role | Jack Nicholson |
70 | 1997 | Actor in a Supporting Role | Robin Williams |
70 | 1997 | Actress in a Leading Role | Helen Hunt |
70 | 1997 | Actress in a Supporting Role | Kim Basinger |
70 | 1997 | Art Direction | Titanic |
70 | 1997 | Best Picture | Titanic |
70 | 1997 | Cinematography | Titanic |
70 | 1997 | Costume Design | Titanic |
70 | 1997 | Directing | Titanic |
70 | 1997 | Documentary (Feature) | The Long Way Home |
70 | 1997 | Documentary (Short Subject) | A Story of Healing |
70 | 1997 | Film Editing | Titanic |
70 | 1997 | Foreign Language Film | Character |
70 | 1997 | Gordon E. Sawyer Award | Don Iwerks |
70 | 1997 | Honorary Award | To Stanley Donen in appreciation of a body of work marked by grace, elegance, wit and visual innovation. |
70 | 1997 | John A. Bonner Medal of Commendation | To Pete Clark in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
70 | 1997 | Makeup | Men in Black |
70 | 1997 | Music (Original Dramatic Score) | Titanic |
70 | 1997 | Music (Original Musical or Comedy Score) | The Full Monty |
70 | 1997 | Music (Original Song) | Titanic |
70 | 1997 | Scientific and Technical Award (Academy Award of Merit) | To GUNNAR P. MICHELSON for the engineering and development of an improved, electronic, high-speed, precision light valve for use in motion picture printing machines. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To AL JENSEN, CHUCK HEADLEY, JEAN MESSNER and HAZEM NABULSI of CEI Technology for the production of a self-contained, flicker-free, Color Video-Assist Camera. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To CRAIG W. REYNOLDS for his pioneering contributions to the development of three-dimensional computer animation for motion picture production. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To DOMINIQUE BOISVERT, RÉJEAN GAGNÉ, DANIEL LANGLOIS and RICHARD LAPERRIERE for the development of the "Actor" animation component of the Softimage computer animation system. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To EBEN OSTBY, WILLIAM REEVES, SAMUEL J. LEFFLER and TOM DUFF for the development of the Marionette Three-Dimensional Computer Animation System. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To JOEL W. JOHNSON of the O'Connor Laboratories for the unique design improvement in fluid head counter-balancing techniques as used in their Model 2575. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To JOHN GIBSON, ROB KRIEGER, MILAN NOVACEK, GLEN OZYMOK and DAVE SPRINGER for the development of the geometric modeling component of the Alias PowerAnimator System. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To KIRK HANDLEY, RAY MELUCH, SCOTT ROBINSON, WILSON H. ALLEN and JOHN NEARY for the design, development and implementation of the Dolby CP500 Digital Cinema Processor. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To RICHARD SHOUP, ALVY RAY SMITH and THOMAS PORTER for their pioneering efforts in the development of digital paint systems used in motion picture production. |
70 | 1997 | Scientific and Technical Award (Scientific and Engineering Award) | To WILLIAM KOVACS for his creative leadership and ROY HALL for his principal engineering efforts that led to the Wavefront Advanced Visualizer computer graphics system. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To CLARK F. CRITES for the design and development of the Christie ELF 1-C Endless Loop Film Transport and Storage System. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To DAN LEIMETER and ROBERT WEITZ for the development and implementation of a Portable Adjustment Tool for T-Style Slit Lens Assemblies. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To GREG HERMANOVIC, KIM DAVIDSON, MARK ELENDT and PAUL H. BRESLIN for the development of the procedural modeling and animation components of the Prisms software package. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To JACK CASHIN, ROGER HIBBARD and LARRY JACOBSON for the design, development and implementation of a projection system analyzer. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To JAMES F. FOLEY, CHARLES E. CONVERSE and F. EDWARD GARDNER of UCISCO; and to ROBERT W. STOKER, JR. and MATT SWEENEY for the development and realization of Liquid Synthetic Air. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To JAMES J. KEATING, MICHAEL WAHRMAN and RICHARD HOLLANDER for their contributions that led to the Wavefront Advanced Visualizer computer graphics system. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To JAMES M. REILLY, DOUGLAS W. NISHIMURA and MONIQUE C. FISCHER of the Rochester Institute of Technology for the creation of A-D Strips, a diagnostic tool for the detection of the presence of vinegar syndrome in processed acetate-based motion picture film. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To JIM FRAZIER, for the design concept, and IAIN NEIL and RICK GELBARD for the further design and development of the Panavision/Frazier Lens System for motion picture photography. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To PHILIP C. CORY for the design and development of the Special Effects Spark Generator. |
70 | 1997 | Scientific and Technical Award (Technical Achievement Award) | To RICHARD CHUANG, GLENN ENTIS and CARL ROSENDAHL for the concept and architecture of the Pacific Data Images (PDI) Animation System. |
70 | 1997 | Short Film (Animated) | Geri's Game |
70 | 1997 | Short Film (Live Action) | Visas and Virtue |
70 | 1997 | Sound | Titanic |
70 | 1997 | Sound Effects Editing | Titanic |
70 | 1997 | Visual Effects | Titanic |
70 | 1997 | Writing (Screenplay Based On Material Previously Produced or Published) | L.A. Confidential |
70 | 1997 | Writing (Screenplay Written Directly For The Screen) | Good Will Hunting |
71 | 1998 | Actor in a Leading Role | Roberto Benigni |
71 | 1998 | Actor in a Supporting Role | James Coburn |
71 | 1998 | Actress in a Leading Role | Gwyneth Paltrow |
71 | 1998 | Actress in a Supporting Role | Judi Dench |
71 | 1998 | Art Direction | Shakespeare in Love |
71 | 1998 | Best Picture | Shakespeare in Love |
71 | 1998 | Cinematography | Saving Private Ryan |
71 | 1998 | Costume Design | Shakespeare in Love |
71 | 1998 | Directing | Saving Private Ryan |
71 | 1998 | Documentary (Feature) | The Last Days |
71 | 1998 | Documentary (Short Subject) | The Personals: Improvisations on Romance in the Golden Years |
71 | 1998 | Film Editing | Saving Private Ryan |
71 | 1998 | Foreign Language Film | Life Is Beautiful |
71 | 1998 | Honorary Award | To Elia Kazan in recognition of his indelible contributions to the art of motion picture direction. |
71 | 1998 | Irving G. Thalberg Memorial Award | Norman Jewison |
71 | 1998 | John A. Bonner Medal of Commendation | To David W. Gray in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
71 | 1998 | Makeup | Elizabeth |
71 | 1998 | Music (Original Dramatic Score) | Life Is Beautiful |
71 | 1998 | Music (Original Musical or Comedy Score) | Shakespeare in Love |
71 | 1998 | Music (Original Song) | The Prince of Egypt |
71 | 1998 | Scientific and Technical Award (Academy Award of Merit) | To AVID TECHNOLOGY, INC. for the concept, system design and engineering of the Avid Film Composer for motion picture editing. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To ARNOLD & RICHTER CINE TECHNIK and the CARL ZEISS COMPANY for the concept and optical design of the Carl Zeiss/Arriflex Variable Prime Lenses. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To ARNOLD & RICHTER CINE TECHNIK, and ARRI USA, INC. for the concept and engineering of the Arriflex 435 Camera System. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To COLIN MOSSMAN, HANS LEISINGER and GEORGE JOHN ROWLAND of Deluxe Laboratories for the concept and design of the Deluxe High Speed Spray Film Cleaner. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To DEREK C. LIGHTBODY of OpTex for the design and development of Aurasoft Luminaires. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. THOMAS G. STOCKHAM, JR. and ROBERT B. INGEBRETSEN for their pioneering work in the areas of waveform editing, crossfades and cut-and-paste techniques for digital audio editing. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To GARY TREGASKIS for the primary design; and to DOMINIQUE BOISVERT, PHILIPPE PANZINI and ANDRÉ LeBLANC for the development and implementation of the Flame and Inferno software. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To IAIN NEIL for the optical design; TAKUO MIYAGISHIMA for the mechanical design; and PANAVISION, INCORPORATED, for the concept and development of the Primo Series of spherical prime lenses for 35mm cinematography. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To JAMES A. MOORER for his pioneering work in the design of digital signal processing and its application to audio editing for film. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To MARK ROBERTS, RONAN CARROLL, ASSAFF RAWNER, PAUL BARTLETT and SIMON WAKLEY for the creation of the Milo Motion-Control Crane. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To MICHAEL SORENSEN and RICHARD ALEXANDER of Sorensen Designs International, and DONALD TRUMBULL for advancing the state-of-the-art of real-time motion-control, as exemplified in the Gazelle and Zebra camera dolly systems. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To ROBERT PREDOVICH, JOHN SCOTT, MOHAMED KEN T. HUSAIN and CAMERON SHEARER for the design and implementation of the Soundmaster Integrated Operations Nucleus operating environment. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To RONALD E. UHLIG, THOMAS F. POWERS and FRED M. FUSS of the Eastman Kodak Company for the design and development of KeyKode latent-image barcode key numbers. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To ROY B. FERENCE, STEVEN R. SCHMIDT, RICHARD J. FEDERICO, ROCKWELL YARID and MICHAEL E. McCRACKAN for the design and development of the Kodak Lightning Laser Recorder. |
71 | 1998 | Scientific and Technical Award (Scientific and Engineering Award) | To STEPHEN J. KAY of K-Tec Corporation for the design and development of the Shock Block. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To BARRY WALTON, BILL SCHULTZ, CHRIS BARKER and DAVID CORNELIUS of Sony Pictures Imageworks for the creation of an advanced motion-controlled, silent camera dolly. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To BRUCE WILTON and CARLOS ICINKOFF of Mechanical Concepts for their modular system of motion-control rotators and movers for use in motion-control. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To CARY PHILLIPS for the design and development of the "Caricature" Animation System at Industrial Light & Magic. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To DAVID DiFRANCESCO, BALA S. MANIAN and THOMAS L. NOGGLE for their pioneering efforts in the development of laser film recording technology. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To DR. A. TULSI RAM, RICHARD C. SEHLIN, DR. CARL F. HOLTZ and DAVID F. KOPPERL of the Eastman Kodak Company for the research and development of the concept of molecular sieves applied to improve the archival properties of processed photographic film. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To DR. DOUGLAS R. ROBLE for his contribution to tracking technology and for the design and implementation of the TRACK system for camera position calculation and scene reconstruction. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To DR. MITCHELL J. BOGDANOWICZ of the Eastman Kodak Company, and JIM MEYER and STAN MILLER of Rosco Laboratories, Inc. for the design of the CalColor Calibrated Color Effects Filters. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To ED ZWANEVELD and FREDERICK GASOI of the National Film Board of Canada, and MIKE LAZARIDIS and DALE BRUBACHER-CRESSMAN of Research in Motion for the design and development of the DigiSync Film KeyKode Reader. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To EDMUND M. DI GIULIO and JAMES BARTELL of Cinema Products for the design of the KeyKode Sync Reader. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To GARRETT BROWN and JERRY HOLWAY for the creation of the Skyman flying platform for Steadicam operators. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To IVAN KRUGLAK for his commitment to the development of a wireless transmission system for video-assisted images for the motion picture industry. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To IVAN KRUGLAK for his pioneering concept and the development of the Coherent Time Code Slate. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To JAMES RODNUNSKY, JAMES WEBBER and BOB WEBBER of Cablecam Systems, and TROU BAYLISS for the design and engineering of Cablecam. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To MANFRED N. KLEMME and DONALD E. WETZEL for the design and development of the K-Tek Microphone Boom Pole and accessories for on-set motion picture sound recording. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To MICHAEL MacKENZIE, MIKE BOLLES, UDO PAMPEL and JOSEPH FULMER of Industrial Light & Magic for their pioneering work in motion-controlled, silent camera dollies. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To MIKE DENECKE for refining and further developing electronic time code slates. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To NICK FOSTER for his software development in the field of water simulation systems. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To REMY SMITH for the software and electronic design and development; and JAMES K. BRANCH and NASIR J. ZAIDI for the design and development of the Spectra Professional IV-A digital exposure meter. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To TAKUO MIYAGISHIMA and ALBERT K. SAIKI of Panavision, Inc. for the design and development of the Eyepiece Leveler. |
71 | 1998 | Scientific and Technical Award (Technical Achievement Award) | To THADDEUS BEIER for the design and implementation of ras_track, a system for 2D tracking, stabilization, and 3D camera and object tracking. |
71 | 1998 | Short Film (Animated) | Bunny |
71 | 1998 | Short Film (Live Action) | Election Night (Valgaften) |
71 | 1998 | Sound | Saving Private Ryan |
71 | 1998 | Sound Effects Editing | Saving Private Ryan |
71 | 1998 | Visual Effects | What Dreams May Come |
71 | 1998 | Writing (Screenplay Based On Material Previously Produced or Published) | Gods and Monsters |
71 | 1998 | Writing (Screenplay Written Directly For The Screen) | Shakespeare in Love |
72 | 1999 | Actor in a Leading Role | Kevin Spacey |
72 | 1999 | Actor in a Supporting Role | Michael Caine |
72 | 1999 | Actress in a Leading Role | Hilary Swank |
72 | 1999 | Actress in a Supporting Role | Angelina Jolie |
72 | 1999 | Art Direction | Sleepy Hollow |
72 | 1999 | Award of Commendation | To FPC, Incorporated, under the leadership of Barry M. Stultz and Milton Jan Friedman, for the development and implementation of an environmentally responsible program to recycle or destroy discarded motion picture prints. |
72 | 1999 | Best Picture | American Beauty |
72 | 1999 | Cinematography | American Beauty |
72 | 1999 | Costume Design | Topsy-Turvy |
72 | 1999 | Directing | American Beauty |
72 | 1999 | Documentary (Feature) | One Day in September |
72 | 1999 | Documentary (Short Subject) | King Gimp |
72 | 1999 | Film Editing | The Matrix |
72 | 1999 | Foreign Language Film | All about My Mother |
72 | 1999 | Gordon E. Sawyer Award | Roderick T. Ryan |
72 | 1999 | Honorary Award | To Andrzej Wajda in recognition of five decades of extraordinary film direction. |
72 | 1999 | Irving G. Thalberg Memorial Award | Warren Beatty |
72 | 1999 | John A. Bonner Medal of Commendation | To Edmund M. Di Giulio in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
72 | 1999 | John A. Bonner Medal of Commendation | To Takuo Miyagishima in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
72 | 1999 | Makeup | Topsy-Turvy |
72 | 1999 | Music (Original Score) | The Red Violin |
72 | 1999 | Music (Original Song) | Tarzan |
72 | 1999 | Scientific and Technical Award (Scientific and Engineering Award) | To FRITZ GABRIEL BAUER for the concept, design and engineering of the Moviecam Superlight 35mm Motion Picture Camera. |
72 | 1999 | Scientific and Technical Award (Scientific and Engineering Award) | To HUW GWILYM, KARL LYNCH and MARK V. CRABTREE for the design and development of the AMS Neve Logic Digital Film Console for motion picture sound mixing. |
72 | 1999 | Scientific and Technical Award (Scientific and Engineering Award) | To IAIN NEIL for the optical design, RICK GELBARD for the mechanical design, and PANAVISION, INC. for the development of the Millennium Camera System viewfinder. |
72 | 1999 | Scientific and Technical Award (Scientific and Engineering Award) | To JAMES MOULTRIE for the mechanical design, and to MIKE SALTER and MARK CRAIG GERCHMAN for the optical design of the Cooke S4 Range of Fixed Focal Length Lenses for 35mm motion picture photography. |
72 | 1999 | Scientific and Technical Award (Scientific and Engineering Award) | To L. RON SCHMIDT for the concept, design and engineering of the Linear Loop Film Projectors. |
72 | 1999 | Scientific and Technical Award (Scientific and Engineering Award) | To MARLOWE A. PICHEL for development of the process for manufacturing Electro-formed Metal Reflectors which, when combined with the DC Short Arc Xenon Lamp, became the worldwide standard for motion picture projection systems. |
72 | 1999 | Scientific and Technical Award (Scientific and Engineering Award) | To NAT TIFFEN of Tiffen Manufacturing Corporation for the production of high-quality, durable, laminated color filters for motion picture photography. |
72 | 1999 | Scientific and Technical Award (Scientific and Engineering Award) | To NICK PHILLIPS for the design and development of the three-axis Libra III remote control camera head. |
72 | 1999 | Scientific and Technical Award (Technical Achievement Award) | To HOYT H. YEATMAN, JR. of Dream Quest Images and JOHN C. BREWER of the Eastman Kodak Company for the identification and diagnosis leading to the elimination of the "red fringe" artifact in traveling matte composite photography. |
72 | 1999 | Scientific and Technical Award (Technical Achievement Award) | To LESLIE DREVER for the design and development of the Light Wave microphone windscreens and isolation mounts from Light Wave Systems. |
72 | 1999 | Scientific and Technical Award (Technical Achievement Award) | To RICHARD C. SEHLIN for the concept, and DR. MITCHELL J. BOGDANOWICZ and MARY L. SCHMOEGER of the Eastman Kodak Company for the design and development of the Eastman Lamphouse Modification Filters. |
72 | 1999 | Scientific and Technical Award (Technical Achievement Award) | To VIVIENNE DYER and CHRIS WOOLF for the design and development of the Rycote Microphone Windshield Modular System. |
72 | 1999 | Short Film (Animated) | The Old Man and the Sea |
72 | 1999 | Short Film (Live Action) | My Mother Dreams the Satan's Disciples in New York |
72 | 1999 | Sound | The Matrix |
72 | 1999 | Sound Effects Editing | The Matrix |
72 | 1999 | Visual Effects | The Matrix |
72 | 1999 | Writing (Screenplay Based On Material Previously Produced or Published) | The Cider House Rules |
72 | 1999 | Writing (Screenplay Written Directly For The Screen) | American Beauty |
73 | 2000 | Actor in a Leading Role | Russell Crowe |
73 | 2000 | Actor in a Supporting Role | Benicio Del Toro |
73 | 2000 | Actress in a Leading Role | Julia Roberts |
73 | 2000 | Actress in a Supporting Role | Marcia Gay Harden |
73 | 2000 | Art Direction | Crouching Tiger, Hidden Dragon |
73 | 2000 | Award of Commendation | To Ioan Allen for the concept, Robin Bransbury for the design and Mark Harrah for the implementation of the Trailer Audio Standards Association (TASA) Loudness Standard. |
73 | 2000 | Best Picture | Gladiator |
73 | 2000 | Cinematography | Crouching Tiger, Hidden Dragon |
73 | 2000 | Costume Design | Gladiator |
73 | 2000 | Directing | Traffic |
73 | 2000 | Documentary (Feature) | Into the Arms of Strangers: Stories of the Kindertransport |
73 | 2000 | Documentary (Short Subject) | Big Mama |
73 | 2000 | Film Editing | Traffic |
73 | 2000 | Foreign Language Film | Crouching Tiger, Hidden Dragon |
73 | 2000 | Gordon E. Sawyer Award | Irwin W. Young |
73 | 2000 | Honorary Award | To Ernest Lehman, in appreciation of a body of varied and enduring work. |
73 | 2000 | Honorary Award | To Jack Cardiff, master of light and color. |
73 | 2000 | Irving G. Thalberg Memorial Award | Dino De Laurentiis |
73 | 2000 | John A. Bonner Medal of Commendation | To N. Paul Kenworthy, Jr. in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
73 | 2000 | Makeup | Dr. Seuss' How the Grinch Stole Christmas |
73 | 2000 | Music (Original Score) | Crouching Tiger, Hidden Dragon |
73 | 2000 | Music (Original Song) | Wonder Boys |
73 | 2000 | Scientific and Technical Award (Academy Award of Merit) | To ROB COOK, LOREN CARPENTER and ED CATMULL for their significant advancements to the field of motion picture rendering as exemplified in Pixar's "Renderman." |
73 | 2000 | Scientific and Technical Award (Scientific and Engineering Award) | To ADVANCED DIGITAL SYSTEMS GROUP (ADSG) for the design and development of the Sony DADR 5000 digital audio dubber specifically designed for the motion picture industry. |
73 | 2000 | Scientific and Technical Award (Scientific and Engineering Award) | To AKAI DIGITAL for the design and development of the DD8plus digital audio dubber specifically designed for the motion picture industry. |
73 | 2000 | Scientific and Technical Award (Scientific and Engineering Award) | To AL MAYER, SR. and AL MAYER, JR., for the mechanical design, IAIN NEIL for the optical design and BRIAN DANG for the electronic design of the Panavision Millennium XL Camera System. |
73 | 2000 | Scientific and Technical Award (Scientific and Engineering Award) | To ALVAH J. MILLER and PAUL JOHNSON of Lynx Robotics for the electronic and software design of the Lynx C-50 Camera Motor System. |
73 | 2000 | Scientific and Technical Award (Scientific and Engineering Award) | To FAIRLIGHT for the design and development of the DAD digital audio dubber specifically designed for the motion picture industry. |
73 | 2000 | Scientific and Technical Award (Scientific and Engineering Award) | To JOE WARY, GERALD PAINTER and COLIN F. MOSSMAN for the design and development of the Deluxe Laboratories Multi Roller Film Transport System. |
73 | 2000 | Scientific and Technical Award (Scientific and Engineering Award) | To TIMELINE, INCORPORATED for the design and development of the MMR 8 digital audio dubber specifically designed for the motion picture industry. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To BILL TONDREAU of Kuper Systems, ALVAH J. MILLER and PAUL JOHNSON of Lynx Robotics, and DAVID STUMP of Visual Effects Rental Services for the conception, design and development of data capture systems that enable superior accuracy, efficiency and economy in the creation of composite imagery. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To GEORGE BORSHUKOV, KIM LIBRERI and DAN PIPONI for the development of a system for image-based rendering allowing choreographed camera movements through computer graphic reconstructed sets. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To GLENN M. BERGGREN for the concept, HORST LINGE for research and development, and WOLFGANG REINECKE for the optical design of the ISCO Ultra-Star Plus lenses for motion picture projection. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To JOHN P. PYTLAK for the development of the Laboratory Aim Density (LAD) system. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To LEONARD PINCUS, ASHOT NALBANDYAN, GEORGE JOHNSON, THOMAS KONG and DAVID PRINGLE for the design and development of the SoftSun low pressure xenon long-arc light sources, their power supplies and fixtures. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To PHILIP GREENSTREET of Rosco Laboratories for the concept and development of the Roscolight Day/Night Backdrop. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To UDO SCHAUSS, HILDEGARD EBBESMEIER and KARL LENHARDT for the optical design, and RALF LINN and NORBERT BRINKER for the mechanical design of the Schneider Super Cinelux lenses for motion picture projection. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To VENKAT KRISHNAMURTHY for the creation of the Paraform Software for 3D Digital Form Development. |
73 | 2000 | Scientific and Technical Award (Technical Achievement Award) | To VIC ARMSTRONG for the refinement and application to the film industry of the Fan Descender for accurately and safely arresting the descent of stunt persons in high freefalls. |
73 | 2000 | Short Film (Animated) | Father and Daughter |
73 | 2000 | Short Film (Live Action) | Quiero Ser (I want to be...) |
73 | 2000 | Sound | Gladiator |
73 | 2000 | Sound Editing | U-571 |
73 | 2000 | Visual Effects | Gladiator |
73 | 2000 | Writing (Screenplay Based On Material Previously Produced or Published) | Traffic |
73 | 2000 | Writing (Screenplay Written Directly For The Screen) | Almost Famous |
74 | 2001 | Actor in a Leading Role | Denzel Washington |
74 | 2001 | Actor in a Supporting Role | Jim Broadbent |
74 | 2001 | Actress in a Leading Role | Halle Berry |
74 | 2001 | Actress in a Supporting Role | Jennifer Connelly |
74 | 2001 | Animated Feature Film | Shrek |
74 | 2001 | Art Direction | Moulin Rouge |
74 | 2001 | Award of Commendation | To Rune Ericson for his pioneering development and 30 years of dedication to the Super 16mm format for motion pictures. |
74 | 2001 | Award of Commendation | To the American Society of Cinematographers (ASC) for the continued publication of the "American Cinematographer Manual." |
74 | 2001 | Best Picture | A Beautiful Mind |
74 | 2001 | Cinematography | The Lord of the Rings: The Fellowship of the Ring |
74 | 2001 | Costume Design | Moulin Rouge |
74 | 2001 | Directing | A Beautiful Mind |
74 | 2001 | Documentary (Feature) | Murder on a Sunday Morning |
74 | 2001 | Documentary (Short Subject) | Thoth |
74 | 2001 | Film Editing | Black Hawk Down |
74 | 2001 | Foreign Language Film | No Man's Land |
74 | 2001 | Gordon E. Sawyer Award | Edmund M. Di Giulio |
74 | 2001 | Honorary Award | To Robert Redford: Actor, director, producer, creator of Sundance, inspiration to independent and innovative filmmakers everywhere. |
74 | 2001 | Honorary Award | To Sidney Poitier in recognition of his remarkable accomplishments as an artist and as a human being. |
74 | 2001 | Jean Hersholt Humanitarian Award | Arthur Hiller |
74 | 2001 | John A. Bonner Medal of Commendation | To Ray Feeney in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
74 | 2001 | Makeup | The Lord of the Rings: The Fellowship of the Ring |
74 | 2001 | Music (Original Score) | The Lord of the Rings: The Fellowship of the Ring |
74 | 2001 | Music (Original Song) | Monsters, Inc. |
74 | 2001 | Scientific and Technical Award (Scientific and Engineering Award) | To FRANZ KRAUS, JOHANNES STEURER and WOLFGANG RIEDEL for the design and development of the ARRILASER Film Recorder. |
74 | 2001 | Scientific and Technical Award (Scientific and Engineering Award) | To IAIN NEIL for the concept and optical design and AL SAIKI for the mechanical design of the Panavision Primo Macro Zoom Lens (PMZ). |
74 | 2001 | Scientific and Technical Award (Scientific and Engineering Award) | To JOHN M. EARGLE, D.B. "DON" KEELE and MARK E. ENGEBRETSON for the concept, design and engineering of the modern constant-directivity, direct radiator style motion picture loudspeaker systems. |
74 | 2001 | Scientific and Technical Award (Scientific and Engineering Award) | To MAKOTO TSUKADA, SHOJI KANEKO and the TECHNICAL STAFF OF IMAGICA CORPORATION, and DAIJIRO FUJIE of Nikon Corporation for the engineering excellence and the impact on the motion picture industry of the Imagica 65/35 Multi-Format Optical Printer. |
74 | 2001 | Scientific and Technical Award (Scientific and Engineering Award) | To PAUL J. CONSTANTINE and PETER M. CONSTANTINE for the design and development of the CELCO Digital Film Recorder products. |
74 | 2001 | Scientific and Technical Award (Scientific and Engineering Award) | To PETER KURAN for the invention, and SEAN COUGHLIN, JOSEPH A. OLIVIER and WILLIAM CONNER for the engineering and development of the RCI-Color Film Restoration Process. |
74 | 2001 | Scientific and Technical Award (Scientific and Engineering Award) | To STEVEN GERLACH, GREGORY FARRELL and CHRISTIAN LURIN for the design, engineering and implementation of the Kodak Panchromatic Sound Recording Film. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To BERNARD M. WERNER and WILLIAM GELOW for the engineering and design of filtered line arrays and screen speading compensation as applied to motion picture loudspeaker systems. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To BILL SPITZAK, PAUL VAN CAMP, JONATHAN EGSTAD and PRICE PETHEL for their pioneering effort on the NUKE-2D Compositing Software. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To CARL LUDWIG and JOHN M. CONSTANTINE, JR. for their contributions to CELCO Digital Film Recorder products. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To DR. GARLAND STERN for the concept and implementation of the Cel Paint Software System. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To DR. LANCE J. WILLIAMS for his pioneering influence in the field of computer-generated animation and effects for motion pictures. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To DR. UWE SASSENBERG and ROLF SCHNEIDER for the development of "3D Equalizer," an advanced and robust camera and object match-moving system. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To GEOFF JACKSON and ROGER WOODBURN for their DMS 120S Camera Motor. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To JOHN R. ANDERSON, JIM HOURIHAN, CARY PHILLIPS and SEBASTIAN MARINO for the development of the ILM Creature Dynamics System. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To JORDAN KLEIN for his pioneering efforts in the development and application of underwater camera housings for motion pictures. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To MIC RODGERS and MATT SWEENEY for the concept, design and realization of the "Mic Rig." |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To PETE ROMANO for the design and development of the Remote AquaCam, an underwater camera housing system for use in motion pictures. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To STEVE SULLIVAN and ERIC R.L. SCHAFER for the development of the ILM Motion and Structure Recovery System (MARS). |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To THOMAS MAJOR BARRON for the overall concept and design; CHAS SMITH for the structural engineering; and GORDON SEITZ for the mechanical engineering of the Bulldog Motion Control Camera Crane. |
74 | 2001 | Scientific and Technical Award (Technical Achievement Award) | To TOMLINSON HOLMAN for the research and systems integration resulting in the improvement of motion picture loudspeaker systems. |
74 | 2001 | Short Film (Animated) | For the Birds |
74 | 2001 | Short Film (Live Action) | the accountant |
74 | 2001 | Sound | Black Hawk Down |
74 | 2001 | Sound Editing | Pearl Harbor |
74 | 2001 | Visual Effects | The Lord of the Rings: The Fellowship of the Ring |
74 | 2001 | Writing (Screenplay Based On Material Previously Produced or Published) | A Beautiful Mind |
74 | 2001 | Writing (Screenplay Written Directly For The Screen) | Gosford Park |
75 | 2002 | Actor in a Leading Role | Adrien Brody |
75 | 2002 | Actor in a Supporting Role | Chris Cooper |
75 | 2002 | Actress in a Leading Role | Nicole Kidman |
75 | 2002 | Actress in a Supporting Role | Catherine Zeta-Jones |
75 | 2002 | Animated Feature Film | Spirited Away |
75 | 2002 | Art Direction | Chicago |
75 | 2002 | Best Picture | Chicago |
75 | 2002 | Cinematography | Road to Perdition |
75 | 2002 | Costume Design | Chicago |
75 | 2002 | Directing | The Pianist |
75 | 2002 | Documentary (Feature) | Bowling for Columbine |
75 | 2002 | Documentary (Short Subject) | Twin Towers |
75 | 2002 | Film Editing | Chicago |
75 | 2002 | Foreign Language Film | Nowhere in Africa |
75 | 2002 | Honorary Award | To Peter O'Toole, whose remarkable talents have provided cinema history with some of its most memorable characters. |
75 | 2002 | John A. Bonner Medal of Commendation | To Curt R. Behlmer in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
75 | 2002 | John A. Bonner Medal of Commendation | To Richard B. Glickman in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
75 | 2002 | Makeup | Frida |
75 | 2002 | Music (Original Score) | Frida |
75 | 2002 | Music (Original Song) | 8 Mile |
75 | 2002 | Scientific and Technical Award (Academy Award of Merit) | To ALIAS/WAVEFRONT for the development of a 3D animation, dynamics, modeling and rendering production tool known as Maya. |
75 | 2002 | Scientific and Technical Award (Academy Award of Merit) | To ARNOLD & RICHTER CINE TECHNIK and PANAVISION INC., for their continuing development and innovation in the design and manufacturing of advanced camera systems specifically designed for the motion picture entertainment industry. |
75 | 2002 | Scientific and Technical Award (Scientific and Engineering Award) | To DEDO WEIGERT for the concept, DR. DEPU JIN for the optical calculations, and FRANZ PETTERS for the mechanical construction of the Dedolight 400D. |
75 | 2002 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. LESLIE GUTIERREZ, DIANE E. KESTNER, JAMES MERRILL and DAVID NIKLEWICZ for the design and development of the Kodak Vision Premier Color Print Film, 2393. |
75 | 2002 | Scientific and Technical Award (Scientific and Engineering Award) | To GLENN SANDERS and HOWARD STARK of Zaxcom for the concept, design and engineering of the portable Deva Digital Audio Disk Recorder. |
75 | 2002 | Scientific and Technical Award (Scientific and Engineering Award) | To MARK ELENDT, PAUL H. BRESLIN, GREG HERMANOVIC and KIM DAVIDSON for their continued development of the procedural modeling and animation components of their Prisms program, as exemplified in the Houdini software package. |
75 | 2002 | Scientific and Technical Award (Technical Achievement Award) | To DICK WALSH for the development of the PDI/DreamWorks Facial Animation System. |
75 | 2002 | Scientific and Technical Award (Technical Achievement Award) | To ERIC DANIELS, GEORGE KATANICS, TASSO LAPPAS and CHRIS SPRINGFIELD for the development of the Deep Canvas rendering software. |
75 | 2002 | Scientific and Technical Award (Technical Achievement Award) | To JIM SONGER for his contributions to the technical development of video-assist in the motion picture industry. |
75 | 2002 | Scientific and Technical Award (Technical Achievement Award) | To PIERRE CHABERT of Airstar for the introduction of balloons with internal light sources to provide set lighting for the motion picture industry. |
75 | 2002 | Scientific and Technical Award (Technical Achievement Award) | To RAWDON HAYNE and ROBERT W. JEFFS of Leelium Tubelites for their contributions to the development of internally lit balloons for motion picture lighting. |
75 | 2002 | Scientific and Technical Award (Technical Achievement Award) | To THOMAS DRIEMEYER and to the TEAM OF MATHEMATICIANS, PHYSICISTS AND SOFTWARE ENGINEERS OF MENTAL IMAGES for their contributions to the Mental Ray rendering software for motion pictures. |
75 | 2002 | Short Film (Animated) | The ChubbChubbs! |
75 | 2002 | Short Film (Live Action) | This Charming Man (Der Er En Yndig Mand) |
75 | 2002 | Sound | Chicago |
75 | 2002 | Sound Editing | The Lord of the Rings: The Two Towers |
75 | 2002 | Visual Effects | The Lord of the Rings: The Two Towers |
75 | 2002 | Writing (Adapted Screenplay) | The Pianist |
75 | 2002 | Writing (Original Screenplay) | Talk to Her |
76 | 2003 | Actor in a Leading Role | Sean Penn |
76 | 2003 | Actor in a Supporting Role | Tim Robbins |
76 | 2003 | Actress in a Leading Role | Charlize Theron |
76 | 2003 | Actress in a Supporting Role | Renée Zellweger |
76 | 2003 | Animated Feature Film | Finding Nemo |
76 | 2003 | Art Direction | The Lord of the Rings: The Return of the King |
76 | 2003 | Best Picture | The Lord of the Rings: The Return of the King |
76 | 2003 | Cinematography | Master and Commander: The Far Side of the World |
76 | 2003 | Costume Design | The Lord of the Rings: The Return of the King |
76 | 2003 | Directing | The Lord of the Rings: The Return of the King |
76 | 2003 | Documentary (Feature) | The Fog of War |
76 | 2003 | Documentary (Short Subject) | Chernobyl Heart |
76 | 2003 | Film Editing | The Lord of the Rings: The Return of the King |
76 | 2003 | Foreign Language Film | The Barbarian Invasions |
76 | 2003 | Gordon E. Sawyer Award | Peter D. Parks |
76 | 2003 | Honorary Award | To Blake Edwards in recognition of his writing, directing and producing an extraordinary body of work for the screen. |
76 | 2003 | John A. Bonner Medal of Commendation | To Douglas Greenfield in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
76 | 2003 | Makeup | The Lord of the Rings: The Return of the King |
76 | 2003 | Music (Original Score) | The Lord of the Rings: The Return of the King |
76 | 2003 | Music (Original Song) | The Lord of the Rings: The Return of the King |
76 | 2003 | Scientific and Technical Award (Academy Award of Merit) | To BILL TONDREAU of Kuper Controls for his significant advancements in the field of motion control technology for motion picture visual effects. |
76 | 2003 | Scientific and Technical Award (Academy Award of Merit) | To DIGIDESIGN for the design, development and implementation of the Pro Tools® digital audio workstation. |
76 | 2003 | Scientific and Technical Award (Scientific and Engineering Award) | To CHRISTOPHER ALFRED, ANDREW J. CANNON, MICHAEL C. CARLOS, MARK CRABTREE, CHUCK GRINDSTAFF and JOHN MELANSON for their significant contributions to the evolution of digital audio editing for motion picture post production. |
76 | 2003 | Scientific and Technical Award (Scientific and Engineering Award) | To KENNETH L. TINGLER, CHARLES C. ANDERSON, DIANE E. KESTNER and BRIAN A. SCHELL of the Eastman Kodak Company for the successful development of a process-surviving antistatic layer technology for motion picture film. |
76 | 2003 | Scientific and Technical Award (Scientific and Engineering Award) | To KINOTON GmbH for the engineering and development of the Kinoton FP 30/38 EC II Studio Projector. |
76 | 2003 | Scientific and Technical Award (Scientific and Engineering Award) | To STEPHEN REGELOUS for the design and development of Massive, the autonomous agent animation system used for the battle sequences in "The Lord of the Rings" trilogy. |
76 | 2003 | Scientific and Technical Award (Technical Achievement Award) | To CHRISTOPHE HERY, KEN McGAUGH and JOE LETTERI for their groundbreaking implementations of practical methods for rendering skin and other translucent materials using subsurface scattering techniques. |
76 | 2003 | Scientific and Technical Award (Technical Achievement Award) | To HENRIK WANN JENSEN, STEPHEN R. MARSCHNER and PAT HANRAHAN for their pioneering research in simulating subsurface scattering of light in translucent materials as presented in their paper "A Practical Model for Subsurface Light Transport." |
76 | 2003 | Scientific and Technical Award (Technical Achievement Award) | To KISH SADHVANI for the concept and optical design, PAUL DUCLOS for the practical realization and production engineering and CARL PERNICONE for the mechanical design and engineering of the portable cine viewfinder system known as the Ultimate Director's Finder (UDF). |
76 | 2003 | Short Film (Animated) | Harvie Krumpet |
76 | 2003 | Short Film (Live Action) | Two Soldiers |
76 | 2003 | Sound Editing | Master and Commander: The Far Side of the World |
76 | 2003 | Sound Mixing | The Lord of the Rings: The Return of the King |
76 | 2003 | Visual Effects | The Lord of the Rings: The Return of the King |
76 | 2003 | Writing (Adapted Screenplay) | The Lord of the Rings: The Return of the King |
76 | 2003 | Writing (Original Screenplay) | Lost in Translation |
77 | 2004 | Actor in a Leading Role | Jamie Foxx |
77 | 2004 | Actor in a Supporting Role | Morgan Freeman |
77 | 2004 | Actress in a Leading Role | Hilary Swank |
77 | 2004 | Actress in a Supporting Role | Cate Blanchett |
77 | 2004 | Animated Feature Film | The Incredibles |
77 | 2004 | Art Direction | The Aviator |
77 | 2004 | Award of Commendation | To Arthur Widmer for his lifetime of achievement in the science and technology of image compositing for motion pictures as exemplified by his significant contributions to the development of the Ultra Violet and the "bluescreen" compositing processes. |
77 | 2004 | Best Picture | Million Dollar Baby |
77 | 2004 | Cinematography | The Aviator |
77 | 2004 | Costume Design | The Aviator |
77 | 2004 | Directing | Million Dollar Baby |
77 | 2004 | Documentary (Feature) | Born into Brothels |
77 | 2004 | Documentary (Short Subject) | Mighty Times: The Children's March |
77 | 2004 | Film Editing | The Aviator |
77 | 2004 | Foreign Language Film | The Sea Inside |
77 | 2004 | Gordon E. Sawyer Award | Takuo Miyagishima |
77 | 2004 | Honorary Award | To Sidney Lumet in recognition of his brilliant services to screenwriters, performers and the art of the motion picture. |
77 | 2004 | Jean Hersholt Humanitarian Award | Roger Mayer |
77 | 2004 | Makeup | Lemony Snicket's A Series of Unfortunate Events |
77 | 2004 | Music (Original Score) | Finding Neverland |
77 | 2004 | Music (Original Song) | The Motorcycle Diaries |
77 | 2004 | Scientific and Technical Award (Academy Award of Merit) | To HORST BURBULLA for the invention and continuing development of the Technocrane telescoping camera crane. |
77 | 2004 | Scientific and Technical Award (Academy Award of Merit) | To JEAN-MARIE LAVALOU, ALAIN MASSERON and DAVID SAMUELSON for the engineering and development of the Louma Camera Crane and remote system for motion picture production. |
77 | 2004 | Scientific and Technical Award (Scientific and Engineering Award) | To GYULA MESTER (electronic systems design) and KEITH EDWARDS (mechanical engineering) for their significant contributions to and continuing development of the Technocrane telescoping camera crane. |
77 | 2004 | Scientific and Technical Award (Scientific and Engineering Award) | To LINDSAY ARNOLD, GUY GRIFFITHS, DAVID HODSON, CHARLIE LAWRENCE and DAVID MANN for their development of the Cineon Digital Film Workstation. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To ALAN KAPLER for the design and development of "Storm," a software toolkit for artistic control of volumetric effects. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To DR. CHRISTOPHER HICKS and DAVE BETTS for the design and implementation of the Cedar DNS 1000 multi-band digital noise suppressor. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To DR. JOHN O.B. GREAVES, NED PHIPPS, ANTONIE J. VAN DEN BOGERT and WILLIAM HAYES for the development of the Motion Analysis motion capture technology. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To DR. JULIAN MORRIS, MICHAEL BIRCH, DR. PAUL SMYTH and PAUL TATE for the development of the Vicon motion capture technology. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To DR. NELS MADSEN, VAUGHN CATO, MATTHEW MADDEN and BILL LORTON for the development of the Giant Studios motion capture technology. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To GREG CANNOM and WESLEY WOFFORD for the development of their special modified silicone material for makeup appliances used in motion pictures. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To JERRY COTTS for the original concept and design and ANTHONY SEAMAN for the engineering of the Satellight-X HMI Softlight. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To NELSON TYLER for the development of the Tyler Gyroplatform boat mount stabilizing device for motion picture photography. |
77 | 2004 | Scientific and Technical Award (Technical Achievement Award) | To STEVEN E. BOZE for the design and implementation of the DNF 001 multi-band digital audio noise suppressor. |
77 | 2004 | Short Film (Animated) | Ryan |
77 | 2004 | Short Film (Live Action) | Wasp |
77 | 2004 | Sound Editing | The Incredibles |
77 | 2004 | Sound Mixing | Ray |
77 | 2004 | Visual Effects | Spider-Man 2 |
77 | 2004 | Writing (Adapted Screenplay) | Sideways |
77 | 2004 | Writing (Original Screenplay) | Eternal Sunshine of the Spotless Mind |
78 | 2005 | Actor in a Leading Role | Philip Seymour Hoffman |
78 | 2005 | Actor in a Supporting Role | George Clooney |
78 | 2005 | Actress in a Leading Role | Reese Witherspoon |
78 | 2005 | Actress in a Supporting Role | Rachel Weisz |
78 | 2005 | Animated Feature Film | Wallace & Gromit in The Curse of the Were-Rabbit |
78 | 2005 | Art Direction | Memoirs of a Geisha |
78 | 2005 | Best Picture | Crash |
78 | 2005 | Cinematography | Memoirs of a Geisha |
78 | 2005 | Costume Design | Memoirs of a Geisha |
78 | 2005 | Directing | Brokeback Mountain |
78 | 2005 | Documentary (Feature) | March of the Penguins |
78 | 2005 | Documentary (Short Subject) | A Note of Triumph: The Golden Age of Norman Corwin |
78 | 2005 | Film Editing | Crash |
78 | 2005 | Foreign Language Film | Tsotsi |
78 | 2005 | Gordon E. Sawyer Award | Gary Demos |
78 | 2005 | Honorary Award | To Robert Altman in recognition of a career that has repeatedly reinvented the art form and inspired filmmakers and audiences alike. |
78 | 2005 | John A. Bonner Medal of Commendation | To Don Hall in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
78 | 2005 | Makeup | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
78 | 2005 | Music (Original Score) | Brokeback Mountain |
78 | 2005 | Music (Original Song) | Hustle & Flow |
78 | 2005 | Scientific and Technical Award (Scientific and Engineering Award) | To ANATOLIY KOKUSH for the concept and development of the Cascade series of motion picture cranes. |
78 | 2005 | Scientific and Technical Award (Scientific and Engineering Award) | To ANATOLIY KOKUSH, YURIY POPOVSKY and OLEKSIY ZOLOTAROV for the concept and development of the Russian Arm gyro-stabilized camera crane and the Flight Head. |
78 | 2005 | Scientific and Technical Award (Scientific and Engineering Award) | To DAVID BARAFF, MICHAEL KASS and ANDREW WITKIN for their pioneering work in physically-based computer-generated techniques used to simulate realistic cloth in motion pictures. |
78 | 2005 | Scientific and Technical Award (Scientific and Engineering Award) | To DAVID GROBER for the concept and mechanical design and SCOTT LEWALLEN for the electronic and software design of the Perfect Horizon camera stabilization head. |
78 | 2005 | Scientific and Technical Award (Scientific and Engineering Award) | To GARRETT BROWN for the original concept of the Skycam flying camera system -- the first use of 3-D volumetric cable technology for motion picture cinematography. |
78 | 2005 | Scientific and Technical Award (Scientific and Engineering Award) | To LAURIE FROST, PETER HANNAN and RICHARD LONCRAINE for the development of the remote camera head known as the Hot-Head. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To ALVAH MILLER, MICHAEL SORENSEN and J. WALT ADAMCZYK for the design and development of the Aerohead motion control camera head and the J-Viz Pre-Visualization system. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To ED CATMULL, for the original concept, and TONY DeROSE and JOS STAM for their scientific and practical implementation of subdivision surfaces as a modeling technique in motion picture production. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To FRANK FLETCHER and DAVE SHERWIN for the introduction and continuing development of the Power Pod modular camera head system. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To GARY THIELTGES for the design and development of the remotely-operated, lightweight camera head known as the Sparrow Head. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To HAROLD RATTRAY, TERRY CLABORN, STEVE GARLICK, BILL HOGUE and TIM REYNOLDS for the design, engineering and implementation of the Technicolor Real Time Answer Print System. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To JAMES RODNUNSKY, ALEX MacDONALD and MARK CHAPMAN for the development of the Cablecam 3-D volumetric suspended cable camera technologies. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To JOHN PLATT and DEMETRI TERZOPOULOS for their pioneering work in physically-based computer-generated techniques used to simulate realistic cloth in motion pictures. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To LEV YEVSTRATOV, GEORGE PETERS and VASILIY ORLOV for the development of the Ultimate Arm Camera Crane System for specialized vehicle photography. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To SCOTT LEVA for the design and development of the Precision Stunt Airbag for motion picture stunt falls. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To TIM DRNEC, BEN BRITTEN SMITH and MATT DAVIS for the development of the Spydercam 3-D volumetric suspended cable camera technologies. |
78 | 2005 | Scientific and Technical Award (Technical Achievement Award) | To UDO SCHAUSS and HILDEGARD EBBESMEIER for the optical design and NICOLE WEMKEN and MICHAEL ANDERER for the mechanical design of the Cinelux Premiere Cinema Projection Lenses. |
78 | 2005 | Short Film (Animated) | The Moon and the Son: An Imagined Conversation |
78 | 2005 | Short Film (Live Action) | Six Shooter |
78 | 2005 | Sound Editing | King Kong |
78 | 2005 | Sound Mixing | King Kong |
78 | 2005 | Visual Effects | King Kong |
78 | 2005 | Writing (Adapted Screenplay) | Brokeback Mountain |
78 | 2005 | Writing (Original Screenplay) | Crash |
79 | 2006 | Actor in a Leading Role | Forest Whitaker |
79 | 2006 | Actor in a Supporting Role | Alan Arkin |
79 | 2006 | Actress in a Leading Role | Helen Mirren |
79 | 2006 | Actress in a Supporting Role | Jennifer Hudson |
79 | 2006 | Animated Feature Film | Happy Feet |
79 | 2006 | Art Direction | Pan's Labyrinth |
79 | 2006 | Award of Commendation | To Ioan Allen, J. Wayne Anderson, Mary Ann Anderson, Ted Costas, Paul R. Goldberg, Shawn Jones, Thomas Kuhn, Dr. Alan Masson, Colin Mossman, Martin Richards, Frank Ricotta and Richard C. Sehlin for their contributions to the environmentally responsible industry conversion from silver-based to cyan dye analog soundtracks. |
79 | 2006 | Best Picture | The Departed |
79 | 2006 | Cinematography | Pan's Labyrinth |
79 | 2006 | Costume Design | Marie Antoinette |
79 | 2006 | Directing | The Departed |
79 | 2006 | Documentary (Feature) | An Inconvenient Truth |
79 | 2006 | Documentary (Short Subject) | The Blood of Yingzhou District |
79 | 2006 | Film Editing | The Departed |
79 | 2006 | Foreign Language Film | The Lives of Others |
79 | 2006 | Gordon E. Sawyer Award | Ray Feeney |
79 | 2006 | Honorary Award | To Ennio Morricone in recognition of his magnificent and multifaceted contributions to the art of film music. |
79 | 2006 | Jean Hersholt Humanitarian Award | Sherry Lansing |
79 | 2006 | John A. Bonner Medal of Commendation | To Richard Edlund in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
79 | 2006 | Makeup | Pan's Labyrinth |
79 | 2006 | Music (Original Score) | Babel |
79 | 2006 | Music (Original Song) | An Inconvenient Truth |
79 | 2006 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. BILL COLLIS, SIMON ROBINSON, BEN KENT and DR. ANIL KOKARAM for the design and development of the Furnace integrated suite of software tools that robustly utilizes temporal coherence for enhancing visual effects in motion picture sequences. |
79 | 2006 | Scientific and Technical Award (Scientific and Engineering Award) | To HOWARD PRESTON and MIRKO KOVACEVIC for the design and engineering of the Preston Cinema Systems FI+Z wireless remote system. |
79 | 2006 | Scientific and Technical Award (Scientific and Engineering Award) | To PHILLIP J. FEINER, JIM HOUSTON, DENIS LECONTE and CHRIS BUSHMAN of Pacific Title and Art Studio for the design and development of the Rosetta process for creating digital YCM archival masters for digital film restoration. |
79 | 2006 | Scientific and Technical Award (Scientific and Engineering Award) | To STEVE SULLIVAN, COLIN DAVIDSON, MAX CHEN and FRANCESCO CALLARI for the design and development of the ILM Image-based Modeling System. |
79 | 2006 | Scientific and Technical Award (Technical Achievement Award) | To ALBERT RIDILLA, PAPKEN SHAHBAZIAN, RONALD BELKNAP and JAY McGARRIGLE for the design and development of the Hollywood Film Company Brumagic MPST Densitometer. |
79 | 2006 | Scientific and Technical Award (Technical Achievement Award) | To CHRISTIAN TSCHIDA and MARTIN WAITZ of cmotion for the design and engineering of the cmotion Wireless Remote System. |
79 | 2006 | Scientific and Technical Award (Technical Achievement Award) | To FLORIAN KAINZ for the design and engineering of OpenEXR, a software package implementing 16-bit, floating point, high dynamic range image files. |
79 | 2006 | Scientific and Technical Award (Technical Achievement Award) | To JOSHUA PINES and CHRIS KUTCKA of Technicolor Digital Intermediates for the design and development of the TDI process for creating archival separations from digital image data. |
79 | 2006 | Scientific and Technical Award (Technical Achievement Award) | To KLEMENS KEHRER, JOSEF HANDLER, THOMAS SMIDEK and MARC SHIPMAN MUELLER for the design and development of the Arriflex 235 Camera System. |
79 | 2006 | Scientific and Technical Award (Technical Achievement Award) | To PETER LITWINOWICZ and PIERRE JASMIN for the design and development of the RE:Vision Effects family of software tools for optical flow-based image manipulation. |
79 | 2006 | Scientific and Technical Award (Technical Achievement Award) | To WALTER TRAUNINGER and ERNST TSCHIDA for the design and engineering of the Arri WRC wireless remote lens control system. |
79 | 2006 | Scientific and Technical Award (Technical Achievement Award) | To WILLIAM FEIGHTNER and CHRIS EDWARDS of E-Film for the design and development of the E-Film process for creating archival separations from digital image data. |
79 | 2006 | Short Film (Animated) | The Danish Poet |
79 | 2006 | Short Film (Live Action) | West Bank Story |
79 | 2006 | Sound Editing | Letters from Iwo Jima |
79 | 2006 | Sound Mixing | Dreamgirls |
79 | 2006 | Visual Effects | Pirates of the Caribbean: Dead Man's Chest |
79 | 2006 | Writing (Adapted Screenplay) | The Departed |
79 | 2006 | Writing (Original Screenplay) | Little Miss Sunshine |
80 | 2007 | Actor in a Leading Role | Daniel Day-Lewis |
80 | 2007 | Actor in a Supporting Role | Javier Bardem |
80 | 2007 | Actress in a Leading Role | Marion Cotillard |
80 | 2007 | Actress in a Supporting Role | Tilda Swinton |
80 | 2007 | Animated Feature Film | Ratatouille |
80 | 2007 | Art Direction | Sweeney Todd The Demon Barber of Fleet Street |
80 | 2007 | Award of Commendation | To Jonathan Erland in recognition of his leadership and efforts toward identifying and solving the problem of High-Speed Emulsion Stress Syndrome in motion picture film stock. |
80 | 2007 | Best Picture | No Country for Old Men |
80 | 2007 | Cinematography | There Will Be Blood |
80 | 2007 | Costume Design | Elizabeth: The Golden Age |
80 | 2007 | Directing | No Country for Old Men |
80 | 2007 | Documentary (Feature) | Taxi to the Dark Side |
80 | 2007 | Documentary (Short Subject) | Freeheld |
80 | 2007 | Film Editing | The Bourne Ultimatum |
80 | 2007 | Foreign Language Film | The Counterfeiters |
80 | 2007 | Gordon E. Sawyer Award | David A. Grafton |
80 | 2007 | Honorary Award | To Robert Boyle in recognition of one of cinema's great careers in art direction. |
80 | 2007 | John A. Bonner Medal of Commendation | To David Inglish in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
80 | 2007 | Makeup | La Vie en Rose |
80 | 2007 | Music (Original Score) | Atonement |
80 | 2007 | Music (Original Song) | Once |
80 | 2007 | Scientific and Technical Award (Academy Award of Merit) | To the EASTMAN KODAK COMPANY for the development of photographic emulsion technologies incorporated into the Kodak Vision2 family of color negative films. |
80 | 2007 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. DOUG ROBLE, NAFEES BIN ZAFAR and RYO SAKAGUCHI for the development of the fluid simulation system at Digital Domain. |
80 | 2007 | Scientific and Technical Award (Scientific and Engineering Award) | To NICK RASMUSSEN, RON FEDKIW and FRANK LOSASSO PETTERSON for the development of the Industrial Light & Magic fluid simulation system. |
80 | 2007 | Scientific and Technical Award (Technical Achievement Award) | To CHRISTIEN TINSLEY for the creation of the transfer techniques for creating and applying 2D and 3D makeup known as "Tinsley Transfers." |
80 | 2007 | Scientific and Technical Award (Technical Achievement Award) | To DUNCAN BRINSMEAD, JOS STAM, JULIA PAKALNS and MARTIN WERNER for the design and implementation of the Maya Fluid Effects system. |
80 | 2007 | Scientific and Technical Award (Technical Achievement Award) | To JONATHAN M. COHEN, DR. JERRY TESSENDORF, DR. JEROEN MOLEMAKER and MICHAEL KOWALSKI for the development of the system of fluid dynamics tools at Rhythm & Hues. |
80 | 2007 | Scientific and Technical Award (Technical Achievement Award) | To JÖRG PÖHLER and RÜDIGER KLEINKE of OTTEC Technology GmbH for the design and development of the battery-operated series of fog machines known as "Tiny Foggers." |
80 | 2007 | Scientific and Technical Award (Technical Achievement Award) | To SEBASTIAN CRAMER for the invention and general design, and ANDREAS DASSER, head of development at P&S Technik GmbH, for the mechanical design, of the Skater Dolly and its family of products. |
80 | 2007 | Scientific and Technical Award (Technical Achievement Award) | To STEPHAN TROJANSKY, THOMAS GANSHORN and OLIVER PILARSKI for the development of the Flowline fluid effects system. |
80 | 2007 | Scientific and Technical Award (Technical Achievement Award) | To VICTOR GONZALEZ, IGNACIO VARGAS and ANGEL TENA for the creation of the RealFlow software application. |
80 | 2007 | Short Film (Animated) | Peter & the Wolf |
80 | 2007 | Short Film (Live Action) | Le Mozart des Pickpockets (The Mozart of Pickpockets) |
80 | 2007 | Sound Editing | The Bourne Ultimatum |
80 | 2007 | Sound Mixing | The Bourne Ultimatum |
80 | 2007 | Visual Effects | The Golden Compass |
80 | 2007 | Writing (Adapted Screenplay) | No Country for Old Men |
80 | 2007 | Writing (Original Screenplay) | Juno |
81 | 2008 | Actor in a Leading Role | Sean Penn |
81 | 2008 | Actor in a Supporting Role | Heath Ledger |
81 | 2008 | Actress in a Leading Role | Kate Winslet |
81 | 2008 | Actress in a Supporting Role | Penélope Cruz |
81 | 2008 | Animated Feature Film | WALL-E |
81 | 2008 | Art Direction | The Curious Case of Benjamin Button |
81 | 2008 | Best Picture | Slumdog Millionaire |
81 | 2008 | Cinematography | Slumdog Millionaire |
81 | 2008 | Costume Design | The Duchess |
81 | 2008 | Directing | Slumdog Millionaire |
81 | 2008 | Documentary (Feature) | Man on Wire |
81 | 2008 | Documentary (Short Subject) | Smile Pinki |
81 | 2008 | Film Editing | Slumdog Millionaire |
81 | 2008 | Foreign Language Film | Departures |
81 | 2008 | Gordon E. Sawyer Award | Ed Catmull |
81 | 2008 | Jean Hersholt Humanitarian Award | Jerry Lewis |
81 | 2008 | John A. Bonner Medal of Commendation | To Mark Kimball in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
81 | 2008 | Makeup | The Curious Case of Benjamin Button |
81 | 2008 | Music (Original Score) | Slumdog Millionaire |
81 | 2008 | Music (Original Song) | Slumdog Millionaire |
81 | 2008 | Scientific and Technical Award (Scientific and Engineering Award) | To BRUNO COUMERT and JACQUES DEBIZE for the optical design, and DOMINIQUE CHERVIN and CHRISTOPHE REBOULET for the mechanical design, of the compact and lightweight Angenieux 15-40 and 28-76 zoom lenses for handheld motion picture photography. |
81 | 2008 | Scientific and Technical Award (Scientific and Engineering Award) | To ERWIN MELZNER for the overall concept including the optical and cooling systems, VOLKER SCHUMACHER for the optical design, and TIMO MÜLLER for the mechanical design, of the Arrimax 18/12 lighting fixture for use in motion picture production. |
81 | 2008 | Scientific and Technical Award (Scientific and Engineering Award) | To JACQUES DELACOUX for the concept and electronic design, and ALEXANDRE LEUCHTER for the software and electronic design, of the Transvideo video-assist monitors for the motion picture industry. |
81 | 2008 | Scientific and Technical Award (Technical Achievement Award) | To STEVE HYLÉN for the concept and his continued leadership in the further development of the Hylén Lens System for motion picture effects photography. |
81 | 2008 | Short Film (Animated) | La Maison en Petits Cubes |
81 | 2008 | Short Film (Live Action) | Spielzeugland (Toyland) |
81 | 2008 | Sound Editing | The Dark Knight |
81 | 2008 | Sound Mixing | Slumdog Millionaire |
81 | 2008 | Visual Effects | The Curious Case of Benjamin Button |
81 | 2008 | Writing (Adapted Screenplay) | Slumdog Millionaire |
81 | 2008 | Writing (Original Screenplay) | Milk |
82 | 2009 | Actor in a Leading Role | Jeff Bridges |
82 | 2009 | Actor in a Supporting Role | Christoph Waltz |
82 | 2009 | Actress in a Leading Role | Sandra Bullock |
82 | 2009 | Actress in a Supporting Role | Mo'Nique |
82 | 2009 | Animated Feature Film | Up |
82 | 2009 | Art Direction | Avatar |
82 | 2009 | Best Picture | The Hurt Locker |
82 | 2009 | Cinematography | Avatar |
82 | 2009 | Costume Design | The Young Victoria |
82 | 2009 | Directing | The Hurt Locker |
82 | 2009 | Documentary (Feature) | The Cove |
82 | 2009 | Documentary (Short Subject) | Music by Prudence |
82 | 2009 | Film Editing | The Hurt Locker |
82 | 2009 | Foreign Language Film | The Secret in Their Eyes |
82 | 2009 | Honorary Award | To Gordon Willis for unsurpassed mastery of light, shadow, color and motion. |
82 | 2009 | Honorary Award | To Lauren Bacall in recognition of her central place in the golden age of motion pictures. |
82 | 2009 | Honorary Award | To Roger Corman for his rich engendering of films and filmmakers. |
82 | 2009 | Irving G. Thalberg Memorial Award | John Calley |
82 | 2009 | Makeup | Star Trek |
82 | 2009 | Music (Original Score) | Up |
82 | 2009 | Music (Original Song) | Crazy Heart |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To BRAD WALKER, D. SCOTT DEWALD, BILL WERNER and GREG PETTITT for their contributions furthering the design and refinement of the Texas Instruments DLP Projector technology, achieving a level of performance that enabled color-accurate digital intermediate previews of motion pictures. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. RICHARD KIRK for the overall design and development of the Truelight real-time 3D look-up table hardware device and color management software. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To FUJIFILM CORPORATION, RYOJI NISHIMURA, MASAAKI MIKI and YOUICHI HOSOYA for the design and development of Fujicolor ETERNA-RDI digital intermediate film, which was designed exclusively to reproduce motion picture digital masters. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To MARK JASZBERENYI, GYULA PRISKIN and TAMAS PERLAKI for their contributions to the development of the Lustre color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To MICHAEL CIESLINSKI, DR. REIMAR LENZ and BERND BRAUNER for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To PAUL DEBEVEC, TIM HAWKINS, JOHN MONOS and DR. MARK SAGAR for the design and engineering of the Light Stage capture devices and the image-based facial rendering system developed for character relighting in motion pictures. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To PER CHRISTENSEN, MICHAEL BUNNELL and CHRISTOPHE HERY for the development of point-based rendering for indirect illumination and ambient occlusion. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To STEVE CHAPMAN, MARTIN TLASKAL, DARRIN SMART and DR. JAMES LOGIE for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To VOLKER MASSMANN, MARKUS HASENZAHL, DR. KLAUS ANDERLE and ANDREAS LOEW for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures. |
82 | 2009 | Scientific and Technical Award (Scientific and Engineering Award) | To WOLFGANG LEMPP, THEO BROWN, TONY SEDIVY and DR. JOHN QUARTEL for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process. |
82 | 2009 | Scientific and Technical Award (Technical Achievement Award) | To BJÖRN HEDÉN for the design and mechanical engineering of the silent, two-stage planetary friction drive Hedén Lens Motors. |
82 | 2009 | Scientific and Technical Award (Technical Achievement Award) | To DR. KLAUS ANDERLE, CHRISTIAN BAEKER and FRANK BILLASCH for their contributions to the LUTher 3D look-up table hardware device and color management software. |
82 | 2009 | Scientific and Technical Award (Technical Achievement Award) | To HAYDEN LANDIS, KEN McGAUGH and HILMAR KOCH for advancing the technique of ambient occlusion rendering. |
82 | 2009 | Scientific and Technical Award (Technical Achievement Award) | To MARK WOLFORTH and TONY SEDIVY for their contributions to the development of the Truelight real-time 3D look-up table hardware system. |
82 | 2009 | Scientific and Technical Award (Technical Achievement Award) | To STEVE SULLIVAN, KEVIN WOOLEY, BRETT ALLEN and COLIN DAVIDSON for the development of the Imocap on-set performance capture system. |
82 | 2009 | Short Film (Animated) | Logorama |
82 | 2009 | Short Film (Live Action) | The New Tenants |
82 | 2009 | Sound Editing | The Hurt Locker |
82 | 2009 | Sound Mixing | The Hurt Locker |
82 | 2009 | Visual Effects | Avatar |
82 | 2009 | Writing (Adapted Screenplay) | Precious: Based on the Novel 'Push' by Sapphire |
82 | 2009 | Writing (Original Screenplay) | The Hurt Locker |
83 | 2010 | Actor in a Leading Role | Colin Firth |
83 | 2010 | Actor in a Supporting Role | Christian Bale |
83 | 2010 | Actress in a Leading Role | Natalie Portman |
83 | 2010 | Actress in a Supporting Role | Melissa Leo |
83 | 2010 | Animated Feature Film | Toy Story 3 |
83 | 2010 | Art Direction | Alice in Wonderland |
83 | 2010 | Best Picture | The King's Speech |
83 | 2010 | Cinematography | Inception |
83 | 2010 | Costume Design | Alice in Wonderland |
83 | 2010 | Directing | The King's Speech |
83 | 2010 | Documentary (Feature) | Inside Job |
83 | 2010 | Documentary (Short Subject) | Strangers No More |
83 | 2010 | Film Editing | The Social Network |
83 | 2010 | Foreign Language Film | In a Better World |
83 | 2010 | Honorary Award | To Eli Wallach for a lifetime's worth of indelible screen characters. |
83 | 2010 | Honorary Award | To Jean-Luc Godard for passion. For confrontation. For a new kind of cinema. |
83 | 2010 | Honorary Award | To Kevin Brownlow for the wise and devoted chronicling of the cinematic parade. |
83 | 2010 | Irving G. Thalberg Memorial Award | Francis Ford Coppola |
83 | 2010 | John A. Bonner Medal of Commendation | To Denny Clairmont in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
83 | 2010 | Makeup | The Wolfman |
83 | 2010 | Music (Original Score) | The Social Network |
83 | 2010 | Music (Original Song) | Toy Story 3 |
83 | 2010 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. MARK SAGAR for his early and continuing development of influential facial motion retargeting solutions. |
83 | 2010 | Scientific and Technical Award (Scientific and Engineering Award) | To JAMES RODNUNSKY, ALEX MacDONALD and MARK CHAPMAN for the development of the Cablecam 3-D volumetric suspended cable camera technologies. |
83 | 2010 | Scientific and Technical Award (Scientific and Engineering Award) | To MARK NOEL for the design, engineering, and development, and to JOHN FRAZIER for his contributions to the design and safety features, of the NAC Servo Winch System. |
83 | 2010 | Scientific and Technical Award (Scientific and Engineering Award) | To TIM DRNEC, BEN BRITTEN SMITH and MATT DAVIS for the development of the Spydercam 3-D volumetric suspended cable camera technologies. |
83 | 2010 | Scientific and Technical Award (Technical Achievement Award) | To CHRIS ALLEN, GAUTHAM KRISHNAMURTI, MARK A. BROWN and LANCE KIMES for the development of Queue, a robust, scalable approach to render queue management. |
83 | 2010 | Scientific and Technical Award (Technical Achievement Award) | To DAVID M. LAUR for the development of the Alfred render queue management system. |
83 | 2010 | Scientific and Technical Award (Technical Achievement Award) | To ERIC TABELLION and ARNAULD LAMORLETTE for the creation of a computer graphics bounce lighting methodology that is practical at feature film scale. |
83 | 2010 | Scientific and Technical Award (Technical Achievement Award) | To FLORIAN KAINZ for the design and development of the robust, highly scalable distributed architecture of the ObaQ render queue management system. |
83 | 2010 | Scientific and Technical Award (Technical Achievement Award) | To GREG ERCOLANO for the design and engineering of a series of software systems culminating in the Rush render queue management system. |
83 | 2010 | Scientific and Technical Award (Technical Achievement Award) | To TONY CLARK, ALAN ROGERS, NEIL WILSON and RORY McGREGOR for the software design and continued development of cineSync, a tool for remote collaboration and review of visual effects. |
83 | 2010 | Short Film (Animated) | The Lost Thing |
83 | 2010 | Short Film (Live Action) | God of Love |
83 | 2010 | Sound Editing | Inception |
83 | 2010 | Sound Mixing | Inception |
83 | 2010 | Visual Effects | Inception |
83 | 2010 | Writing (Adapted Screenplay) | The Social Network |
83 | 2010 | Writing (Original Screenplay) | The King's Speech |
84 | 2011 | Actor in a Leading Role | Jean Dujardin |
84 | 2011 | Actor in a Supporting Role | Christopher Plummer |
84 | 2011 | Actress in a Leading Role | Meryl Streep |
84 | 2011 | Actress in a Supporting Role | Octavia Spencer |
84 | 2011 | Animated Feature Film | Rango |
84 | 2011 | Art Direction | Hugo |
84 | 2011 | Best Picture | The Artist |
84 | 2011 | Cinematography | Hugo |
84 | 2011 | Costume Design | The Artist |
84 | 2011 | Directing | The Artist |
84 | 2011 | Documentary (Feature) | Undefeated |
84 | 2011 | Documentary (Short Subject) | Saving Face |
84 | 2011 | Film Editing | The Girl with the Dragon Tattoo |
84 | 2011 | Foreign Language Film | A Separation |
84 | 2011 | Gordon E. Sawyer Award | Douglas Trumbull |
84 | 2011 | Honorary Award | To Dick Smith for his unparalleled mastery of texture, shade, form and illusion. |
84 | 2011 | Honorary Award | To James Earl Jones for his legacy of consistent excellence and uncommon versatility. |
84 | 2011 | Jean Hersholt Humanitarian Award | Oprah Winfrey |
84 | 2011 | John A. Bonner Medal of Commendation | To Jonathan Erland in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
84 | 2011 | Makeup | The Iron Lady |
84 | 2011 | Music (Original Score) | The Artist |
84 | 2011 | Music (Original Song) | The Muppets |
84 | 2011 | Scientific and Technical Award (Academy Award of Merit) | To FRANZ KRAUS, JOHANNES STEURER and WOLFGANG RIEDEL for the design and development of the ARRILASER Film Recorder. |
84 | 2011 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. JÜRGEN NOFFKE for the optical design and UWE WEBER for the mechanical design of the ARRI Zeiss Master Prime Lenses for motion picture photography. |
84 | 2011 | Scientific and Technical Award (Scientific and Engineering Award) | To E.F. "BOB" NETTMANN for the concept and system architecture, MICHAEL SAYOVITZ for the electronic packaging and integration, BRAD FRITZEL for the electronic engineering, and FRED MILLER for the mechanical engineering of the Stab-C Classic, Super-G and Stab-C Compact stabilizing heads. |
84 | 2011 | Scientific and Technical Award (Scientific and Engineering Award) | To FUJIFILM CORPORATION, HIDEYUKI SHIRAI, DR. KATSUHISA OOZEKI and HIROSHI HIRANO for the design and development of the FUJIFILM black and white recording film ETERNA-RDS 4791 for use in the archival preservation of film and digital images. |
84 | 2011 | Scientific and Technical Award (Scientific and Engineering Award) | To JOHN D. LOWRY, IAN CAVÉN, IAN GODIN, KIMBALL THURSTON and TIM CONNOLLY for the development of a unique and efficient system for the reduction of noise and other artifacts, thereby providing high-quality images required by the filmmaking process. |
84 | 2011 | Scientific and Technical Award (Scientific and Engineering Award) | To MICHAEL LEWIS, GREG MARSDEN, RAIGO ALAS and MICHAEL VELLEKOOP for the concept, design and implementation of the Pictorvision Eclipse, an electronically stabilized aerial camera platform. |
84 | 2011 | Scientific and Technical Award (Scientific and Engineering Award) | To RADU CORLAN, ANDY JANTZEN, PETRU POP and RICHARD F. TOFTNESS for the design and engineering of the Phantom family of high-speed cameras for motion picture production. |
84 | 2011 | Scientific and Technical Award (Technical Achievement Award) | To ANDREW CLINTON and MARK ELENDT for the invention and integration of micro-voxels in the Mantra software. |
84 | 2011 | Short Film (Animated) | The Fantastic Flying Books of Mr. Morris Lessmore |
84 | 2011 | Short Film (Live Action) | The Shore |
84 | 2011 | Sound Editing | Hugo |
84 | 2011 | Sound Mixing | Hugo |
84 | 2011 | Visual Effects | Hugo |
84 | 2011 | Writing (Adapted Screenplay) | The Descendants |
84 | 2011 | Writing (Original Screenplay) | Midnight in Paris |
85 | 2012 | Actor in a Leading Role | Daniel Day-Lewis |
85 | 2012 | Actor in a Supporting Role | Christoph Waltz |
85 | 2012 | Actress in a Leading Role | Jennifer Lawrence |
85 | 2012 | Actress in a Supporting Role | Anne Hathaway |
85 | 2012 | Animated Feature Film | Brave |
85 | 2012 | Best Picture | Argo |
85 | 2012 | Cinematography | Life of Pi |
85 | 2012 | Costume Design | Anna Karenina |
85 | 2012 | Directing | Life of Pi |
85 | 2012 | Documentary (Feature) | Searching for Sugar Man |
85 | 2012 | Documentary (Short Subject) | Inocente |
85 | 2012 | Film Editing | Argo |
85 | 2012 | Foreign Language Film | Amour |
85 | 2012 | Honorary Award | To D.A. Pennebaker, who redefined the language of film and taught a generation of filmmakers to look to reality for inspiration. |
85 | 2012 | Honorary Award | To George Stevens, Jr., a tireless champion of the arts in America and especially that most American of arts: the Hollywood film. |
85 | 2012 | Honorary Award | To Hal Needham, an innovator, mentor, and master technician who elevated his craft to an art and made the impossible look easy. |
85 | 2012 | Jean Hersholt Humanitarian Award | Jeffrey Katzenberg |
85 | 2012 | John A. Bonner Medal of Commendation | To Bill Taylor in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
85 | 2012 | Makeup and Hairstyling | Les Misérables |
85 | 2012 | Music (Original Score) | Life of Pi |
85 | 2012 | Music (Original Song) | Skyfall |
85 | 2012 | Production Design | Lincoln |
85 | 2012 | Scientific and Technical Award (Academy Award of Merit) | To COOKE OPTICS LIMITED for their continuing innovation in the design, development and manufacture of advanced camera lenses that have helped define the look of motion pictures over the last century. |
85 | 2012 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. PHILIP McLAUCHLAN, ALLAN JAENICKE, JOHN-PAUL SMITH and ROSS SHAIN for the creation of the Mocha planar tracking and rotoscoping software at Imagineer Systems Ltd. |
85 | 2012 | Scientific and Technical Award (Scientific and Engineering Award) | To JOE MURTHA, WILLIAM FREDERICK and JIM MARKLAND of Anton/Bauer, Inc. for the design and creation of the CINE VCLX Portable Power System. |
85 | 2012 | Scientific and Technical Award (Scientific and Engineering Award) | To SIMON CLUTTERBUCK, JAMES JACOBS and DR. RICHARD DORLING for the development of the Tissue Physically-Based Character Simulation Framework. |
85 | 2012 | Scientific and Technical Award (Technical Achievement Award) | To J.P. LEWIS, MATT CORDNER and NICKSON FONG for the invention and publication of the Pose Space Deformation technique. |
85 | 2012 | Scientific and Technical Award (Technical Achievement Award) | To LAWRENCE KESTELOOT, DREW OLBRICH and DANIEL WEXLER for the creation of the Light system for computer graphics lighting at PDI/DreamWorks. |
85 | 2012 | Scientific and Technical Award (Technical Achievement Award) | To RICHARD MALL for the design and development of the Matthews Max Menace Arm. |
85 | 2012 | Scientific and Technical Award (Technical Achievement Award) | To STEVE LaVIETES, BRIAN HALL and JEREMY SELAN for the creation of the Katana computer graphics scene management and lighting software at Sony Pictures Imageworks. |
85 | 2012 | Scientific and Technical Award (Technical Achievement Award) | To THEODORE KIM, NILS THUEREY, DR. MARKUS GROSS and DOUG JAMES for the invention, publication and dissemination of Wavelet Turbulence software. |
85 | 2012 | Short Film (Animated) | Paperman |
85 | 2012 | Short Film (Live Action) | Curfew |
85 | 2012 | Sound Editing | Skyfall |
85 | 2012 | Sound Editing | Zero Dark Thirty |
85 | 2012 | Sound Mixing | Les Misérables |
85 | 2012 | Visual Effects | Life of Pi |
85 | 2012 | Writing (Adapted Screenplay) | Argo |
85 | 2012 | Writing (Original Screenplay) | Django Unchained |
86 | 2013 | Actor in a Leading Role | Matthew McConaughey |
86 | 2013 | Actor in a Supporting Role | Jared Leto |
86 | 2013 | Actress in a Leading Role | Cate Blanchett |
86 | 2013 | Actress in a Supporting Role | Lupita Nyong'o |
86 | 2013 | Animated Feature Film | Frozen |
86 | 2013 | Best Picture | 12 Years a Slave |
86 | 2013 | Cinematography | Gravity |
86 | 2013 | Costume Design | The Great Gatsby |
86 | 2013 | Directing | Gravity |
86 | 2013 | Documentary (Feature) | 20 Feet from Stardom |
86 | 2013 | Documentary (Short Subject) | The Lady in Number 6: Music Saved My Life |
86 | 2013 | Film Editing | Gravity |
86 | 2013 | Foreign Language Film | The Great Beauty |
86 | 2013 | Gordon E. Sawyer Award | Peter W. Anderson |
86 | 2013 | Honorary Award | To Angela Lansbury, an entertainment icon who has created some of cinema's most memorable characters, inspiring generations of actors. |
86 | 2013 | Honorary Award | To Piero Tosi, a visionary whose incomparable costume designs shaped timeless, living art in motion pictures. |
86 | 2013 | Honorary Award | To Steve Martin in recognition of his extraordinary talents and the unique inspiration he has brought to the art of motion pictures. |
86 | 2013 | Jean Hersholt Humanitarian Award | Angelina Jolie |
86 | 2013 | John A. Bonner Medal of Commendation | To Charles "Tad" Marburg in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
86 | 2013 | Makeup and Hairstyling | Dallas Buyers Club |
86 | 2013 | Music (Original Score) | Gravity |
86 | 2013 | Music (Original Song) | Frozen |
86 | 2013 | Production Design | The Great Gatsby |
86 | 2013 | Scientific and Technical Award (Academy Award of Merit) | To all those who built and operated film laboratories, for over a century of service to the motion picture industry. |
86 | 2013 | Scientific and Technical Award (Scientific and Engineering Award) | To ANDRE GAUTHIER, BENOIT SEVIGNY, YVES BOUDREAULT and ROBERT LANCIAULT for the design and implementation of the FiLMBOX software application. |
86 | 2013 | Scientific and Technical Award (Scientific and Engineering Award) | To EMMANUEL PRÉVINAIRE, JAN SPERLING, ETIENNE BRANDT and TONY POSTIAU for their development of the Flying-Cam SARAH 3.0 system. |
86 | 2013 | Scientific and Technical Award (Scientific and Engineering Award) | To ERIC VEACH for his foundational research on efficient Monte Carlo path tracing for image synthesis. |
86 | 2013 | Scientific and Technical Award (Scientific and Engineering Award) | To OFER ALON for the design and implementation of the ZBrush software tool for multi-resolution sculpting of digital models. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To ANDREW CAMENISCH, DAVID CARDWELL and TIBOR MADJAR for the concept and design, and to CSABA KOHEGYI and IMRE MAJOR for the implementation of the Mudbox software. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To COLIN DONCASTER, JOHANNES SAAM, AREITO ECHEVARRIA, JANNE KONTKANEN and CHRIS COOPER for the development, prototyping and promotion of technologies and workflows for deep compositing. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To DR. PETER HILLMAN for the long-term development and continued advancement of innovative, robust and complete toolsets for deep compositing. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To FLORIAN KAINZ, JEFFERY YOST, PHILIP HUBBARD and JIM HOURIHAN for the architecture and development of the Zeno application framework. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To GIFFORD HOOPER and PHILIP GEORGE of HoverCam for the continuing development of the Helicam miniature helicopter camera system. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To JEREMY SELAN for the development of the OpenColorIO color management framework. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To JOHN FRAZIER, CHUCK GASPAR and CLAY PINNEY for the design and development of the Pneumatic Car Flipper. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To JOSHUA PINES, DAVID REISNER, LOU LEVINSON, CURTIS CLARK, ASC, and DAVID REGISTER for the development of the American Society of Cinematographers Color Decision List technology. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To MARTIN HILL, JON ALLITT and NICK McKENZIE for the creation of the spherical harmonics-based efficient lighting system at Weta Digital. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To MATT PHARR, GREG HUMPHREYS and PAT HANRAHAN for their formalization and reference implementation of the concepts behind physically based rendering, as shared in their book "Physically Based Rendering." |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To OLIVIER MAURY, IAN SACHS and DAN PIPONI for the creation of the ILM Plume system that simulates and renders fire, smoke and explosions for motion picture visual effects. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To PETER HUANG and CHRIS PERRY for their architectural contributions to, and to HANS RIJPKEMA and JOE MANCEWICZ for the core engineering of, the Voodoo application framework. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To RONALD D. HENDERSON for the development of the FLUX gas simulation system. |
86 | 2013 | Scientific and Technical Award (Technical Achievement Award) | To THOMAS LOKOVIC and ERIC VEACH for their influential research and publication of the fundamental concepts of deep shadowing technology. |
86 | 2013 | Short Film (Animated) | Mr. Hublot |
86 | 2013 | Short Film (Live Action) | Helium |
86 | 2013 | Sound Editing | Gravity |
86 | 2013 | Sound Mixing | Gravity |
86 | 2013 | Visual Effects | Gravity |
86 | 2013 | Writing (Adapted Screenplay) | 12 Years a Slave |
86 | 2013 | Writing (Original Screenplay) | Her |
87 | 2014 | Actor in a Leading Role | Eddie Redmayne |
87 | 2014 | Actor in a Supporting Role | J.K. Simmons |
87 | 2014 | Actress in a Leading Role | Julianne Moore |
87 | 2014 | Actress in a Supporting Role | Patricia Arquette |
87 | 2014 | Animated Feature Film | Big Hero 6 |
87 | 2014 | Award of Commendation | To Steven Tiffen, Jeff Cohen and Michael Fecik for their pioneering work in developing dye-based filters that reduce IR contamination when neutral density filters are used with digital cameras. |
87 | 2014 | Best Picture | Birdman or (The Unexpected Virtue of Ignorance) |
87 | 2014 | Cinematography | Birdman or (The Unexpected Virtue of Ignorance) |
87 | 2014 | Costume Design | The Grand Budapest Hotel |
87 | 2014 | Directing | Birdman or (The Unexpected Virtue of Ignorance) |
87 | 2014 | Documentary (Feature) | CitizenFour |
87 | 2014 | Documentary (Short Subject) | Crisis Hotline: Veterans Press 1 |
87 | 2014 | Film Editing | Whiplash |
87 | 2014 | Foreign Language Film | Ida |
87 | 2014 | Gordon E. Sawyer Award | David Winchester Gray |
87 | 2014 | Honorary Award | To Hayao Miyazaki, a master storyteller whose animated artistry has inspired filmmakers and audiences around the world. |
87 | 2014 | Honorary Award | To Jean-Claude Carrière, whose elegantly crafted screenplays elevate the art of screenwriting to the level of literature. |
87 | 2014 | Honorary Award | To Maureen O'Hara, one of Hollywood's brightest stars, whose inspiring performances glowed with passion, warmth and strength. |
87 | 2014 | Jean Hersholt Humanitarian Award | Harry Belafonte |
87 | 2014 | Makeup and Hairstyling | The Grand Budapest Hotel |
87 | 2014 | Music (Original Score) | The Grand Budapest Hotel |
87 | 2014 | Music (Original Song) | Selma |
87 | 2014 | Production Design | The Grand Budapest Hotel |
87 | 2014 | Scientific and Technical Award (Academy Award of Merit) | To DR. LARRY HORNBECK for the invention of digital micromirror technology as used in DLP Cinema projection. |
87 | 2014 | Scientific and Technical Award (Scientific and Engineering Award) | To BRAD WALKER, D. SCOTT DEWALD, BILL WERNER, GREG PETTITT and FRANK PORADISH for their contributions furthering the design and refinement of the Texas Instruments DLP Cinema projection technology, whose high level of performance enabled color-accurate digital intermediate preview and motion picture theatrical presentation. |
87 | 2014 | Scientific and Technical Award (Scientific and Engineering Award) | To IAIN NEIL for the optical design, and to ANDRÉ DE WINTER for the mechanical design, of the Leica Summilux-C series of lenses. |
87 | 2014 | Scientific and Technical Award (Scientific and Engineering Award) | To ICHIRO TSUTSUI, MASAHIRO TAKE, MITSUYASU TAMURA and MITSURU ASANO for the development of the Sony BVM-E Series Professional OLED Master Monitor. |
87 | 2014 | Scientific and Technical Award (Scientific and Engineering Award) | To JOHN FREDERICK, BOB MYERS, KARL RASCHE and TOM LIANZA for the development of the HP DreamColor LP2480zx Professional Display. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To BEN COLE for the design of the Kali Destruction System, to ERIC PARKER for the development of the Digital Molecular Matter toolkit, and to JAMES O'BRIEN for his influential research on the finite element methods that served as a foundation for these tools. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To BRICE CRISWELL and RON FEDKIW for the development of the ILM PhysBAM Destruction System. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To CARY PHILLIPS, NICOLAS POPRAVKA, PHILIP PETERSON and COLETTE MULLENHOFF for the architecture, development and creation of the artist-driven interface of the ILM Shape Sculpting System. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To DAN PIPONI, KIM LIBRERI and GEORGE BORSHUKOV for their pioneering work in the development of Universal Capture at ESC Entertainment. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To ERWIN COUMANS for the development of the Bullet physics library, and to NAFEES BIN ZAFAR and STEPHEN MARSHALL for the separate development of two large-scale destruction simulation systems based on Bullet. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To HAROLD MILLIGAN, STEVEN KRYCHO and REINER DOETZKIES for the implementation engineering in the development of the Texas Instruments DLP Cinema digital projection technology. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To KEN MUSETH, PETER CUCKA and MIHAI ALDÉN for the creation of OpenVDB. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To MAGNUS WRENNINGE for leading the design and development of Field3D. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To MARCO REVELANT for the original concepts and artistic vision, and to ALASDAIR COULL and SHANE COOPER for the original architectural and engineering design, of the Barbershop hair grooming system at Weta Digital. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To MICHAEL SECHREST for the modeling design and implementation, CHRIS KING for the real-time interactive engineering, and GREG CROFT for the user interface design and implementation of SpeedTree Cinema. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To PETER BRAUN for the concept and development of the MAT-Towercam Twin Peek, a portable, remote-controlled, telescoping column that smoothly positions a camera up to 24 feet vertically. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To ROBERT BRIDSON for early conceptualization of sparse-tiled voxel data structures and their application to modeling and simulation. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To ROBERT NAGLE and ALLAN PADELFORD for The Biscuit Jr. self-propelled, high-performance, drivable camera and vehicle platform. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To SCOTT PETERSON, JEFF BUDSBERG and JONATHAN GIBBS for the design and implementation of the DreamWorks Animation Foliage System. |
87 | 2014 | Scientific and Technical Award (Technical Achievement Award) | To TIM COTTER, ROGER VAN DER LAAN, KEN PEARCE and GREG LaSALLE for the innovative design and development of the MOVA Facial Performance Capture system. |
87 | 2014 | Short Film (Animated) | Feast |
87 | 2014 | Short Film (Live Action) | The Phone Call |
87 | 2014 | Sound Editing | American Sniper |
87 | 2014 | Sound Mixing | Whiplash |
87 | 2014 | Visual Effects | Interstellar |
87 | 2014 | Writing (Adapted Screenplay) | The Imitation Game |
87 | 2014 | Writing (Original Screenplay) | Birdman or (The Unexpected Virtue of Ignorance) |
88 | 2015 | Actor in a Leading Role | Leonardo DiCaprio |
88 | 2015 | Actor in a Supporting Role | Mark Rylance |
88 | 2015 | Actress in a Leading Role | Brie Larson |
88 | 2015 | Actress in a Supporting Role | Alicia Vikander |
88 | 2015 | Animated Feature Film | Inside Out |
88 | 2015 | Best Picture | Spotlight |
88 | 2015 | Cinematography | The Revenant |
88 | 2015 | Costume Design | Mad Max: Fury Road |
88 | 2015 | Directing | The Revenant |
88 | 2015 | Documentary (Feature) | Amy |
88 | 2015 | Documentary (Short Subject) | A Girl in the River: The Price of Forgiveness |
88 | 2015 | Film Editing | Mad Max: Fury Road |
88 | 2015 | Foreign Language Film | Son of Saul |
88 | 2015 | Honorary Award | To Gena Rowlands, who has illuminated the human experience through her brilliant, passionate and fearless performances. |
88 | 2015 | Honorary Award | To Spike Lee, filmmaker, educator, motivator, iconoclast, artist. |
88 | 2015 | Jean Hersholt Humanitarian Award | Debbie Reynolds |
88 | 2015 | Makeup and Hairstyling | Mad Max: Fury Road |
88 | 2015 | Music (Original Score) | The Hateful Eight |
88 | 2015 | Music (Original Song) | Spectre |
88 | 2015 | Production Design | Mad Max: Fury Road |
88 | 2015 | Scientific and Technical Award (Scientific and Engineering Award) | To BRIAN McLEAN and MARTIN MEUNIER for pioneering the use of rapid prototyping for character animation in stop-motion film production. |
88 | 2015 | Scientific and Technical Award (Scientific and Engineering Award) | To JACK GREASLEY, KIYOYUKI NAKAGAKI, DUNCAN HOPKINS and CARL RAND for the design and engineering of the MARI 3D texture painting system. |
88 | 2015 | Scientific and Technical Award (Special Award) | To the Society of Motion Picture and Television Engineers - For one hundred years, the Society's members have nurtured technology, provided essential standards, and offered the expertise, support, tools and infrastructure for the creation and post-production of motion pictures. |
88 | 2015 | Scientific and Technical Award (Technical Achievement Award) | To DAVID McINTOSH, STEVE SMITH, MIKE BRANHAM and MICHAEL KIRILENKO for the engineering and development of the Aircover Inflatables Airwall. |
88 | 2015 | Scientific and Technical Award (Technical Achievement Award) | To J ROBERT RAY, COTTALANGO LEON and SAM RICHARDS for the design, engineering and continuous development of Sony Pictures Imageworks Itview. |
88 | 2015 | Scientific and Technical Award (Technical Achievement Award) | To JIM HOURIHAN, ALAN TROMBLA and SETH ROSENTHAL for the design and development of the Tweak Software RV system, a highly extensible media player system. |
88 | 2015 | Scientific and Technical Award (Technical Achievement Award) | To KEITH GOLDFARB, STEVE LINN, BRIAN GREEN and RAYMOND CHIH for the development of the Rhythm & Hues Global DDR System. |
88 | 2015 | Scientific and Technical Award (Technical Achievement Award) | To MICHAEL JOHN KEESLING for the design and development of Image Shaker, an optical system that convincingly creates the illusion of the camera shaking in a variable and repeatable manner. |
88 | 2015 | Scientific and Technical Award (Technical Achievement Award) | To RICHARD CHUANG and RAHUL C. THAKKAR for the groundbreaking design, and to ANDREW PILGRIM, STEWART BIRNAM and MARK KIRK for the review workflows and advanced playback features, of the DreamWorks Animation Media Review System. |
88 | 2015 | Scientific and Technical Award (Technical Achievement Award) | To RONALD MALLET and CHRISTOPH BREGLER for the design and engineering of the Industrial Light & Magic Geometry Tracker, a novel, general-purpose tracker and solver. |
88 | 2015 | Scientific and Technical Award (Technical Achievement Award) | To TREVOR DAVIES, THOMAS WAN, JON SCOTT MILLER, JARED SMITH and MATTHEW ROBINSON for the development of the Dolby Laboratories PRM Series Reference Color Monitors. |
88 | 2015 | Short Film (Animated) | Bear Story |
88 | 2015 | Short Film (Live Action) | Stutterer |
88 | 2015 | Sound Editing | Mad Max: Fury Road |
88 | 2015 | Sound Mixing | Mad Max: Fury Road |
88 | 2015 | Visual Effects | Ex Machina |
88 | 2015 | Writing (Adapted Screenplay) | The Big Short |
88 | 2015 | Writing (Original Screenplay) | Spotlight |
89 | 2016 | Actor in a Leading Role | Casey Affleck |
89 | 2016 | Actor in a Supporting Role | Mahershala Ali |
89 | 2016 | Actress in a Leading Role | Emma Stone |
89 | 2016 | Actress in a Supporting Role | Viola Davis |
89 | 2016 | Animated Feature Film | Zootopia |
89 | 2016 | Best Picture | Moonlight |
89 | 2016 | Cinematography | La La Land |
89 | 2016 | Costume Design | Fantastic Beasts and Where to Find Them |
89 | 2016 | Directing | La La Land |
89 | 2016 | Documentary (Feature) | O.J.: Made in America |
89 | 2016 | Documentary (Short Subject) | The White Helmets |
89 | 2016 | Film Editing | Hacksaw Ridge |
89 | 2016 | Foreign Language Film | The Salesman |
89 | 2016 | Honorary Award | To Anne V. Coates, in recognition of a film editing career of remarkable breadth and exceptional collaborative achievement. |
89 | 2016 | Honorary Award | To Frederick Wiseman, whose masterful and distinctive documentaries examine the familiar and reveal the unexpected. |
89 | 2016 | Honorary Award | To Jackie Chan, an international film star who has captivated millions with his wit, boundless energy and unparalleled athletic artistry. |
89 | 2016 | Honorary Award | To Lynn Stalmaster, a true pioneer whose keen insight and inspired creativity transformed the art of motion picture casting. |
89 | 2016 | Makeup and Hairstyling | Suicide Squad |
89 | 2016 | Music (Original Score) | La La Land |
89 | 2016 | Music (Original Song) | La La Land |
89 | 2016 | Production Design | La La Land |
89 | 2016 | Scientific and Technical Award (Scientific and Engineering Award) | To ARRI for the pioneering design and engineering of the Super 35 format Alexa digital camera system. |
89 | 2016 | Scientific and Technical Award (Scientific and Engineering Award) | To LUCA FASCIONE, J.P. LEWIS and IAIN MATTHEWS for the design, engineering, and development of the FACETS facial performance capture and solving system at Weta Digital. |
89 | 2016 | Scientific and Technical Award (Scientific and Engineering Award) | To MARCOS FAJARDO for the creative vision and original implementation of the Arnold Renderer, and to CHRISTOPHER KULLA, ALAN KING, THIAGO IZE and CLIFFORD STEIN for their highly optimized geometry engine and novel ray-tracing algorithms which unify the rendering of curves, surfaces, volumetrics and subsurface scattering as developed at Sony Pictures Imageworks and Solid Angle SL. |
89 | 2016 | Scientific and Technical Award (Scientific and Engineering Award) | To PANAVISION and SONY for the conception and development of the groundbreaking Genesis digital motion picture camera. |
89 | 2016 | Scientific and Technical Award (Scientific and Engineering Award) | To RED DIGITAL CINEMA for the pioneering design and evolution of the RED Epic digital cinema cameras with upgradeable full-frame image sensors. |
89 | 2016 | Scientific and Technical Award (Scientific and Engineering Award) | To SONY for the development of the F65 CineAlta camera with its pioneering high-resolution imaging sensor, excellent dynamic range, and full 4K output. |
89 | 2016 | Scientific and Technical Award (Scientific and Engineering Award) | To STEVEN ROSENBLUTH, JOSHUA BARRATT, ROBERT NOLTY and ARCHIE TE for the engineering and development of the Concept Overdrive motion system. |
89 | 2016 | Scientific and Technical Award (Scientific and Engineering Award) | To VLADIMIR KOYLAZOV for the original concept, design and implementation of V-Ray from Chaos Group. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To BRIAN WHITED for the design and development of the Meander drawing system at Walt Disney Animation Studios. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To CARL LUDWIG, EUGENE TROUBETZKOY and MAURICE VAN SWAAIJ for the pioneering development of the CGI Studio renderer at Blue Sky Studios. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To DAVID THOMAS, LAWRENCE E. FISHER and DAVID BUNDY for the design, development and engineering of the Lectrosonics Digital Hybrid Wireless Microphone System. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To GLENN SANDERS and HOWARD STARK for the design and engineering of the Zaxcom Digital Wireless Microphone System. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To KIRAN BHAT, MICHAEL KOPERWAS, BRIAN CANTWELL and PAIGE WARNER for the design and development of the ILM facial performance-capture solving system. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To LARRY GRITZ for the design, implementation and dissemination of Open Shading Language (OSL). |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To MARK RAPPAPORT for the concept, design and development, to SCOTT OSHITA for the motion analysis and CAD design, to JEFF CRUTS for the development of the faux-hair finish techniques, and to TODD MINOBE for the character articulation and drive-train mechanisms, of the Creature Effects Animatronic Horse Puppet. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To NICHOLAS APOSTOLOFF and GEOFF WEDIG for the design and development of animation rig-based facial performance-capture systems at ImageMovers Digital and Digital Domain. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To PARAG HAVALDAR for the development of expression-based facial performance-capture technology at Sony Pictures Imageworks. |
89 | 2016 | Scientific and Technical Award (Technical Achievement Award) | To THOMSON GRASS VALLEY for the design and engineering of the pioneering Viper FilmStream digital camera system. |
89 | 2016 | Short Film (Animated) | Piper |
89 | 2016 | Short Film (Live Action) | Sing |
89 | 2016 | Sound Editing | Arrival |
89 | 2016 | Sound Mixing | Hacksaw Ridge |
89 | 2016 | Visual Effects | The Jungle Book |
89 | 2016 | Writing (Adapted Screenplay) | Moonlight |
89 | 2016 | Writing (Original Screenplay) | Manchester by the Sea |
90 | 2017 | Actor in a Leading Role | Gary Oldman |
90 | 2017 | Actor in a Supporting Role | Sam Rockwell |
90 | 2017 | Actress in a Leading Role | Frances McDormand |
90 | 2017 | Actress in a Supporting Role | Allison Janney |
90 | 2017 | Animated Feature Film | Coco |
90 | 2017 | Best Picture | The Shape of Water |
90 | 2017 | Cinematography | Blade Runner 2049 |
90 | 2017 | Costume Design | Phantom Thread |
90 | 2017 | Directing | The Shape of Water |
90 | 2017 | Documentary (Feature) | Icarus |
90 | 2017 | Documentary (Short Subject) | Heaven Is a Traffic Jam on the 405 |
90 | 2017 | Film Editing | Dunkirk |
90 | 2017 | Foreign Language Film | A Fantastic Woman |
90 | 2017 | Gordon E. Sawyer Award | Jonathan Erland |
90 | 2017 | Honorary Award | To Agnès Varda, whose compassion and curiosity inform a uniquely personal cinema. |
90 | 2017 | Honorary Award | To Charles Burnett, a resolutely independent and influential film pioneer who has chronicled the lives of black Americans with eloquence and insight. |
90 | 2017 | Honorary Award | To Donald Sutherland for a lifetime of indelible characters, rendered with unwavering truthfulness. |
90 | 2017 | Honorary Award | To Owen Roizman, whose expansive visual style and technical innovation have advanced the art of cinematography. |
90 | 2017 | Makeup and Hairstyling | Darkest Hour |
90 | 2017 | Music (Original Score) | The Shape of Water |
90 | 2017 | Music (Original Song) | Coco |
90 | 2017 | Production Design | The Shape of Water |
90 | 2017 | Scientific and Technical Award (Academy Award of Merit) | To MARK ELENDT and SIDE EFFECTS SOFTWARE for the creation and development of the Houdini visual effects and animation system. |
90 | 2017 | Scientific and Technical Award (Scientific and Engineering Award) | To ABIGAIL BRADY, JON WADELTON and JERRY HUXTABLE for their significant contributions to the architecture and extensibility of the Nuke compositing system. |
90 | 2017 | Scientific and Technical Award (Scientific and Engineering Award) | To BILL SPITZAK and JONATHAN EGSTAD for the visionary design, development and stewardship of the Nuke compositing system. |
90 | 2017 | Scientific and Technical Award (Scientific and Engineering Award) | To JEFF LAIT, MARK TUCKER, CRISTIN BARGHIEL and JOHN LYNCH for their contributions to the design and architecture of the Houdini visual effects and animation system. |
90 | 2017 | Scientific and Technical Award (Scientific and Engineering Award) | To JOHN COYLE, BRAD HURNDELL, VIKAS SATHAYE and SHANE BUCKHAM for the concept, design, engineering and implementation of the Shotover K1 Camera System. |
90 | 2017 | Scientific and Technical Award (Scientific and Engineering Award) | To LEONARD CHAPMAN for the overall concept, design and development, to STANISLAV GORBATOV for the electronic system design, and to DAVID GASPARIAN and SOUHAIL ISSA for the mechanical design and integration of the Hydrascope telescoping camera crane systems. |
90 | 2017 | Scientific and Technical Award (Technical Achievement Award) | To ALEX POWELL for his contribution to the design and engineering, to JASON REISIG for his contribution to the interaction design, and to MARTIN WATT and ALEX WELLS for their contributions to the high-performance execution engine of the Premo character animation system at DreamWorks Animation. |
90 | 2017 | Scientific and Technical Award (Technical Achievement Award) | To JASON SMITH and JEFF WHITE for the original design, and to RACHEL MARIE ROSE and MICHAEL JUSTIN LEE JUTAN for the architecture and engineering, of the BlockParty procedural rigging system at Industrial Light & Magic. |
90 | 2017 | Scientific and Technical Award (Technical Achievement Award) | To JOE MANCEWICZ, MATT DERKSEN and HANS RIJPKEMA for the design, architecture and implementation of the Rhythm & Hues Construction Kit rigging system. |
90 | 2017 | Scientific and Technical Award (Technical Achievement Award) | To ROB JENSEN for the foundational design and continued development, to THOMAS HAHN for the animation toolset, and to GEORGE ELKOURA, ADAM WOODBURY and DIRK VAN GELDER for the high-performance execution engine of the Presto Animation System at Pixar Animation Studios. |
90 | 2017 | Short Film (Animated) | Dear Basketball |
90 | 2017 | Short Film (Live Action) | The Silent Child |
90 | 2017 | Sound Editing | Dunkirk |
90 | 2017 | Sound Mixing | Dunkirk |
90 | 2017 | Special Award | To Alejandro G. Iñárritu's CARNE y ARENA virtual reality installation, in recognition of a visionary and powerful experience in storytelling. |
90 | 2017 | Visual Effects | Blade Runner 2049 |
90 | 2017 | Writing (Adapted Screenplay) | Call Me by Your Name |
90 | 2017 | Writing (Original Screenplay) | Get Out |
91 | 2018 | Actor in a Leading Role | Rami Malek |
91 | 2018 | Actor in a Supporting Role | Mahershala Ali |
91 | 2018 | Actress in a Leading Role | Olivia Colman |
91 | 2018 | Actress in a Supporting Role | Regina King |
91 | 2018 | Animated Feature Film | Spider-Man: Into the Spider-Verse |
91 | 2018 | Best Picture | Green Book |
91 | 2018 | Cinematography | Roma |
91 | 2018 | Costume Design | Black Panther |
91 | 2018 | Directing | Roma |
91 | 2018 | Documentary (Feature) | Free Solo |
91 | 2018 | Documentary (Short Subject) | Period. End of Sentence. |
91 | 2018 | Film Editing | Bohemian Rhapsody |
91 | 2018 | Foreign Language Film | Roma |
91 | 2018 | Honorary Award | To Cicely Tyson, whose unforgettable performances and personal integrity have inspired generations of filmmakers, actors and audiences. |
91 | 2018 | Honorary Award | To Lalo Schifrin, in recognition of his unique musical style, compositional integrity and influential contributions to the art of film scoring. |
91 | 2018 | Honorary Award | To Marvin Levy, for an exemplary career in publicity that has brought films to the minds, hearts and souls of audiences all over the world. |
91 | 2018 | Irving G. Thalberg Memorial Award | Kathleen Kennedy and Frank Marshall |
91 | 2018 | John A. Bonner Medal of Commendation | To Curtis Clark in recognition of extraordinary service to the motion picture industry. |
91 | 2018 | Makeup and Hairstyling | Vice |
91 | 2018 | Music (Original Score) | Black Panther |
91 | 2018 | Music (Original Song) | A Star Is Born |
91 | 2018 | Production Design | Black Panther |
91 | 2018 | Scientific and Technical Award (Scientific and Engineering Award) | To DAVID SIMONS, DANIEL WILK, JAMES ACQUAVELLA, MICHAEL NATKIN and DAVID M. COTTER for the design and development of the Adobe After Effects software for motion graphics. |
91 | 2018 | Scientific and Technical Award (Scientific and Engineering Award) | To EDWIN CATMULL for the original concept, and to TONY DeROSE and JOS STAM for their pioneering advancement of the underlying science of subdivision surfaces as 3D geometric modeling primitives. |
91 | 2018 | Scientific and Technical Award (Scientific and Engineering Award) | To THOMAS KNOLL and JOHN KNOLL for the original architecture, design and development, and to MARK HAMBURG for his continued development and engineering of Adobe Photoshop. |
91 | 2018 | Scientific and Technical Award (Technical Achievement Award) | To CHARLES TEORELL LOOP for his influential research on the fundamental scientific properties of subdivision surfaces as 3D geometric modeling primitives. |
91 | 2018 | Scientific and Technical Award (Technical Achievement Award) | To ERIC DACHS, ERIK BIELEFELDT, CRAIG WOOD and PAUL McREYNOLDS for the design and development of the PIX System's novel security mechanism for distributing media. |
91 | 2018 | Scientific and Technical Award (Technical Achievement Award) | To PAUL DEBEVEC, TIMOTHY HAWKINS and WAN-CHUN MA for the invention of the Polarized Spherical Gradient Illumination facial appearance capture method, and to XUEMING YU for the design and engineering of the Light Stage X capture system. |
91 | 2018 | Scientific and Technical Award (Technical Achievement Award) | To PAUL THOMAS MILLER for the software design, principal engineering and continued innovation, and to MARCO PAOLINI for the efficient, artist-friendly workflow design of the Silhouette rotoscope and paint system. |
91 | 2018 | Scientific and Technical Award (Technical Achievement Award) | To PER-ANDERS ARVID EDWARDS for the initial design and development of the MoGraph toolset in Cinema 4D for motion graphics. |
91 | 2018 | Scientific and Technical Award (Technical Achievement Award) | To THABO BEELER, DEREK BRADLEY, BERND BICKEL and MARKUS GROSS for the conception, design and engineering of the Medusa Performance Capture System. |
91 | 2018 | Short Film (Animated) | Bao |
91 | 2018 | Short Film (Live Action) | Skin |
91 | 2018 | Sound Editing | Bohemian Rhapsody |
91 | 2018 | Sound Mixing | Bohemian Rhapsody |
91 | 2018 | Visual Effects | First Man |
91 | 2018 | Writing (Adapted Screenplay) | BlacKkKlansman |
91 | 2018 | Writing (Original Screenplay) | Green Book |
92 | 2019 | Actor in a Leading Role | Joaquin Phoenix |
92 | 2019 | Actor in a Supporting Role | Brad Pitt |
92 | 2019 | Actress in a Leading Role | Renée Zellweger |
92 | 2019 | Actress in a Supporting Role | Laura Dern |
92 | 2019 | Animated Feature Film | Toy Story 4 |
92 | 2019 | Best Picture | Parasite |
92 | 2019 | Cinematography | 1917 |
92 | 2019 | Costume Design | Little Women |
92 | 2019 | Directing | Parasite |
92 | 2019 | Documentary (Feature) | American Factory |
92 | 2019 | Documentary (Short Subject) | Learning to Skateboard in a Warzone (If You're a Girl) |
92 | 2019 | Film Editing | Ford v Ferrari |
92 | 2019 | Honorary Award | To David Lynch, for fearlessly breaking boundaries in pursuit of his singular cinematic vision. |
92 | 2019 | Honorary Award | To Lina Wertmüller, for her provocative disruption of political and social norms delivered with bravery through her weapon of choice: the camera lens. |
92 | 2019 | Honorary Award | To Wes Studi, in recognition of the power and craft he brings to his indelible film portrayals and for his steadfast support of the Native American community. |
92 | 2019 | International Feature Film | Parasite |
92 | 2019 | Jean Hersholt Humanitarian Award | Geena Davis |
92 | 2019 | Makeup and Hairstyling | Bombshell |
92 | 2019 | Music (Original Score) | Joker |
92 | 2019 | Music (Original Song) | Rocketman |
92 | 2019 | Production Design | Once upon a Time...in Hollywood |
92 | 2019 | Scientific and Technical Award (Scientific and Engineering Award) | To ALEXEY LUKIN and the TEAM OF MATHEMATICIANS, SOFTWARE ENGINEERS, SOUND DESIGNERS AND PRODUCT SPECIALISTS OF IZOTOPE, INC. for the development of the RX audio processing system. |
92 | 2019 | Scientific and Technical Award (Scientific and Engineering Award) | To DR. ZVI REZNIC, PROFESSOR MEIR FEDER, GUY DORMAN and RON YOGEV for the development of the Amimon wireless chipset, which enables untethered, high-quality on-set, encrypted digital video monitoring with sub-frame latency. |
92 | 2019 | Scientific and Technical Award (Scientific and Engineering Award) | To JEFF BLOOM, GUY McNALLY and NICK ROSE for the original concept and engineering of the Wordfit System for automatic ADR synchronization, and to JOHN ELLWOOD and JONATHAN NEWLAND for the engineering and development of VocALign and Revoice Pro. |
92 | 2019 | Scientific and Technical Award (Scientific and Engineering Award) | To NICOLAAS VERHEEM, GREG SMOKLER and ILYA ISSENIN for the development of the ruggedized Teradek Bolt wireless video transmission system for on-set remote monitoring. |
92 | 2019 | Scientific and Technical Award (Scientific and Engineering Award) | To SANKEN MICROPHONE COMPANY LIMITED for the original innovation and continuous refinement of the Sanken COS-11 series of miniature lavalier microphones. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To ALEJANDRO ARANGO, GARY MARTINEZ, ROBERT DERRY and GLENN DERRY for the system design, ergonomics, engineering and workflow integration of the widely adopted Technoprops head-mounted camera system. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To BABAK BEHESHTI and SCOTT ROBITILLE for the development of the compact, stand-alone, phase-accurate genlock synchronization and recording module, and to IAN KELLY and DEJAN MOMCILOVIC for the technical direction and workflow integration, of the Standard Deviation head-mounted camera system. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To CHRIS COUNTRYMAN and OMER T. INAN for their engineering of the subminiature high-performance Countryman Associates lavalier microphones. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To DON PARKER for the product vision and design, MATT DAW for the core architecture, and ISAAC REUBEN, COLIN WITHERS and NEIL BRANDT for the foundational engineering, of the Autodesk Shotgun post-production tracking system. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To FREDRIK LIMSÄTER, BJÖRN RYDAHL and MATTIAS LAGERGREN for the design, architecture and engineering of ftrack Studio. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To HAYLEY IBEN, MARK MEYER, JOHN ANDERSON and ANDREW WITKIN for the Taz Hair Simulation System. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To JENS-JØRN STOKHOLM and OLE MOESMANN for their innovative development of miniature high-performance DPA lavalier microphones. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To KELLY WARD HAMMEL, ALEKA McADAMS, TOBY JONES, MARYANN SIMMONS and ANDY MILNE for the Walt Disney Animation Studios Hair Simulation System. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To MASATO NAKASHIMA, KOICHI UENO, JUNJI SAKUDA and JUNRO YONEMITSU for the development of the EIZO auto-calibrating SDR monitors that incorporate a built-in sensor, digital uniformity equalizer and accompanying SDK. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To NIALL RYAN, CHRISTOPH SPRENGER and GILLES DAVIET for the Synapse Hair Simulation System. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To STEPHEN BOWLINE for the ILM HairCraft Dynamics System. |
92 | 2019 | Scientific and Technical Award (Technical Achievement Award) | To SVEN WOOP and CARSTEN BENTHIN for core development, ATTILA T. ÁFRA for motion picture feature development, and MANFRED ERNST and INGO WALD for early research and technical direction, of the Intel® Embree Ray Tracing Library. |
92 | 2019 | Short Film (Animated) | Hair Love |
92 | 2019 | Short Film (Live Action) | The Neighbors' Window |
92 | 2019 | Sound Editing | Ford v Ferrari |
92 | 2019 | Sound Mixing | 1917 |
92 | 2019 | Visual Effects | 1917 |
92 | 2019 | Writing (Adapted Screenplay) | Jojo Rabbit |
92 | 2019 | Writing (Original Screenplay) | Parasite |
93 | 2020 | Actor in a Leading Role | Anthony Hopkins |
93 | 2020 | Actor in a Supporting Role | Daniel Kaluuya |
93 | 2020 | Actress in a Leading Role | Frances McDormand |
93 | 2020 | Actress in a Supporting Role | Yuh-Jung Youn |
93 | 2020 | Animated Feature Film | Soul |
93 | 2020 | Best Picture | Nomadland |
93 | 2020 | Cinematography | Mank |
93 | 2020 | Costume Design | Ma Rainey's Black Bottom |
93 | 2020 | Directing | Nomadland |
93 | 2020 | Documentary (Feature) | My Octopus Teacher |
93 | 2020 | Documentary (Short Subject) | Colette |
93 | 2020 | Film Editing | Sound of Metal |
93 | 2020 | International Feature Film | Another Round |
93 | 2020 | Jean Hersholt Humanitarian Award | Motion Picture & Television Fund |
93 | 2020 | Jean Hersholt Humanitarian Award | Tyler Perry |
93 | 2020 | Makeup and Hairstyling | Ma Rainey's Black Bottom |
93 | 2020 | Music (Original Score) | Soul |
93 | 2020 | Music (Original Song) | Fight For You from Judas and the Black Messiah |
93 | 2020 | Production Design | Mank |
93 | 2020 | Short Film (Animated) | If Anything Happens I Love You |
93 | 2020 | Short Film (Live Action) | Two Distant Strangers |
93 | 2020 | Sound | Sound of Metal |
93 | 2020 | Visual Effects | Tenet |
93 | 2020 | Writing (Adapted Screenplay) | The Father |
93 | 2020 | Writing (Original Screenplay) | Promising Young Woman |
94 | 2021 | Actor in a Leading Role | Will Smith |
94 | 2021 | Actor in a Supporting Role | Troy Kotsur |
94 | 2021 | Actress in a Leading Role | Jessica Chastain |
94 | 2021 | Actress in a Supporting Role | Ariana DeBose |
94 | 2021 | Animated Feature Film | Encanto |
94 | 2021 | Best Picture | CODA |
94 | 2021 | Cinematography | Dune |
94 | 2021 | Costume Design | Cruella |
94 | 2021 | Directing | The Power of the Dog |
94 | 2021 | Documentary (Feature) | Summer of Soul (...Or, When the Revolution Could Not Be Televised) |
94 | 2021 | Documentary (Short Subject) | The Queen of Basketball |
94 | 2021 | Film Editing | Dune |
94 | 2021 | Honorary Award | To Elaine May, writer, director, performer, pioneer whose bracing comedic spark illuminates us all. |
94 | 2021 | Honorary Award | To Liv Ullmann, for her deeply affecting screen portrayals and lifelong commitment to exploring the human condition. |
94 | 2021 | Honorary Award | To Samuel L. Jackson, whose dynamic performances resonate across genres and generations of audiences worldwide. |
94 | 2021 | International Feature Film | Drive My Car |
94 | 2021 | Jean Hersholt Humanitarian Award | Danny Glover |
94 | 2021 | Makeup And Hairstyling | The Eyes of Tammy Faye |
94 | 2021 | Music (Original Score) | Dune |
94 | 2021 | Music (Original Song) | No Time To Die from No Time to Die |
94 | 2021 | Production Design | Dune |
94 | 2021 | Short Film (Animated) | The Windshield Wiper |
94 | 2021 | Short Film (Live Action) | The Long Goodbye |
94 | 2021 | Sound | Dune |
94 | 2021 | Visual Effects | Dune |
94 | 2021 | Writing (Adapted Screenplay) | CODA |
94 | 2021 | Writing (Original Screenplay) | Belfast |